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<rss version="0.91"><channel><title>RSSMix.com Mix ID 18210</title><generator>RSSMix</generator><link>http://www.rssmix.com/</link><description>This feed was created by mixing existing feeds from various sources.</description><language>en-gb</language>
<item><title>De Nosferatu  Twilight... 80 annes d'pouvante.. les films d'horreurs au cinma.. - Cin-Story sur LePost.fr</title><link>http://www.lepost.fr/article/2009/12/29/1862620_de-nosferatu-a-twilight-80-annees-d-epouvante-les-films-d-horreurs-au-cinema.html</link><description></description><guid>f95ba38146d26a7fd3bdcb3fc5d9dc9a</guid></item>
<item><title type="text">Flash Quarantine</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2705/4419403669_04506380f5_o.jpg&quot; width=&quot;500&quot; height=&quot;341&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Landscapes of Quarantine&lt;/i&gt;&lt;/a&gt; opens tonight, March 9, at 7pm in New York City].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;With the help of Csar Cotta and &lt;a href=&quot;http://www.6ft6design.com/&quot;target=&quot;_blank&quot;&gt;Joshua Hearn&lt;/a&gt;, and based on a design by &lt;a href=&quot;http://www.mtwtf.org/&quot;target=&quot;_blank&quot;&gt;Glen Cummings&lt;/a&gt;, we installed a massive, reflective vinyl wall graphic last night at 2am outside &lt;a href=&quot;http://www.storefrontnews.org/&quot;target=&quot;_blank&quot;&gt;Storefront for Art and Architecture&lt;/a&gt;and it looks amazing. Flash photographs make the city disappear and giant vinyl letters float in space. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4066/4420195328_32b8d495fc_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Landscapes of Quarantine&lt;/i&gt;&lt;/a&gt; in New York City].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Ready or not, then, and half-covered in paint, our jeans ruined, in need of new shoes, dehydrated, our exhibition participants recently returned from Uganda and the eastern Congo with photographs and a film, mounting illuminated comic book manuscripts on the wall, exploring nuclear-waste repositories as symbolic geological centers of a future world, diagramming parallel split cities with quarantine spaces merely an arm's length away, and opening the facade panels of the gallery to allow bubbles and bulges and Tyvek screens to confuse the outside line with the street, and more, we will be there tonight, unloading dozens of cases of beer donated by &lt;a href=&quot;http://www.brooklynbrewery.com/&quot;target=&quot;_blank&quot;&gt;Brooklyn Brewery&lt;/a&gt;, to celebrate this long project coming together at last in an exhibition space for everyone to see. &lt;br /&gt;&lt;br /&gt;Stop by at 7pm tonight, March 9, if you're around and say helloor drop in on Storefront for Art and Architecture during its regular opening hours any time before April 17. Orange will after-image through your brain for days to come...&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-4202517254674785906?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/flash-quarantine.html</link><guid>ecd364feccbd4ee561457d0eb17eea1a</guid></item>
<item><title type="text">Excised Islands / Gourmet Cocktail</title><description type="html">Tim Maly of &lt;a href=&quot;http://quietbabylon.com/2010/islands-in-the-net/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Quiet Babylon&lt;/i&gt;&lt;/a&gt; and Nicola Twilley of &lt;a href=&quot;http://www.ediblegeography.com/the-ice-program/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt; have both jumped into the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;&lt;i&gt;Glacier/Island/Storm&lt;/i&gt;&lt;/a&gt; blogathon unfolding this week with posts about, respectively, questions of island sovereignty, national borders, data havens, geo-preservation and more, and, at &lt;i&gt;Edible Geography&lt;/i&gt;, specialty ices developed for the boutique cocktail trade.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4036/4383088187_f00e78938a_o.jpg&quot; width=&quot;500&quot; height=&quot;327&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: The Okinotori Islandsor &lt;a href=&quot;http://bldgblog.blogspot.com/2007/06/if-these-reefs-are-islands.html&quot;&gt;are they reefs?&lt;/a&gt; Image via &lt;a href=&quot;http://quietbabylon.com/2010/islands-in-the-net/&quot;target=&quot;_blank&quot;&gt;Tim Maly&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Tim's postwhich you should &lt;a href=&quot;http://quietbabylon.com/2010/islands-in-the-net/&quot;target=&quot;_blank&quot;&gt;read in full&lt;/a&gt;brings to mind recent moves by the Australian government to &quot;&lt;a href=&quot;http://news.theage.com.au/national/govt-denies-backflip-on-island-excision-20080221-1tmq.html&quot;target=&quot;_blank&quot;&gt;excise&lt;/a&gt;&quot; distant islands so as to prevent illegal immigrants from reaching what would otherwise legally recognized as Australian land. &lt;br /&gt;&lt;br /&gt;The whole legislative exercise falls somewhere between a managed retreat of territorial sovereignty and a particularly Kafka-esque interpretation of Zeno's paradox.&lt;br /&gt;&lt;br /&gt;In Kafka's short story &quot;&lt;a href=&quot;http://www.amazon.com/gp/product/0805210555?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0805210555&quot;&gt;A Message from the Emperor&lt;/a&gt;,&quot; for instance, we read that an imperial messenger, instructed to deliver the dying emperor's final wish to a recipient far away, finds himself unable to travel anywhere at all. Indeed, as he struggles to make his way through endless crowds and palace antechambers, fighting his way toward a destination that was, at best, unclear, &quot;how futile are all his efforts,&quot; we read.&lt;ul&gt;He is still forcing his way through the private rooms of the innermost palace. Never will he win his way through. And if he did manage that, nothing would have been achieved. He would have to fight his way down the steps, and, if he managed to do that, nothing would have been achieved. He would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years.&lt;/ul&gt;Now reverse this. Imagine someonea subject of the empiretrying to force his or her way back to the center, trying against overwhelming odds to reach the very epicenter of sovereign power, but utterly unable to succeed. &lt;br /&gt;&lt;br /&gt;There is always another courtyard to cross; always more rooms to run through. &lt;br /&gt;&lt;br /&gt;Now imagine this being played out on a South Pacific archipelago, where you are up against a sovereign state that insists on &quot;excising&quot; bits and bobs of its outer territory in order to sabotage your own best efforts to get somewhere. You step onto one island, secure in what you think is arrival, only to be told that, no, this is not yet Australia. You are both here and not here. This island is usbut it is also something we have legally abandoned. &lt;br /&gt;&lt;br /&gt;So you move on to the next islandand the next, and the next. &lt;br /&gt;&lt;br /&gt;The territorial complexities of sovereign governance thus rapidly spiral into clouds of uncertainty.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4061/4383562607_f8eca25bc2_o.jpg&quot; width=&quot;463&quot; height=&quot;422&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Map of &lt;a href=&quot;http://en.wikipedia.org/wiki/Christmas_Island&quot;target=&quot;_blank&quot;&gt;Christmas Island&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;According to &lt;a href=&quot;http://news.theage.com.au/national/govt-denies-backflip-on-island-excision-20080221-1tmq.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Age&lt;/i&gt;&lt;/a&gt;, an Australian newspaper, &quot;the Howard government removed about 4,600 islands from the migration zone in 2005, preventing boat people who land there from accessing Australian law and claiming asylum in Australia.&quot; The &quot;migration zone&quot; referred to here includes Christmas Island, which nowin 2010falls into a strange grey zone of legality; from the perspective of an arriving immigrant, it both is and is not Australia. &lt;br /&gt;&lt;br /&gt;This is what architect &lt;a href=&quot;http://www.aumstudio.org/&quot;target=&quot;_blank&quot;&gt;Ed Keller&lt;/a&gt; might call the &lt;i&gt;political science fiction&lt;/i&gt; of excised island terrain. &lt;br /&gt;&lt;br /&gt;I'm reminded of China Miville's recent novel &lt;a href=&quot;http://www.amazon.com/gp/product/034549752X?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=034549752X&quot;&gt;&lt;i&gt;The City &amp; The City&lt;/i&gt;&lt;/a&gt;, in which differently controlled but spatially overlapping urban territories have been marbled into and through one another; you can physically stand in two cities at once, yet only legally be present in one at any given time. &lt;br /&gt;&lt;br /&gt;Now blow Miville's strange in-and-out status up to the scale of a South Pacific archipelago and you have something approximating the spatial logic of Australian territorial law as applied to commonly used immigration routes. &lt;br /&gt;&lt;br /&gt;Read the actual, island-excising Parliamentary documentation &lt;a href=&quot;http://www.aph.gov.au/library/Pubs/BD/2001-02/02bd069.htm&quot;target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4066/4383440449_ec98ac0a14_o.jpg&quot; width=&quot;500&quot; height=&quot;512&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Photo by &lt;a href=&quot;http://www.elance.com/experts/new_york_/photography_food/2295928&quot;target=&quot;_blank&quot;&gt;Melissa Hom&lt;/a&gt; for &lt;a href=&quot;http://nymag.com/restaurants/articles/08/05/ice/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New York Magazine&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Nicola Twilley, meanwhile, studies &quot;&lt;a href=&quot;http://www.ediblegeography.com/the-ice-program/&quot;target=&quot;_blank&quot;&gt;detailed instructions for artificial glacier construction&lt;/a&gt;,&quot; suggesting that &quot;vernacular Himalayan glacier grafting techniques&quot; might actually &quot;have the potential to revolutionize the cocktails of tomorrow.&quot;&lt;br /&gt;&lt;br /&gt;In other words, artificial glaciers grown and maintained by specialty cocktail bars could be produced to order, made to include &quot;orchid flowers, raspberries, or espresso beans,&quot; Nicola writes, thus creating &quot;flavor-accented glaciers.&quot; These could then be chopped down into &quot;berry-studded chunks,&quot; rough cubes that supply &quot;the perfect finishing touch for a Brownie Cognac or Irish coffee.&quot; &lt;br /&gt;&lt;br /&gt;&quot;The theatrical potential of custom artificial glaciers,&quot; she jokes, &quot;might be second only to the champagne fountain.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4016/4384201066_02d45fa22f_o.jpg&quot; width=&quot;500&quot; height=&quot;512&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2786/4383440383_0256f8ea60_o.jpg&quot; width=&quot;500&quot; height=&quot;512&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: Photos by &lt;a href=&quot;http://www.elance.com/experts/new_york_/photography_food/2295928&quot;target=&quot;_blank&quot;&gt;Melissa Hom&lt;/a&gt; for &lt;a href=&quot;http://nymag.com/restaurants/articles/08/05/ice/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New York Magazine&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;These are only the two most recent posts in a week full of linked conversations exploring the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;&lt;i&gt;Glacier/Island/Storm&lt;/i&gt;&lt;/a&gt; studio at Columbia University. Here is a list of those relevant posts, if you're interested:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Edible Geography&lt;/b&gt;: &lt;a href=&quot;http://www.ediblegeography.com/the-ice-program/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Ice Program&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Quiet Babylon&lt;/b&gt;: &lt;a href=&quot;http://quietbabylon.com/2010/islands-in-the-net/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Islands in the Net&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;BLDGBLOG&lt;/b&gt;: &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/vincent-van-gogh-and-storm-archive.html&quot;&gt;&lt;i&gt;Vincent Van Gogh and the Storm Archive&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;BLDGBLOG&lt;/b&gt;: &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/geothermal-gardens-and-hot-zones-of.html&quot;&gt;&lt;i&gt;Geothermal Gardens and the Hot Zones of the City&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;mammoth&lt;/b&gt;, &lt;a href=&quot;http://m.ammoth.us/blog/2010/02/a-glacier-is-a-very-long-event/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;a glacier is a very long event&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;InfraNet Lab&lt;/b&gt;, &lt;a href=&quot;http://infranetlab.org/blog/2010/02/landfab-or-manufacturing-terrain/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;LandFab, or Manufacturing Terrain&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;Nick Sowers&lt;/b&gt;, &lt;a href=&quot;http://www.archinect.com/schoolblog/blog.php?id=C0_481_39&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Design to Fail&lt;/i&gt;&lt;/a&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-5040615796420811650?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/island-excision-gourmet-cocktail.html</link><guid>96dfe14b776700e3919475d3e0253148</guid></item>
<item><title type="text">Two L.A. Evenings</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 23px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4057/4413128059_3cf671efec_o.jpg&quot; width=&quot;500&quot; height=&quot;354&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;This is just a quick reminder to anyone in Los Angeles that &lt;a href=&quot;http://www.architizer.com/en_us/&quot;target=&quot;_blank&quot;&gt;Architizer&lt;/a&gt;'s official &lt;a href=&quot;http://www.architizer.com/en_us/blog/#post-1676&quot;target=&quot;_blank&quot;&gt;L.A. launch party&lt;/a&gt; is tonight down at the &lt;a href=&quot;http://aplusd.org/v5/&quot;target=&quot;_blank&quot;&gt;A+D Museum&lt;/a&gt;'s new location on Wilshire Boulevard. Stop by Architizer for &lt;a href=&quot;http://www.architizer.com/en_us/blog/#post-1676&quot;target=&quot;_blank&quot;&gt;more details&lt;/a&gt;but it should be a beautiful evening to be out and about, and things kick off at 6:30pm.&lt;br /&gt;&lt;br /&gt;This is a further reminder, as well, that Peter Cook of &lt;a href=&quot;http://www.amazon.com/gp/product/1568981945?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1568981945&quot;&gt;Archigram&lt;/a&gt; and &lt;a href=&quot;http://www.crabstudio.co.uk/&quot;target=&quot;_blank&quot;&gt;Crab Studio&lt;/a&gt; will be throwing open the doors for a new exhibition over at SCI-Arc tomorrow night: &lt;a href=&quot;http://www.sciarc.edu/exhibition.php?id=1633&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;London Eight&lt;/i&gt;&lt;/a&gt; features work by professors and their &quot;proteges&quot; from the Bartlett School of Architecture in London. Tomorrow nightFriday, March 19also includes a group discussion, moderated by Peter Cook, with Yousef Al-Mehdari, Pascal Bronner, Johan Hybschmann, CJ Lim, marcosandmarjan, and Mark Smout and Laura Allen of Smout Allen. That's at 6pm. Hope to see you at both events!&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-329191066906521287?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/two-la-evenings.html</link><guid>bd4b1a6124805c515a24073248ca4310</guid></item>
<item><title type="text">Open</title><description type="html">Now that &lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Landscapes of Quarantine&lt;/i&gt;&lt;/a&gt; is up and open for viewand will be until April 17we're off for a quick vacation. The opening night was amazing; thanks to everyone who came out, to everyone who helped set up, and to everyone whose work appears in the show. Thanks, especially, to Glen Cummings of &lt;a href=&quot;http://www.mtwtf.org/&quot;target=&quot;_blank&quot;&gt;MTWTF&lt;/a&gt; for a fantastic exhibition design, and to &lt;a href=&quot;http://www.6ft6design.com/&quot;target=&quot;_blank&quot;&gt;Josh Hearn&lt;/a&gt; and Csar Cotta for sticking around all week for 3am vinyl installations, multiple coats of paint, and more. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4062/4425938729_9f7d2fe5d2.jpg&quot; width=&quot;500&quot; height=&quot;333&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Outside-in: looking into &lt;a href=&quot;http://adhocinfrastructures.blogspot.com/2010/03/loq-opening-contextshift.html&quot;target=&quot;_blank&quot;&gt;Brian Slocum&lt;/a&gt;'s panel installation (left) and Jeffrey Inaba's/C-LAB's temporary sidewalk pavilions, built from Tyvek and blown air, at &lt;a href=&quot;http://www.storefrontnews.org/&quot;target=&quot;_blank&quot;&gt;Storefront for Art and Architecture&lt;/a&gt;; photo by &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;Nicola Twilley&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;I'm obviously biased, as the show's co-curator, but the works on display are awesome. They are:&lt;ul&gt;&lt;i&gt;Pages 179187&lt;/i&gt; by &lt;a href=&quot;http://www.joealterio.com&quot;target=&quot;_blank&quot;&gt;Joe Alterio&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Q-CITY: An Investigation&lt;/i&gt; by &lt;a href=&quot;http://www.frontstudio.com&quot;target=&quot;_blank&quot;&gt;Front Studio&lt;/a&gt;/Yen Ha, Michi Yanagishita, and Joshua Cummings&lt;br /&gt;&lt;i&gt;MAP 002 QUARANTINE&lt;/i&gt; by &lt;a href=&quot;http://davidgarciastudio.blogspot.com&quot;target=&quot;_blank&quot;&gt;David Garcia Studio&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Did We Build The Frontier To Keep It Closed?&lt;/i&gt; by &lt;a href=&quot;http://scott-geiger.com/&quot;target=&quot;_blank&quot;&gt;Scott Geiger&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Field Notes from Quarantine&lt;/i&gt;, &lt;a href=&quot;http://www.katieholten.com&quot;target=&quot;_blank&quot;&gt;Katie Holten&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Hotel III&lt;/i&gt;, &lt;i&gt;Camp II&lt;/i&gt;, &lt;i&gt;Lab IV&lt;/i&gt;, and &lt;i&gt;Cell V&lt;/i&gt; by &lt;a href=&quot;http://www.mimilien.com&quot;target=&quot;_blank&quot;&gt;Mimi Lien&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Cordon Sanitaire&lt;/i&gt; by &lt;a href=&quot;http://www.areacodeinc.com/ksbio.html&quot;target=&quot;_blank&quot;&gt;Kevin Slavin&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Context/Shift&lt;/i&gt;, &lt;a href=&quot;http://adhocinfrastructures.blogspot.com/&quot;target=&quot;_blank&quot;&gt;Brian Slocum&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Containing Uncertainty&lt;/i&gt;, &lt;a href=&quot;http://www.smudgestudio.org&quot;target=&quot;_blank&quot;&gt;Smudge Studio&lt;/a&gt;/Jamie Kruse &amp; Elizabeth Ellsworth&lt;br /&gt;&lt;i&gt;NYCQ&lt;/i&gt; by &lt;a href=&quot;http://www.graphomanic.net/target=&quot;_blank&quot; &gt;Amanda Spielman&lt;/a&gt; &amp; Jordan Spielman&lt;br /&gt;&lt;i&gt;Quick&lt;/i&gt; by &lt;a href=&quot;http://www.richardmosse.com&quot;target=&quot;_blank&quot;&gt;Richard Mosse&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Thermal Scanner and Body Temperature Alert System&lt;/i&gt; by &lt;a href=&quot;http://www.danielperlin.net&quot;target=&quot;_blank&quot;&gt;Daniel Perlin&lt;/a&gt;&lt;br /&gt;&lt;i&gt;Precious Isolation: A Pair of Invasive Species&lt;/i&gt; by &lt;a href=&quot;http://www.thomaspollman.com/&quot;target=&quot;_blank&quot;&gt;Thomas Pollman&lt;/a&gt;&lt;/ul&gt;And, for the opening night party only, &lt;i&gt;Suck/Blow&lt;/i&gt;, a pair of sidewalk pavilions constructed from Tyvek and pressurized air, by &lt;a href=&quot;http://www.inaba.us/Site/INABA.html&quot;target=&quot;_blank&quot;&gt;Jeffrey Inaba&lt;/a&gt;/&lt;a href=&quot;http://c-lab.columbia.edu/&quot;target=&quot;_blank&quot;&gt;C-LAB&lt;/a&gt; with former director of Storefront for Art and Architecture, Joseph Grima. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2788/4427663908_0430c08ae3_o.jpg&quot; width=&quot;500&quot; height=&quot;311&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Photo by &lt;a href=&quot;http://www.emilianogranado.com/&quot;target=&quot;_blank&quot;&gt;Emiliano Granado&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The show is already getting some great press, such as these articles and previews in &lt;a href=&quot;http://azuremagazine.com/newsviews/blog_content.php?id=1424&quot;Target=&quot;_Blank&quot;&gt;&lt;i&gt;Azure&lt;/i&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.dwell.com/articles/friday-finds-352010.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Dwell&lt;/i&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.artinfo.com/news/story/34120/out-of-the-landscape-and-into-quarantine/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Artinfo.com&lt;/i&gt;&lt;/a&gt;, and &lt;a href=&quot;http://www.fastcompany.com/pics/rapture-architecture-designers-tackle-coming-apocalypse&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Fast Company&lt;/i&gt;&lt;/a&gt;. &lt;a href=&quot;http://pruned.blogspot.com/2010/03/of-quarantine-pieds-terre-nuclear-waste.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Pruned&lt;/i&gt;&lt;/a&gt;, &lt;a href=&quot;http://m.ammoth.us/blog/2010/03/landscapes-of-quarantine/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;mammoth&lt;/i&gt;&lt;/a&gt;, &lt;a href=&quot;http://dprbcn.wordpress.com/2010/03/04/landscapes-of-quarantine-curated-by-geoff-manaugh-and-nicola-twilley/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;dpr-barcelona&lt;/i&gt;&lt;/a&gt;, and &lt;a href=&quot;http://lifewithoutbuildings.net/2010/03/landscapes-of-quarantine.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Life Without Buildings&lt;/i&gt;&lt;/a&gt; have also all added interests of their own.&lt;br /&gt;&lt;br /&gt;I've included a few photos here, meanwhile, but will be posting more about the show once the next few days of travel are done.&lt;br /&gt;&lt;br /&gt;I should also briefly add that this is the first post I've ever written while flying in a Wifi-enabled airplanein this case, over the American midwestriding through invisible geographies of air, turbulence bobbling us side to side in an experiential, transparent plate tectonics of the sky. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4015/4427664136_b389c5c677_o.jpg&quot; width=&quot;500&quot; height=&quot;500&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Photo by &lt;a href=&quot;http://www.emilianogranado.com/&quot;target=&quot;_blank&quot;&gt;Emiliano Granado&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;So thanks again for coming out for the exhibition opening. Regular posts will resume soon.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4021/4425512496_1499c568b5_o.jpg&quot; width=&quot;500&quot; height=&quot;325&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2797/4425411730_8187348315_o.jpg&quot; width=&quot;500&quot; height=&quot;765&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4041/4424655019_1c499c8e78_o.jpg&quot; width=&quot;500&quot; height=&quot;765&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2708/4424629835_a741fccdf0_o.jpg&quot; width=&quot;500&quot; height=&quot;323&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4038/4424599025_bdb44742e9_o.jpg&quot; width=&quot;500&quot; height=&quot;327&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2711/4426900099_24ea90934a_o.jpg&quot; width=&quot;500&quot; height=&quot;333&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2703/4426900035_a58f6d8fde_o.jpg&quot; width=&quot;500&quot; height=&quot;750&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2752/4426900199_2e372fcce5_o.jpg&quot; width=&quot;500&quot; height=&quot;745&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4019/4426900293_e58538bacc_o.jpg&quot; width=&quot;500&quot; height=&quot;315&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4057/4426900365_3dfe97677a_o.jpg&quot; width=&quot;500&quot; height=&quot;333&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2721/4426731968_9aaeaf3eec.jpg&quot; width=&quot;500&quot; height=&quot;353&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2732/4427721084_a59f9c3e5b_o.jpg&quot; width=&quot;500&quot; height=&quot;739&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4009/4426533024_9360cf62a8_o.jpg&quot; width=&quot;500&quot; height=&quot;666&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4061/4425768967_927b4a2a37_o.jpg&quot; width=&quot;500&quot; height=&quot;681&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2704/4427664414_e88ed5df6c_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: All photos, except the last five (two of which are by &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;Nicola Twilley&lt;/a&gt; and Stacy Fisher), by &lt;a href=&quot;http://www.emilianogranado.com/&quot;target=&quot;_blank&quot;&gt;Emiliano Granado&lt;/a&gt; (who appears, with tripod, in the final image)].&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7903816835777231059?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/open.html</link><guid>43dcfc911b1ba94cb2e57fe1603d9295</guid></item>
<item><title type="text">A Minor Architectural History of Ice Islands</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2798/4388238280_1a7fbac189_o.jpg&quot; width=&quot;500&quot; height=&quot;431&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &quot;Drawing shows ice island, frozen by liquid air, proposed by German scientist as a floating harbor and landing field&quot;; via &lt;a href=&quot;http://infranetlab.org/blog/2010/02/islands-of-speculation-speculation-on-islands-spray-ice/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt;'s new post on &lt;a href=&quot;http://infranetlab.org/blog/2010/02/islands-of-speculation-speculation-on-islands-spray-ice/&quot;target=&quot;_blank&quot;&gt;artificial ice islands&lt;/a&gt;and the architectural use of ice as a building material for things like roads, drilling platforms, remote airstrips, and moreis absolutely fascinating and a must-read. &lt;a href=&quot;http://infranetlab.org/blog/2010/02/islands-of-speculation-speculation-on-islands-spray-ice/&quot;target=&quot;_blank&quot;&gt;Don't miss it&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;More on ice islands &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/drift-station-bravo.html&quot;&gt;coming soon&lt;/a&gt;!&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-2355182062947641976?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/minor-architectural-history-of-ice.html</link><guid>78fa6eb23b68bb8cb6a49353e80c2bc1</guid></item>
<item><title type="text">Vincent Van Gogh and the Storm Archive</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4069/4381809203_39d9446b38_o.jpg&quot; width=&quot;500&quot; height=&quot;245&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Vincent Van Gogh, &quot;&lt;a href=&quot;http://www.vangoghmuseum.nl/vgm/index.jsp?page=4596&amp;collection=1282&amp;lang=en&quot;target=&quot;_blank&quot;&gt;Wheatfields under Thunderclouds&lt;/a&gt;&quot; (1890)].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;One of many books I've been referring to quite often these days, both in personal conversations and during desk-crits with my students, is Michael Welland's &lt;a href=&quot;http://www.amazon.com/gp/product/0520265971?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0520265971&quot;&gt;&lt;i&gt;Sand&lt;/i&gt;&lt;/a&gt;, newly released in paperback. &lt;br /&gt;&lt;br /&gt;I'll be mentioning many things from his book throughout the coming days and later; for now, I simply want to call attention to a comment Welland makes about &lt;a href=&quot;http://www.amazon.com/gp/product/0452275040?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0452275040&quot;&gt;Vincent Van Gogh&lt;/a&gt;'s habit of painting &lt;i&gt;en plein air&lt;/i&gt;that is, outside, with fresh paint, in the windswept meadows and fields near the Mediterranean, where dust storms were an expected part of an afternoon. &lt;br /&gt;&lt;br /&gt;This regional meteorology often resulted in sand grains being blown onto Van Gogh's still-wet canvasesand thus becoming a permanent part of art history. &lt;br /&gt;&lt;br /&gt;Indeed, in some cases, Welland writes, citing Van Gogh's own letters, the sand could get so dense and accumulate so thickly that he would have to scrape preliminary images from the unfinished canvas and start again. That intrusive terrestrial presencepieces of the very thing his paintings were meant to representwas thus removed. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4013/4382638778_a9023c9de2_o.jpg&quot; width=&quot;500&quot; height=&quot;234&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Vincent Van Gogh, &quot;&lt;a href=&quot;http://www.vangoghmuseum.nl/vgm/index.jsp?page=3343&amp;collection=1282&amp;lang=en&quot;target=&quot;_blank&quot;&gt;Wheatfield with Crows&lt;/a&gt;&quot; (1890)].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;More interestingly, though, passing meteorological events of the 19th century left behind what we might call &lt;i&gt;aerial fossils&lt;/i&gt;: traces of violent wind patterns and minor climatologies that have been frozen into place on the surface of &lt;i&gt;plein air&lt;/i&gt; paintings. &lt;br /&gt;&lt;br /&gt;The result is a kind of storm archivean unintentional core sample of 19th-century weatherhoused in museums around the world. Squint long enough, perhaps, and beneath those swirling mists and pixelations you will see traces of the Sahara, of building dust, of pollen, of the wheat-sprouting soil of the region, all recorded for good measure through time. &lt;br /&gt;&lt;br /&gt;Like some unexpected variation on &lt;a href=&quot;http://en.wikipedia.org/wiki/Jurassic_Park_(film)&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Jurassic Park&lt;/i&gt;&lt;/a&gt;in which it is not the DNA of dinosaurs extracted from ancient amber that we use to reconstitute a missing beingperhaps an army of art historians and scientists, equipped with microscopes and tweezers, could pull from the surface of every painting by Vincent Van Gogh a catalog of lost weather systems, mapping the moving sands of his era. &lt;br /&gt;&lt;br /&gt;&lt;small&gt;&lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/amplification-of-processes-that-already.html&quot;&gt;#GlacierIslandStorm&lt;/a&gt;&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-6154002713312672630?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/vincent-van-gogh-and-storm-archive.html</link><guid>e7a94db15ec4a334a6fd5eba5028efc5</guid></item>
<item><title type="text">Food Shape City</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4018/4385680900_facf625e07_o.jpg&quot; width=&quot;500&quot; height=&quot;333&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Courtesy of Flickr-user &lt;a href=&quot;http://www.flickr.com/photos/humain/4061237206/&quot;target=&quot;_blank&quot;&gt;humain&lt;/a&gt;, via &lt;a href=&quot;http://urbanomnibus.net/2010/02/food-and-the-shape-of-cities/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Urban Omnibus&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Varick Shute of &lt;i&gt;Urban Omnibus&lt;/i&gt; has posted a &lt;a href=&quot;http://urbanomnibus.net/2010/02/food-and-the-shape-of-cities/&quot;target=&quot;_blank&quot;&gt;great interview&lt;/a&gt; with Nicola Twilley of &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt; and &lt;a href=&quot;http://www.sarahrich.com/&quot;target=&quot;_blank&quot;&gt;Sarah Rich&lt;/a&gt; about their collaboration on the &lt;a href=&quot;http://www.foodprintproject.com/&quot;target=&quot;_blank&quot;&gt;Foodprint Project&lt;/a&gt;and, specifically, the &lt;a href=&quot;http://www.ediblegeography.com/save-the-date-foodprint-nyc/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Foodprint NYC&lt;/i&gt;&lt;/a&gt; event coming up this weekend at &lt;a href=&quot;http://www.arch.columbia.edu/studiox&quot;target=&quot;_blank&quot;&gt;Studio-X&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;The interview discusses urban food-distribution networks, the cultural and nutritional effects of food-vendor carts, the geographic distance from &quot;farm to table,&quot; food-contamination scares, what Sarah describes as &quot;the ways in which food and eating behaviors influence the physical shape of the city,&quot; Nicola's interest in &quot;cupcake shops as indicators of gentrification,&quot; and much more. Be sure to &lt;a href=&quot;http://urbanomnibus.net/2010/02/food-and-the-shape-of-cities/&quot;target=&quot;_blank&quot;&gt;check it out&lt;/a&gt; in fulland consider coming to &lt;a href=&quot;http://www.ediblegeography.com/save-the-date-foodprint-nyc/&quot;target=&quot;_blank&quot;&gt;the event&lt;/a&gt; on Saturday.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-8411571105057116111?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/food-shape-city.html</link><guid>b840d543602ab995703552a57d227d43</guid></item>
<item><title type="text">Drift Station Bravo</title><description type="html">The other day I took my students up to the &lt;a href=&quot;http://www.ldeo.columbia.edu/&quot;target=&quot;_blank&quot;&gt;Lamont-Doherty Earth Observatory&lt;/a&gt; for an afternoon of tours through the awe-inspiring &lt;a href=&quot;http://www.ldeo.columbia.edu/research/biology-paleo-environment/ldeo-deep-sea-sample-repository-coresearch&quot;target=&quot;_blank&quot;&gt;Core Lab&lt;/a&gt; and for a visit with the &lt;a href=&quot;http://www.ldeo.columbia.edu/BRG/&quot;target=&quot;_blank&quot;&gt;Borehole Group&lt;/a&gt;; we stopped in at the Lamont-Doherty &lt;a href=&quot;http://www.ldeo.columbia.edu/research/seismology-geology-tectonophysics/lamont-cooperative-seismographic-network-lcsn&quot;target=&quot;_blank&quot;&gt;seismic research station&lt;/a&gt; along the way, where we watched our technician-guide create artificial earthquakes with a wooden mallet so that we could watch his digital equipment go to work. It was a great day. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4030/4388410582_942ae67f5a_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2745/4387648565_e9b3c12510_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4047/4387648489_de3e10a0bb_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2706/4388410182_6c45ff9c80_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4027/4388410676_67b4a005ee_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2768/4387648861_d6348f3ee7_o.jpg&quot; width=&quot;500&quot; height=&quot;370&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: Inside the &lt;a href=&quot;http://www.ldeo.columbia.edu/research/biology-paleo-environment/ldeo-deep-sea-sample-repository-coresearch&quot;target=&quot;_blank&quot;&gt;Core Lab&lt;/a&gt; at Columbia's Lamont-Doherty Earth Observatory].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;While we were in the &lt;a href=&quot;http://www.ldeo.columbia.edu/research/biology-paleo-environment/ldeo-deep-sea-sample-repository-coresearch&quot;target=&quot;_blank&quot;&gt;Core Lab&lt;/a&gt;, however (photographs of which you see above), our guide mentioned that many of the older core sampleswhere a coring device is dropped all the way to the seabed in order to take a large cylindrical sample of geological material back to the surface for archiving and analysiswere taken not from ships but &lt;i&gt;from icebergs&lt;/i&gt;. &lt;br /&gt;&lt;br /&gt;These mobile islands of ice would be temporarily repurposed, turned into science labs at sea. Researchers would simply ride them till they melted, often quite far south into the waters of the North Atlantic. &lt;br /&gt;&lt;br /&gt;I had forgotten about this. Oddly, I have been meaning to post about an old ice island called Drift Station Bravo, used for exactly these sorts of purposes, since the earliest days of BLDGBLOG &lt;small&gt;(in fact, I mentioned Drift Station Bravo in a very old interview with &lt;a href=&quot;http://www.ballardian.com/politics-of-enthusiasm-geoff-manaugh-interview&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Ballardian&lt;/i&gt;&lt;/a&gt;)&lt;/small&gt;. &lt;br /&gt;&lt;br /&gt;In light of the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;&lt;i&gt;Glacier/Island/Storm&lt;/i&gt;&lt;/a&gt; studio, then, and after our inspiring tour of Lamont-Doherty, I thought I'd briefly recount this awesome story. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm4.static.flickr.com/3466/3380766629_9ac51fcda5_o.jpg&quot; width=&quot;475&quot; height=&quot;145&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Drift Station Bravo postage cancellation mark, via &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;As explained by the &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt; page, Colonel Joseph O. Fletcher, commander of an Air Force weather squadron stationed in the Arctic, discovered &quot;a large tabular iceberg... that had broken off the Arctic ice shelf... [and] gone adrift.&quot; &lt;br /&gt;&lt;br /&gt;This island of solid ice was soon &quot;codenamed T-1, taken from its original radar designation as a target.&quot; Future &quot;ice islands&quot; were codenamed T-2 and T-3.&lt;ul&gt;On March 19, 1952, the U.S. Air Force led by Colonel Fletcher and some scientists landed on this ice island [T-3] in a C-47 aircraft, setting up a weather observation station. Fletcher established a research station that was manned at this big ice sheet for roughly the next 25 years, despite a grim quote given by the head of the Alaska Air Command at the time, a General Old, who was quoted in a &lt;i&gt;Life&lt;/i&gt; magazine article of the time as saying &quot;I don't see how any man can live on this thing.&quot;&lt;/ul&gt;These details seem worth repeating: Fletcher's weather station was operated on a repurposed but naturally occuring ice island &lt;i&gt;for 25 years&lt;/i&gt;.&lt;ul&gt;Fletcher's Ice Island, and the research station that was located on it, rotated in circles in the Arctic Ocean, floating aimlessly along in the Arctic currents in a clockwise direction. The station was inhabited mainly by scientists along with a few military crewmen and was resupplied during its existence primarily by military planes operating from Barrow, Alaska.&lt;/ul&gt;Even better, the islandlater renamed &quot;Drift Station Bravo&quot;was inhabited long enough that it actually got its own postal network.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm4.static.flickr.com/3450/3381587216_a418999fc4_o.jpg&quot; width=&quot;475&quot; height=&quot;637&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Letters postmarked from Drift Station Bravo, via &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Again, from the &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt; website:&lt;ul&gt;During the period of active habitation, T-3 covers [basically postage stamps] were serviced, each stamped with a variety of hand-stamped cachets and markings, dated, and often marked with a manuscript notation of the geographic position of the drifting station on that particular day of ops. The T-3/Bravo covers were often cancelled at Barrow or at a USAF base in Alaska, and then placed in the mailstream.&lt;/ul&gt;The envelope, in other words, was stamped with the latitude and longitude of the iceberg at the moment of that letter's departure. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm4.static.flickr.com/3585/3381587138_f2572c030a_o.jpg&quot; width=&quot;137&quot; height=&quot;65&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: A postal marking from Drift Station Bravo, via &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Over on &lt;a href=&quot;http://infranetlab.org/blog/2010/02/islands-of-speculation-speculation-on-islands-spray-ice/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt;&lt;/a&gt;, we read that ice &quot;has been a strategic building material in the Arctic for the construction of roads, airstrips, housing, and, in the last few decades, as temporary drilling platforms to explore for oil.&quot;&lt;ul&gt;Ice islands are formed by spraying ice into cold air (below 20 degrees F), and layering the ice until it reaches a thickened state. These islands are either grounded at the bottom of the sea floor or are floating structures in deeper waters. Fabricated in just two months, these islands provide enough stability to support exploratory drilling tools including the rig and attendant equipment.&lt;/ul&gt;One of many amazing things about Drift Station Bravo, however, is that it was an administratively claimed piece of naturally existing, mobile territory. It wasn't &lt;i&gt;created&lt;/i&gt; in any genuine architectural sense, simply redirected, named, and given its own postal identity.&lt;br /&gt;&lt;br /&gt;Given this act of territorial appropriation, and bearing in mind the island's fundamental state of mobility, what are the implications for its &lt;a href=&quot;http://www.aggregat456.com/2010/02/baselines-straight-and-normal.html&quot;target=&quot;_blank&quot;&gt;maritime jurisdiction&lt;/a&gt;, as Enrique Ramirez explores over on &lt;i&gt;a456&lt;/i&gt;?&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4024/4388482338_26d8b2fa21_o.jpg&quot; width=&quot;500&quot; height=&quot;259&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: A letter from Drift Station Bravo, via &lt;a href=&quot;http://www.qsl.net/kg0yh/ice.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Polar Philately&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;This becomes a question of immediate geopolitical concern when we consider the fact that Drift Station Bravo and its ilk were actually created in a Sputnik-like reaction to the Soviet's own very active ice island program. The Soviets &quot;already operated six drifting ice camps of this kind,&quot; we read in a documentary transcript, downloadable as a &lt;a href=&quot;http://nsidc.org/data/docs/noaa/g02184_station_alpha/pdf/Narrationformatted_final.pdf&quot;target=&quot;_blank&quot;&gt;27kb PDF&lt;/a&gt;, but, &quot;owing to the particular strategic importance and sensitivity of the Arctic Basin, little information from these early Soviet stations had reached the West.&quot;&lt;br /&gt;&lt;br /&gt;That same transcript goes on to explain exactly how the U.S managed to architecturally colonize these nomadic ice worlds. Like a vision straight out of &lt;a href=&quot;http://www.amazon.com/gp/product/1568981945?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1568981945&quot;&gt;Archigram&lt;/a&gt;, military civilization on the ice established itself as follows:&lt;ul&gt;...a ski-equipped C-47 landed on the ice and deployed the first team of workers.  It included an Air Force Major as camp commander and several soldiers with technical skills who had volunteered for 6 months duty on the ice, plus four of the typical tough and versatile Alaskan construction workers.  &lt;br /&gt; &lt;br /&gt;Modular buildings, called Jamesway huts, camp supplies, fuels, two small World War II Studebaker tractors, called Weasel, and a small bulldozer, were dropped by parachutes.&lt;/ul&gt;I could quote the entire PDF, in fact, as it is easily one of the most fascinating things I've read, but a particularly eye-popping detail comes when we read that these researchers deliberately generated earthquakes in the iceberg they lived on: &quot;we generated tiny earthquakes in the ice. The propagation of the compressional waves generated in this way are used to study the elastic properties of the ice.&quot; &lt;br /&gt;&lt;br /&gt;The story expands rapidly from here. In an article originally published in the September-October 1966 issue of &lt;a href=&quot;http://www.airpower.maxwell.af.mil/airchronicles/aureview/1966/sep-oct/smith.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Air University Review&lt;/i&gt;&lt;/a&gt;, we read that competitive Soviet drift stations apparently discovered a &quot;second magnetic north pole... located near 80 N and 178 W, with magnetic medians extending across the Arctic Ocean,&quot; and that sulfuric gas fumes from a badly timed undersea volcanic eruption killed at least one unlucky crew member. &lt;br /&gt;&lt;br /&gt;The whole thing amazes me, in fact. I don't know why I've been sitting on this story for so long, but it's nice, finally, to put something up about Drift Station Bravo. How many other icebergs actually had their own postal codes? &lt;br /&gt;&lt;br /&gt;&lt;small&gt;(I owe a huge thanks to the &lt;a href=&quot;http://www.ldeo.columbia.edu/&quot;target=&quot;_blank&quot;&gt;Lamont-Doherty Earth Observatory&lt;/a&gt; staff for taking my students around their facilitieswe had a great time. Thanks!)&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-4892287289548247336?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/drift-station-bravo.html</link><guid>18cc82933f3a7ab66b9a99a9d504a7dd</guid></item>
<item><title type="text">#glacier #island #storm</title><description type="html">By way of a quick update, several fantastic new posts have joined this week's ongoing series of linked conversations, part of the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;&lt;i&gt;Glacier/Island/Storm&lt;/i&gt;&lt;/a&gt; studio at Columbia's &lt;a href=&quot;http://www.arch.columbia.edu/&quot;target=&quot;_blank&quot;&gt;GSAPP&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2724/4387470503_7c1f1dc745_o.jpg&quot; width=&quot;500&quot; height=&quot;353&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Map showing a straight baseline separating internal waters from zones of maritime jurisdiction; via &lt;a href=&quot;http://www.aggregat456.com/2010/02/baselines-straight-and-normal.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;a456&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Here is a complete list so far, featuring the most recent posts and going backward in temporal order from there [note: this list has been updated as of February 26]. By all means, feel free to jump in with comments on any of them:&lt;br /&gt;&lt;br /&gt;Nick Sowers of UC-Berkeley/&lt;i&gt;Archinect School Blog Project&lt;/i&gt; on &quot;&lt;a href=&quot;http://www.archinect.com/schoolblog/entry.php?id=96308_0_39_0_C481&quot;target=&quot;_blank&quot;&gt;Super/Typhoon/Wall&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;Stephen Becker and Rob Holmes of &lt;i&gt;mammoth&lt;/i&gt; on &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/saharan-miami/&quot;target=&quot;_blank&quot;&gt;saharan miami&lt;/a&gt;,&quot; &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/translation-machines-and-embassies/&quot;target=&quot;_blank&quot;&gt;translation, machines, and embassies&lt;/a&gt;,&quot; and &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/islands-draw-the-clouds-and-glaciers-are-wind-catchers/&quot;target=&quot;_blank&quot;&gt;islands draw the clouds, and glaciers are wind-catchers&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt; Mason White, Maya Przybylski, Neeraj Bhatia, and Lola Sheppard of &lt;i&gt;InfraNet Lab&lt;/i&gt; on &quot;&lt;a href=&quot;http://infranetlab.org/blog/2010/02/particulate-swarms/&quot;target=&quot;_blank&quot;&gt;Particulate Swarms&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;David Gissen of &lt;i&gt;HTC Experiments&lt;/i&gt; on &quot;&lt;a href=&quot;http://htcexperiments.org/2010/02/25/a-contribution-a-mini-review-a-plug/&quot;target=&quot;_blank&quot;&gt;A contribution, a mini-review, a plug&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;Enrique Ramirez of &lt;i&gt;a456&lt;/i&gt; on &quot;&lt;a href=&quot;http://www.aggregat456.com/2010/02/baselines-straight-and-normal.html&quot;target=&quot;_blank&quot;&gt;Baselines Straight and Normal&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt; on &quot;&lt;a href=&quot;http://infranetlab.org/blog/2010/02/islands-of-speculation-speculation-on-islands-spray-ice/&quot;target=&quot;_blank&quot;&gt;Islands of Speculation/Speculation on Islands: Spray Ice&lt;/a&gt;&quot; (nice comments on this one)&lt;br /&gt;&lt;br /&gt;&lt;object width=&quot;500&quot; height=&quot;250&quot;&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;param name=&quot;movie&quot; value=&quot;http://vimeo.com/moogaloop.swf?clip_id=8102161&amp;amp;server=vimeo.com&amp;amp;show_title=0&amp;amp;show_byline=0&amp;amp;show_portrait=0&amp;amp;color=00ADEF&amp;amp;fullscreen=1&quot; /&gt;&lt;embed src=&quot;http://vimeo.com/moogaloop.swf?clip_id=8102161&amp;amp;server=vimeo.com&amp;amp;show_title=0&amp;amp;show_byline=0&amp;amp;show_portrait=0&amp;amp;color=00ADEF&amp;amp;fullscreen=1&quot; type=&quot;application/x-shockwave-flash&quot; allowfullscreen=&quot;true&quot; allowscriptaccess=&quot;always&quot; width=&quot;500&quot; height=&quot;250&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;small&gt;[Video: &lt;a href=&quot;http://vimeo.com/8102161&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;#climatedata&lt;/i&gt;&lt;/a&gt; by by Michael Schieben; via &lt;a href=&quot;http://serialconsign.com/2010/02/glacier-island-storm-three-tangents&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Serial Consign&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Greg J. Smith of &lt;i&gt;Serial Consign&lt;/i&gt; on &quot;&lt;a href=&quot;http://serialconsign.com/2010/02/glacier-island-storm-three-tangents&quot;target=&quot;_blank&quot;&gt;Glacier/Island/Storm: Three Tangents&lt;/a&gt;&quot; (interesting comments developing here)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;mammoth&lt;/i&gt; on &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/thilafushi/&quot;target=&quot;_blank&quot;&gt;Thilafushi&lt;/a&gt;&quot; and &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/the-north-american-storm-control-authority/&quot;target=&quot;_blank&quot;&gt;The North American Storm Control Authority&lt;/a&gt;&quot; (enthusiastic comments thread on the latter link)&lt;br /&gt;&lt;br /&gt;Tim Maly of &lt;i&gt;Quiet Babylon&lt;/i&gt; on &quot;&lt;a href=&quot;http://quietbabylon.com/2010/islands-in-the-net/&quot;target=&quot;_blank&quot;&gt;Islands in the Net&lt;/a&gt;&quot; (interesting comments also developing here)&lt;br /&gt;&lt;br /&gt;Nicola Twilley of &lt;i&gt;Edible Geography&lt;/i&gt; on &quot;&lt;a href=&quot;http://www.ediblegeography.com/the-ice-program/&quot;target=&quot;_blank&quot;&gt;The Ice Program&lt;/a&gt;&quot; (great comments here, too!)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;mammoth&lt;/i&gt; on &quot;&lt;a href=&quot;http://m.ammoth.us/blog/2010/02/a-glacier-is-a-very-long-event/&quot;target=&quot;_blank&quot;&gt;A Glacier is a Very Long Event&lt;/a&gt;&quot; (another interesting comment thread)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt; on &quot;&lt;a href=&quot;http://infranetlab.org/blog/2010/02/landfab-or-manufacturing-terrain/&quot;target=&quot;_blank&quot;&gt;LandFab, or Manufacturing Terrain&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;Nick Sowers on &quot;&lt;a href=&quot;http://www.archinect.com/schoolblog/entry.php?id=96202_0_39_0_C481&quot;target=&quot;_blank&quot;&gt;Design to Fail&lt;/a&gt;&quot;&lt;br /&gt;&lt;br /&gt;Finally, I was excited to see that Ethel Baraona Pohl and Csar Reyes Njera have jumped into the conversation, adding their own thoughts &lt;a href=&quot;http://dprbcn.wordpress.com/2010/02/25/about-glacierislandstorm-conversation/&quot;target=&quot;_blank&quot;&gt;over at &lt;i&gt;dpr-barcelona&lt;/i&gt;&lt;/a&gt;; and Alexander Trevi of &lt;i&gt;Pruned&lt;/i&gt; has also supplied a &lt;i&gt;Glacier/Island/Storm&lt;/i&gt;-themed guide to his own archives in this &lt;a href=&quot;http://pruned.blogspot.com/2010/02/glacierislandstorm.html&quot;target=&quot;_blank&quot;&gt;hashtag switchboard&lt;/a&gt;. And that's in addition to some ongoing posts here on BLDGBLOG. &lt;br /&gt;&lt;br /&gt;It's been a great week for new content, I think, and all of the above are worth reading in full.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-8492247938321573750?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/glacier-island-storm.html</link><guid>a67ee2bd2f97e26781ce4b36b124fec4</guid></item>
<item><title type="text">Landscapes of Quarantine</title><description type="html">In only six days, with a reception on Tuesday, March 9, &quot;&lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;Landscapes of Quarantine&lt;/a&gt;&quot; opens at New York's &lt;a href=&quot;http://www.storefrontnews.org/&quot;target=&quot;_blank&quot;&gt;Storefront for Art and Architecture&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 23px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2752/4404494634_067d9481de_o.jpg&quot; width=&quot;500&quot; height=&quot;344&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;I'm absolutely thrilled to have curated this show, with Nicola Twilley of &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt;, and I can't wait to see it finally open for view. On the other hand, this week is an absolute mania of painting, material deliveries, installation, cleaning, and more, which means I'll probably be a bit thin on posts for the next few days. &lt;br /&gt;&lt;br /&gt;The last four or five months, of course, have seen a wide variety of quarantine-themed interviews and posts here on BLDGBLOG, but it's worth reminding both myself and others why quarantine is worthy of architectural attention in the first placeas a spatial experience of waiting, isolation, and, often, emotional claustrophobia. &lt;br /&gt;&lt;br /&gt;At its most basic, quarantine is the creation of a hygienic boundary between two or more things, for the purpose of protecting one from exposure to the other. It is a strategy of separation and containmenta spatial response to suspicion, threat, and uncertainty. From Chernobyls Zone of Exclusion to the artificial quarantine islands of the New York archipelago, and from camps set up to house HIV+ Haitian refugees at Guantnamo Bay to the modified Airstream trailer within which returning Apollo astronauts once waved at President Nixon, the landscapes of quarantine are as varied as they are unexpected.&lt;br /&gt;&lt;br /&gt;Each of the works on display in the exhibition responds to some aspect of quarantine, from the &quot;dark math&quot; of triage and the ethical challenge of enforced isolation to the geological timescale of nuclear-waste sequestration. The works range from a wall-sized infographic comparing the infrastructural bubbles inside of which illegally imported orchids and the President of the United States, respectively, live, to a tear-off &amp; take-home short story inspired by the idea of a Quarantine Administration bureaucracy. There are designs for a new, multi-player iPhone game called &quot;Cordon Sanitaire&quot;; field notes and sketches from North Brother Island, the final home of Typhoid Mary; a special issue of David Garcia's &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/map-002-quarantine.html&quot;&gt;&lt;i&gt;Manual of Architectural Possibilities&lt;/i&gt;&lt;/a&gt; (M.A.P.); and much more.&lt;br /&gt;&lt;br /&gt;The exhibition will be up until Saturday, April 17; there will be a series of ticketed, quarantine-themed dinners in early April (more details and ticket sales for these will be announced in a few weeks); and there will be an evening of related programming on Thursday, April 9, hosted by Columbia University's &lt;a href=&quot;http://www.arch.columbia.edu/studiox&quot;target=&quot;_blank&quot;&gt;Studio-X&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The reception kicks off at 7pm on Tuesday, March 9; it is free and open to the public (and there will be free beer, generously donated by &lt;a href=&quot;http://www.brooklynbrewery.com/&quot;target=&quot;_blank&quot;&gt;Brooklyn Brewery&lt;/a&gt;). I hope to see some of you there!&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(&quot;&lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;Landscapes of Quarantine&lt;/a&gt;&quot; poster, flyer, logo, and exhibition was designed by Glen Cummings of &lt;a href=&quot;http://www.mtwtf.org/&quot;target=&quot;_blank&quot;&gt;MTWTF&lt;/a&gt;).&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-2061072805511524070?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/landscapes-of-quarantine.html</link><guid>be6bd48ab92203e357fd7f3cca45a631</guid></item>
<item><title type="text">Quick Links 8</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2799/4413795232_6dcda67645_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://science.nationalgeographic.com/wallpaper/science/photos/caves-gallery/greenland-glacier-cave/&quot;target=&quot;_blank&quot;&gt; &lt;i&gt;National Geographic&lt;/i&gt;&lt;/a&gt;: &quot;A spelunker in a glacier cave in Greenland gazes upon colors and shapes that look more like a swirling galaxy than a cave formation.&quot; Photo by Carsten Peter].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Having now spent every available moment of every day for more than a week stuck inside &lt;a href=&quot;http://www.storefrontnews.org/&quot;target=&quot;_blank&quot;&gt;Storefront for Art and Architecture&lt;/a&gt;, painting the floors and walls, installing vinyl, coordinating deliveries, sweeping up loose tape and sawdust, and more, I've decided to upload a slightly longer than normal cache of links. It might be a few more days before I can post again. &lt;br /&gt;&lt;br /&gt;I hope to see some of you at the exhibition opening, though, which takes place Tuesday, March 9, at 7pm: &lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Landscapes of Quarantine&lt;/i&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2783/4413757862_6842435bca_o.jpg&quot; width=&quot;500&quot; height=&quot;120&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: The future is not what it used to be: MIT's &lt;a href=&quot;http://architecture.mit.edu/thresholds/CallForSubmissions/cfp38.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;thresholds&lt;/i&gt;&lt;/a&gt; seeks essays on critical futurism].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;thresholds&lt;/i&gt; 38 | &lt;a href=&quot;http://architecture.mit.edu/thresholds/CallForSubmissions/cfp38.htm&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Futures&lt;/i&gt;: Call for Submissions&lt;/a&gt;: &quot;Whether it is a revolt against the futures of the past or a curiosity towards the unknown, &lt;i&gt;thresholds 38&lt;/i&gt; invites methods, projects, practices and alternative kinds of critique that imagine unorthodox futures that can emerge from within this institution.&quot; Submissions due March 12. &lt;br /&gt;&lt;br /&gt;&lt;i&gt;Synthetic Aesthetics&lt;/i&gt; | &lt;a href=&quot;http://www.syntheticaesthetics.org/participate&quot;target=&quot;_blank&quot;&gt;Call for Participants&lt;/a&gt;: &quot;We seek participants for a project on synthetic biology, design, and aesthetics. The project will provide funding to bring together scientists and engineers working in synthetic biology with artists, designers, and other creative practitioners.&quot;&lt;ul&gt;Synthetic biology is broadly defined as the design and construction of new biological parts, devices, and systems, and the re-design of existing biological systems for useful purposes. Design is central to synthetic biology, as the living world becomes a product of design and manufacturing choices, rather than evolutionary pressures alone. Thus, it becomes important to ask what role design--and the related concept of aesthetics--play in this burgeoning field. Other forms of engineering and manufacturing work in close conjunction with creative practitioners: structural engineers work with architects; mechanical engineers with product designers. Can synthetic biology benefit similarly from such collaborations?&lt;/ul&gt;Applications due March 31.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Open Agenda&lt;/i&gt; | &lt;a href=&quot;http://utsarchitecture.net/openagenda/&quot;target=&quot;_blank&quot;&gt;Call for Submissions&lt;/a&gt;: &quot;&lt;i&gt;Open Agenda&lt;/i&gt; is a new annual competition aimed at supporting a new generation of experimental Australian architecture. Open to recent architecture graduates, &lt;i&gt;Open Agenda&lt;/i&gt; is focused on developing the possibilities of design research in architecture and the built environment... &lt;i&gt;Open Agenda&lt;/i&gt; will award seed funding to three exceptional design research proposals that explore new positions in architecture for critical consideration.&quot; Register by May 1.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4052/4413765760_2f490c715a_o.jpg&quot; width=&quot;500&quot; height=&quot;345&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: The Niagara Falls without their water, photographed by Flickr user &lt;a href=&quot;http://www.flickr.com/photos/rbglasson/4085873424/&quot;target=&quot;_blank&quot;&gt;rbglasson&lt;/a&gt;, via &lt;a href=&quot;http://m.ammoth.us/blog/2010/03/absent-rivers-ephemeral-parks/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;mammoth&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;mammoth&lt;/i&gt; | &lt;a href=&quot;http://m.ammoth.us/blog/2010/03/absent-rivers-ephemeral-parks/&quot;target=&quot;_blank&quot;&gt;Absent Rivers, Ephemeral Parks&lt;/a&gt;: &quot;For six months in the winter and fall of 1969, Niagaras American Falls were 'de-watered' as the Army Corps of Engineers conducted a geological survey of the falls rock face, concerned that it was becoming destabilized by erosion. During the interim study period, the dried riverbed and shale was drip-irrigated, like some mineral garden in a tender establishment period, by long pipes stretched across the gap, to maintain a sufficient and stabilizing level of moisture.  For a portion of that period, while workers cleaned the former river-bottom of unwanted mosses and drilled test-cores in search of instabilities, a temporary walkway was installed a mere twenty feet from the edge of the dry falls, and tourists were able to explore this otherwise inaccessible and hostile landscape.&quot;&lt;br /&gt;&lt;br /&gt;BBC | &lt;a href=&quot;http://news.bbc.co.uk/2/hi/uk_news/england/tyne/8548069.stm&quot;target=&quot;_blank&quot;&gt;North Tyneside high street &quot;revived&quot; by fake shop front&lt;/a&gt;: &quot;Fake businesses are to be used to lessen the impact of the recession on high streets in North Tyneside... The government-funded project involves colourful graphic designs featuring a range of different shop types, which are either taped inside the windows or screwed to the fascia so they can be removed and reused as required.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt; | &lt;a href=&quot;http://infranetlab.org/blog/2010/03/terrestrial-discontinuities/&quot;target=&quot;_blank&quot;&gt;Terrestrial Discontinuities&lt;/a&gt;: &quot;...these [energy corridors in the western United States] range from 3,500-feet wide to upwards of 5 miles wide. With these widths, we could almost begin to see these corridors as an ecology in and of themselvesrather than an ecology competing with National Parks, they could &lt;i&gt;become&lt;/i&gt; the New National Parks, infrastructural vectors, protected as natural reserves by virtue of their very danger to us.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Guardian&lt;/i&gt; | &lt;a href=&quot;http://www.guardian.co.uk/business/2010/mar/04/greece-sell-islands-german-mps&quot;target=&quot;_blank&quot;&gt;Greece should sell islands to keep bankruptcy at bay&lt;/a&gt;: &quot;Greece must consider a fire sale of land, historic buildings and art works to cut its debts, two rightwing German politicians said today in a newspaper interview that is bound to exacerbate tensions between Athens and Berlin. Alongside austerity measures such as cuts to public sector pay and a freeze on state pensions, why not sell a few uninhabited islands...&quot; It might be ethically wrong, as well as politically dubious, and I have no money, but BLDGBLOG would certainly buy one. The Sovereign Neo-Cyclades. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4059/4412989995_8bb70a64b8_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Tactical drone seed-bombing, courtesy of &lt;a href=&quot;http://www.designundersky.com/dus/2010/2/25/ludic-guerrilla-gardening-drone-warfare.html&quot;target=&quot;_blank&quot;&gt; &lt;i&gt;Design Under Sky&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Design Under Sky&lt;/i&gt; | &lt;a href=&quot;http://www.designundersky.com/dus/2010/2/25/ludic-guerrilla-gardening-drone-warfare.html&quot;target=&quot;_blank&quot;&gt;Ludic Guerrilla Gardening Drone Warfare&lt;/a&gt;: &quot;...with recent advancements in augmented reality and virtual gaming, I can't help but imagine that a new style of drone-based urban landscape replenishment isn't a far off possibility.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Post-Traumatic Urbanism&lt;/i&gt; | &lt;a href=&quot;http://post-traumaticurbanism.com/?p=257&quot;target=&quot;_blank&quot;&gt;Mediterranean Union&lt;/a&gt;: &quot;A [high-speed rail] line running along the Mediterranean littoral is a seemingly impossible idea based in visionary assumptions.  After all, it would need to pass through a region mired by instability and fractured by impenetrable borders. Functioning like a conveyor at the scale of continents, it would redistribute flows of people, warping the space-time fabric of an entire regionlinking long disputed territories and as yet unformed nations. It would string together a seemingly impossible series of names: Gaza, Barcelona, Beirut, Haifa, Tel Aviv, Cairo. In doing so it would open a conduit between the differential pressures of North Africa and Europeall this in the context of EU policy that increasingly conceives of Southern Europe as a bulwark against refugees. The political question we asked ourselves is the following one: what are the emancipatory potentials of infrastructure?&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;City of Sound&lt;/i&gt; | &lt;a href=&quot;http://www.cityofsound.com/blog/2010/01/notes-on-new-songdo-city.html&quot;target=&quot;_blank&quot;&gt;Notes on New Songdo City (Part 1)&lt;/a&gt;: &quot;...it occurs to me that the logical thing to do would be the greatest engineering project of the next centuries; quite possibly the greatest diplomatic and economic project of the next centuries too, linking Japan with China via Korea via a high-speed rail link across gigantic bridges.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Spaceinvading&lt;/i&gt; | &lt;a href=&quot;http://spaceinvading.com/entry/project_id/Sandwiched201003031267674841&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Sandwiched&lt;/i&gt; by INABA&lt;/a&gt;: &quot;As part of the 2010 Whitney Biennial, Jeffrey Inaba's firm INABA was commissioned to design a popup caf located in the museum's interior courtyard. The project consists of three largescale lanterns that occupy the courtyard's doubleheight space; a 24foot long service counter; communal tables; hightop counters; and 'droopy' seat cushions.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2677/4413757580_1c9fb45567_o.jpg&quot; width=&quot;500&quot; height=&quot;282&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;strike&gt;Project by &lt;a href=&quot;http://www.cjlim-studio8.com/&quot;target=&quot;_blank&quot;&gt;CJ Lim&lt;/a&gt;&lt;/strike&gt; Image by &lt;a href=&quot;http://www.squintopera.com/#/projects/?id=26&quot;target=&quot;_blank&quot;&gt;Squint/Opera&lt;/a&gt; for &lt;a href=&quot;http://www.grant-associates.uk.com/projects_77_2921.aspx&quot;target=&quot;_blank&quot;&gt;Grant Associates&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;SCI-Arc&lt;/i&gt; | &lt;a href=&quot;http://www.sciarc.edu/exhibition.php?date=2010-03-19&quot;target=&quot;_blank&quot;&gt;London Eight Exhibition&lt;/a&gt;: &quot;SCI-Arc presents &lt;i&gt;London Eight&lt;/i&gt;, curated by renowned English architect Sir Peter Cook. A founding member of the 1960s futurist group Archigram and a visiting faculty member at SCI-Arc, Cook invited five architects who currently teach at the Bartlett School of Architecture, University College London, where Cook was professor from 1990 to 2005, to participate in an exhibition at the SCI-Arc Library Gallery. These architects were then asked to select a 'protege' whom they had mentored through their studies at the Bartlett to exhibit alongside their own work in the gallery.&quot; Includes work by &lt;a href=&quot;http://bldgblog.blogspot.com/2008/07/landscapemp3-interview-with-smout-allen.html&quot;&gt;Smout Allen&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2009/09/book-of-space.html&quot;&gt;Johan Hybschmann&lt;/a&gt;, Marjan Colletti &amp; &lt;a href=&quot;http://bldgblog.blogspot.com/2006/12/architectural-sci-fi.html&quot;&gt;Marcos Cruz&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2009/09/body-baroque.html&quot;&gt;Yousef Al-Mehdari&lt;/a&gt;, CJ Lim, and Pascal Bronner.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Hudson Valley Seed Library&lt;/i&gt; | &quot;The &lt;a href=&quot;http://www.seedlibrary.org/&quot;target=&quot;_blank&quot;&gt;Hudson Valley Seed Library&lt;/a&gt; strives to do two things: to create an accessible and affordable source of regionally-adapted seeds that is maintained by a community of caring gardeners; and, to create gift-quality seed packs featuring works designed by New York artists in order to celebrate the beauty of heirloom gardening.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Urban Forest Map&lt;/i&gt; | &quot;The &lt;a href=&quot;http://urbanforestmap.org/&quot;target=&quot;_blank&quot;&gt;Urban Forest Map&lt;/a&gt; is a collaborative project among city agencies, tree advocacy groups, and citizen foresters like you to map every tree in San Francisco, which will help protect and expand our urban forests.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;GOOD&lt;/i&gt; | &lt;a href=&quot;http://www.good.is/post/fallen-fruit-s-tree-planting-dreams-are-uprooted-in-madrid/&quot;target=&quot;_blank&quot;&gt;Fallen Fruit's Tree-planting Dreams Are Uprooted In Madrid&lt;/a&gt;: &quot;For the last 10 days Fallen Fruit had been scouring the area [around Madrid], leading urban foraging trips to find what other fruit-bearing trees existed in the neighborhood around the city-funded Matadero art space, plotting the best locations for future apples, peaches, plums, pears, and apricots... The plan was to have the trees planted before their final presentation that night, giving the people of Madrid a map to all the public fruit they could eventually eat.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Cleveland Plain Dealer&lt;/i&gt; | &lt;a href=&quot;http://blog.cleveland.com/metro/2010/02/galleria_has_gardens_now.html&quot;target=&quot;_blank&quot;&gt;Galleria mall is giant greenhouse, raising organic crops in Cleveland&lt;/a&gt;: &quot;...by late spring or early summer, there will be fresh tomatoes for sale among the shops and galleries at the downtown Cleveland mall. &lt;i&gt;Very&lt;/i&gt; freshas in vine-grown in bags and troughs hanging from steel stair banisters and ceiling beams in the shopping center that stretches between East Ninth and East 12th streets.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4059/4413883936_c6f34d9dc6_o.jpg&quot; width=&quot;500&quot; height=&quot;318&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;i&gt;King's Vineyard, London&lt;/i&gt; by Soonil Kim, via &lt;a href=&quot;http://pruned.blogspot.com/2008/10/aagrotecture-1-king-vineyard-london.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Pruned&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Pruned&lt;/i&gt; | &lt;a href=&quot;http://pruned.blogspot.com/2008/10/aagrotecture-1-king-vineyard-london.html&quot;target=&quot;_blank&quot;&gt;King's Vineyard, London&lt;/a&gt;: &quot;One can certainly imagine such a network [of aerial vineyards and urban viticultural installations] built to grow others things, such as vegetables, herbs, fruits, cash crops, commercial flowers and plants, with the winery turned into a farmer's market.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Independent&lt;/i&gt; | &lt;a href=&quot;http://www.independent.co.uk/news/science/archaeology/news/syrias-stonehenge-neolithic-stone-circles-alignments-and-possible-tombs-discovered-1914047.html&quot;target=&quot;_blank&quot;&gt;Syria's Stonehenge: Neolithic stone circles, alignments and possible tombs discovered&lt;/a&gt;: &quot;Dr. Mason explains that he 'went for a walk' into the eastern perimeter of the sitean area that hasnt been explored by archaeologists. What he discovered is an ancient landscape of stone circles, stone alignments and what appear to be corbelled roof tombs. From stone tools found at the site, its likely that the features date to some point in the Middle Easts Neolithic Perioda broad stretch of time between roughly 8500 BC  4300 BC. It is thought that in Western Europe megalithic construction involving the use of stone only dates back as far as ca. 4500 BC. This means that the Syrian site could well be older than anything seen in Europe.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;New York Times&lt;/i&gt; | &lt;a href=&quot;http://www.nytimes.com/2010/03/06/us/06religion.html&quot;target=&quot;_blank&quot;&gt;A Jewish Ritual Collides With Mother Nature&lt;/a&gt;: &quot;From Washington to New York State, a series of 'snowmageddons' have wreaked a particular form of havoc for Orthodox Jews. The storms have knocked down portions of the ritual boundary known as an &lt;i&gt;eruv&lt;/i&gt; in Jewish communities... Almost literally invisible even to observant Jews, the wire or string of an &lt;i&gt;eruv&lt;/i&gt;, connected from pole to pole, allows the outdoors to be considered an extension of the home. Which means, under Judaic law, that one can carry things on the Sabbath, an act that is otherwise forbidden outside the house. Prayer shawls, prayer books, bottles of wine, platters of food and, perhaps most important, strollers with children in themOrthodox Jews can haul or tote such items within the &lt;i&gt;eruv&lt;/i&gt;. When a section of an &lt;i&gt;eruv&lt;/i&gt; is knocked down by, lets say, a big snowstorm, then the alerts go out by Internet and robocall, and human behavior changes dramatically.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Spillway&lt;/i&gt; | &lt;a href=&quot;http://willwiles.blogspot.com/2010/02/why-ambassador-with-this-perimeter-you.html&quot;target=&quot;_blank&quot;&gt;Why Ambassador, With This Perimeter You Are Really Spoiling Us&lt;/a&gt;: &quot;One progresses from queue to queue before entering the building, progressing to slightly higher echelons of security clearance each time depending on the paperwork one has brought with one. Unsmiling police officers with automatic weapons stare at you, and you realize that if you made a dash towards the building itself, you would have to enter an area of open space that designed as a killzone, surrounded by armed representatives of the Metropolitan constabulary. Behind crossfire plaza is the building itself, its generous Scandinavian spaces seemingly as distant as the country you are trying to visit. The contradictions of that space are horribly unsettling, with a strongly dystopian odour: we can see the structures of a democracy retrofitted with the apparatus of authoritarianism. It gives a sense of how far we've fallen in 10 years.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4001/4412989843_a0a44b749f_o.jpg&quot; width=&quot;500&quot; height=&quot;605&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: The &quot;&lt;a href=&quot;http://lebbeuswoods.wordpress.com/2010/02/23/high-houses/&quot;target=&quot;_blank&quot;&gt;High Houses&lt;/a&gt;&quot; of &lt;a href=&quot;http://lebbeuswoods.wordpress.com/&quot;target=&quot;_blank&quot;&gt;Lebbeus Woods&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Lebbeus Woods&lt;/i&gt; | &lt;a href=&quot;http://lebbeuswoods.wordpress.com/2010/02/23/high-houses/&quot;target=&quot;_blank&quot;&gt;High Houses&lt;/a&gt;: &quot;The High Houses are proposed as part of the reconstruction of Sarajevo after the siege of the city that lasted from 1992 though late 1995. Their site is the badly damaged 'old tobacco factory' in the &lt;i&gt;Marijn dvor&lt;/i&gt; section near the city center.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Serial Consign&lt;/i&gt; | &lt;a href=&quot;http://serialconsign.com/2010/02/toronto-sound-ecology&quot;target=&quot;_blank&quot;&gt;Toronto Sound Ecology&lt;/a&gt;: &quot;&lt;i&gt;Toronto Sound Ecology&lt;/i&gt; is a web mapping project dedicated to archiving field recordings collected in and around Toronto.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Some landscapes&lt;/i&gt; | &lt;a href=&quot;http://some-landscapes.blogspot.com/2010/02/alpine-symphony.html&quot;target=&quot;_blank&quot;&gt;Alpine Symphony&lt;/a&gt;: &quot;Birdsong, thunderstorms and flowing water are pretty standard, but... would it be possible to move away from the sublime and the picturesque, to convey more unusual settings or simply nondescript landscapes through purely orchestral sound?&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Google Earth Blog&lt;/i&gt; | &lt;a href=&quot;http://www.gearthblog.com/blog/archives/2010/03/solving_a_murder_with_google_earth.html&quot;target=&quot;_blank&quot;&gt;Solving a Murder With Google Earth&lt;/a&gt;: &quot;On January 24, 2006, Jennifer Kesse vanished. The police quickly determined that she was abducted, but nothing solid has turned up in the past four years... During this time, users on her site discussed the new events and came to a stunning revelation: using Google Earth's historical imagery, they found an image from approximately one month after she disappeared. The image seems to show some promising information.&quot; &lt;br /&gt;&lt;br /&gt;Related from last summer: &lt;i&gt;Sydney Morning Herald&lt;/i&gt; | &lt;a href=&quot;http://www.smh.com.au/digital-life/digital-life-news/mugging-suspects-snapped-by-google-street-view-20090621-cs3k.html&quot;target=&quot;_blank&quot;&gt;Mugging suspects snapped by Google Street View&lt;/a&gt;: &quot;Dutch police have arrested twin brothers on suspicion of robbery after their alleged victim spotted a picture of them following him on Google Map's Street View feature.&quot;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;National Geographic&lt;/i&gt; | &lt;a href=&quot;http://www.nationalgeographic.com/field/projects/quintana-roo-meacham-project.html&quot;target=&quot;_blank&quot;&gt;Quintana Roo Underwater Cave Project&lt;/a&gt;: &quot;Beneath the jungles of the Yucatan peninsula, [Sam] Meacham and his team are exploring and mapping the longest underwater cave system in the world.&quot; See also: &lt;a href=&quot;http://www.nationalgeographic.com/field/projects/blue-holes.html&quot;target=&quot;_blank&quot;&gt;Blue Holes Project&lt;/a&gt;: &quot;Blue holes can run extremely deep underground, with one Bahamian blue hole exceeding 600 feet (180 meters) below sea level, and contain a series of mazelike passageways going miles in many directions. These cave systems can transition from giant rooms to tiny holes that divers must remove all of their gear in order to squeeze through. To add to the challenge, currents reverse in the ocean caves, making timing of dives critical.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4057/4413128059_3cf671efec_o.jpg&quot; width=&quot;500&quot; height=&quot;354&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://www.architizer.com/&quot;target=&quot;_blank&quot;&gt;Architizer&lt;/a&gt; comes to &lt;a href=&quot;http://www.architizer.com/en_us/blog/#post-1676&quot;target=&quot;_blank&quot;&gt;Los Angeles&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Architizer&lt;/i&gt; | &lt;a href=&quot;http://www.architizer.com/en_us/blog/#post-1676&quot;target=&quot;_blank&quot;&gt;Los Angeles Launch Announcement&lt;/a&gt;: &quot;We are happy to announce that on March 18th, we will be hosting a party in Los Angeles at the new &lt;a href=&quot;http://aplusd.org/v5/&quot;target=&quot;_blank&quot;&gt;A+D Museum&lt;/a&gt; space [at 6032 Wilshire Boulevard].  In partnership with Haworth, &lt;i&gt;Dwell Magazine&lt;/i&gt;, LA Forum, SCI-Arc, and BLDGBLOG, the event will be an evening to meet fellow Los Angeleno architects as well as a celebration of Los Angeles architecture culture.&quot; Here is a &lt;a href=&quot;http://maps.google.com/maps?client=safari&amp;q=6032+Wilshire+Blvd,+Los+Angeles,+CA&amp;oe=UTF-8&amp;ie=UTF8&amp;hq=&amp;hnear=6032+Wilshire+Blvd,+Los+Angeles,+California+90036&amp;gl=us&amp;ei=rLeTS4nIBcT98Qa0g52oBQ&amp;ved=0CAgQ8gEwAA&amp;ll=34.062615,-118.360519&amp;spn=0.047782,0.090551&amp;z=14&quot;target=&quot;_blank&quot;&gt;map&lt;/a&gt;. If you're in LA, stop by and say hello! &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2691/4413984938_4173c2353a_o.jpg&quot; width=&quot;500&quot; height=&quot;339&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Rendering of the new &lt;a href=&quot;http://aplusd.org/v5/&quot;target=&quot;_blank&quot;&gt;A+D Museum&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(Some links via &lt;a href=&quot;http://twitter.com/doingitwrong/&quot;target=&quot;_blank&quot;&gt;@doingitwrong&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/javierest/&quot;target=&quot;_blank&quot;&gt;@javierest&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/geoparadigm&quot;target=&quot;_blank&quot;&gt;@geoparadigm&lt;/a&gt;, &lt;a href=&quot;http://twitter.com/stevesilberman&quot;target=&quot;_blank&quot;&gt;@stevesilberman&lt;/a&gt;, and possibly elsewhere. Don't miss &lt;i&gt;Quick Links&lt;/i&gt; &lt;a href=&quot;http://bldgblog.blogspot.com/2010/01/quick-links-1.html&quot;&gt;1&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2010/01/quick-links-2.html&quot;&gt;2&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2010/01/quick-links-3.html&quot;&gt;3&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/quick-links-4.html&quot;&gt;4&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/quick-links-5.html&quot;&gt;5&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/quick-links-6.html&quot;&gt;6&lt;/a&gt; and &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/quick-links-7.html&quot;&gt;7&lt;/a&gt;).&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-6128186633788867795?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/quick-links-8.html</link><guid>a355eed74f6537e9132c5f505ce9a900</guid></item>
<item><title type="text">Ornamental Forensics</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4067/4388145654_e1080906cc_o.jpg&quot; width=&quot;500&quot; height=&quot;763&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Photo by Andy Marshall of &lt;a href=&quot;http://fotofacade.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Foto Facade&lt;/i&gt;&lt;/a&gt; from his awesome Flickr set &lt;a href=&quot;http://www.flickr.com/photos/fotofacade/sets/72157603692252353/detail/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Beverley Minster Hoodmould Carvings&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Continuing, briefly, with the ideas presented in the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/star-archive.html&quot;&gt;previous post&lt;/a&gt;, I wanted to add two more things: &lt;br /&gt;&lt;br /&gt;&lt;b&gt;1)&lt;/b&gt; Could ancient astronomical events also have been recorded in architectural ornament (not just in paintings or poetry)? In other words, somewhere beneath the overgrown vines of some Indiana Jones-like complex in the Cambodian rain forestor carved into the solid rock of a minor cathedral near Dijonis a bas-relief depicting a star gone nova six hundred years ago. This astral disaster left no other record than that. Previously unknown celestial events could thus be pieced together through stone carvings found as far apart as a village church in Russia and a temple on the Deccan Plateauor even stars in stained glass windows. So is there an architectural equivalent to the appearance of Halley's Comet's in the &lt;a href=&quot;http://www.bayeuxtapestry.org.uk/Bayeux14.htm&quot;target=&quot;_blank&quot;&gt;Bayeux Tapestry&lt;/a&gt;? A previously unknown meteor shower historically recorded in a chapel's stone vault?&lt;br /&gt;&lt;br /&gt;&lt;b&gt;2)&lt;/b&gt; What about &lt;i&gt;epidemiological history&lt;/i&gt; as recorded in architectural ornament? Of course, there are already dozens of examples of medical historians determining, through close readings and reinterpretations of literary document, that such and such a king or character must have been suffering from syphilis or a brain tumor or lead-induced dementia. But I'm specifically interested here in how medical symptoms might have taken on ornamental form. Perhaps, in the writhing Gothic forms of church facadesin those old carved faces depicting humans hybridized with angels and demons, plants and animals, minerals and godswe might yet discover the symptomological clues of some horrifying medieval plague or outbreak. You travel to a remote mountain village in Macedonia to study vernacular church-building traditions only to find a shunned building on the edge of town whose ornamentation borders on the grotesqueand you soon realize that you've discovered not just an architectural masterpiece but evidence of a forgotten disease, similar to Ebola, that had otherwise gone unrecorded. At the very least, this would make for an awesome potboiler or short novel, that I would absolutely love to write &lt;small&gt;(attention, publishers!)&lt;/small&gt;.&lt;br /&gt;&lt;br /&gt;My point, though, is to ask if there are any real-world examples of architectural ornament in which something like an unknown astronomical event, or a disease forgotten by the modern world (weird bodies on a stone frieze in northern India). If so, how might these strange carving be subject to the same type of analysis as explored in the &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/star-archive.html&quot;&gt;previous post&lt;/a&gt;? &lt;br /&gt;&lt;br /&gt;I sense a new historical field herecalled &lt;i&gt;ornamental forensics&lt;/i&gt;just waiting to happen.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7769273702711007912?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/ornamental-forensics.html</link><guid>0072fcfe930348431ec918f4e3bd684f</guid></item>
<item><title type="text">Geothermal Gardens and the Hot Zones of the City</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4029/4380609177_eec8d3ab13_o.jpg&quot; width=&quot;500&quot; height=&quot;290&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &quot;Reykjavik Botanical Garden&quot; by Andrew Corrigan and John Carr].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;In a fantastic issue of &lt;a href=&quot;http://www.amazon.com/gp/product/0470753633?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0470753633&quot;&gt;&lt;i&gt;AD&lt;/i&gt;&lt;/a&gt;, edited by &lt;a href=&quot;http://www.w-e-a-t-h-e-r-s.com/&quot;target=&quot;_blank&quot;&gt;Sean Lally&lt;/a&gt; and themed around the idea of &quot;Energies,&quot; a long list of projects appeared that are of direct relevance to the &lt;i&gt;Glacier/Island/Storm&lt;/i&gt; &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/amplification-of-processes-that-already.html&quot;&gt;studio thread&lt;/a&gt; developing this week. I want to mention just two of those projects here. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4057/4380609131_6b37ed4f33_o.jpg&quot; width=&quot;500&quot; height=&quot;500&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &quot;Reykjavik Botanical Garden&quot; by Andrew Corrigan and John Carr].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;For their &quot;Reykjavik Botanical Garden,&quot; Rice University architecture students Andrew Corrigan and John Carr proposed tapping that city's geothermal energy to create &quot;microclimates for varied plant growth.&quot;&lt;br /&gt;&lt;br /&gt;&quot;Heat is taken directly from the ground,&quot; they write, &quot;and piped up across the landscape into a system of [pipes and] towers.&quot;&lt;ul&gt;Zones of heat radiate out from the pipes, creating a new climate layer with variable conditions based on their number and proximity to each other. These exterior plantings are mostly native to Iceland, but the amplified environment allows a wider range of growth than would normally be possible, informing the role and opportunity of this particular botanical garden. Visitors experience growth never before possible in Iceland, and travel through new climates throughout the site.&lt;/ul&gt;Amidst &quot;hydroponic growing trays and research laboratories,&quot; and sprouting in the climatic shadow of complicated &quot;air-intake systems,&quot; a new landscape grows, absorbing its heat from below. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4001/4381364742_6b70819f64_o.jpg&quot; width=&quot;338&quot; height=&quot;939&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &quot;Reykjavik Botanical Garden&quot; by Andrew Corrigan and John Carr].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The climate of the city is altered, in other words, literally from the ground up; using the functional equivalent of terrestrially powered ovens, otherwise botanically impossible species can healthily take root.&lt;br /&gt;&lt;br /&gt;This domestication of geothermal energy, and the use of it for purposes other than electricity-generation, raises the fascinating possibility that heat itself, if carefully and specifically redirected, can utterly transform urban space. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4025/4381364684_c60a932858_o.jpg&quot; width=&quot;500&quot; height=&quot;648&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Produced for the &quot;Vatnsmyri Urban Planning Competition&quot; by Sean Lally, Andrew Corrigan, and Paul Kweton of &lt;a href=&quot;http://www.w-e-a-t-h-e-r-s.com/&quot;target=&quot;_blank&quot;&gt;WEATHERS&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;A variant on this forms the basic idea behind Sean Lally's own project, produced with Andrew Corrigan and Paul Kweton, for the Vatnsmyri Urban Planning Competition (a competition previously discussed on BLDGBLOG &lt;a href=&quot;http://bldgblog.blogspot.com/2008/02/project-runway.html&quot;&gt;here&lt;/a&gt;). &lt;br /&gt;&lt;br /&gt;Their design also proposes using geothermal heat in Reykjavik &quot;to affect the local climatic conditions on land, including air temperature and soil temperature for vegetative growth.&quot; But their goal is to generate a &quot;climatic 'wash'&quot;that is, an amorphous zone of heat that lies just slightly outside of direct regulation. This slow leaking of heat into the city could then effect a linked series of hot zonesor &lt;i&gt;variable microclimates&lt;/i&gt;, as the architects writethat would punctuate the city with thermal oases. &lt;br /&gt;&lt;br /&gt;Like a winterized inversion of the air-conditioned cold fronts we feel rolling out from the open doors of buildings all summer long, this would be &lt;i&gt;pure heat&lt;/i&gt;and its attendant humidityroiling upward from the Earth itself. The result would be to generate a new architecture not of walls and buildings but of temperature thresholds and bodily sensation.   &lt;br /&gt;&lt;br /&gt;Indeed, as &lt;a href=&quot;http://htcexperiments.org/&quot;target=&quot;_blank&quot;&gt;David Gissen&lt;/a&gt; suggests in his excellent book &lt;a href=&quot;http://www.amazon.com/gp/product/1568987773?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1568987773&quot;&gt;&lt;i&gt;Subnature&lt;/i&gt;&lt;/a&gt;, this project could very well imply &quot;a new form of urban planning,&quot; one in which sculpted zones of thermal energy take precedence over architecturally designated public spaces. &lt;br /&gt;&lt;br /&gt;Of course, whether this simply means that under-designed urban dead zoneslike the otherwise sorely needed &lt;a href=&quot;http://www.nytimes.com/2010/02/12/nyregion/12broadway.html&quot;target=&quot;_blank&quot;&gt;pedestrian parks&lt;/a&gt; now scattered up and down Broadwaywill be left as is, provided they are heated from below by a subway grate, remains, for the time being, undetermined. &lt;br /&gt;&lt;br /&gt;This is all just part of a much larger question: how we &quot;renegotiate the relationship between architecture and weather,&quot; as Jrgen Mayer H. and Neeraj Bhatia, editors of the recent book &lt;a href=&quot;http://www.amazon.com/gp/product/3775725407?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3775725407&quot;&gt;&lt;i&gt;-arium: Weather + Architecture&lt;/i&gt;&lt;/a&gt;, describe it. The &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;&lt;i&gt;Glacier/Island/Storm&lt;/i&gt;&lt;/a&gt; studio will continue to explore these and other abstract questions of climate and architectural design throughout the spring.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7146717154731880882?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/geothermal-gardens-and-hot-zones-of.html</link><guid>40daecebdad4730e35cad423e0ab5352</guid></item>
<item><title type="text">An amplification of processes that already occur</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4029/4380953348_3c962e5b38_o.jpg&quot; width=&quot;500&quot; height=&quot;333&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Glacier-protection services in the Swiss Alps; photo by Olivier Maire/Epa/Corbis, via the &lt;a href=&quot;http://www.guardian.co.uk/environment/gallery/2009/apr/28/glaciers-melting-climate-change?picture=346586104&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Guardian&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Several posts in our &lt;i&gt;Glacier/Island/Storm&lt;/i&gt; &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;blog week&lt;/a&gt; are already up and working it: &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Nick Sowers&lt;/b&gt;, &lt;a href=&quot;http://www.archinect.com/schoolblog/blog.php?id=C0_481_39&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Design to Fail&lt;/i&gt;&lt;/a&gt;: In which we read about tree-bombing Guam, the unintended reuse of abandoned military artifacts, global climate change as national security threat, and how all architects should plan for the failure of their most grandiose ideas.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;InfraNet Lab&lt;/b&gt;, &lt;a href=&quot;http://infranetlab.org/blog/2010/02/landfab-or-manufacturing-terrain/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;LandFab, or Manufacturing Terrain&lt;/i&gt;&lt;/a&gt;: In which we read about &quot;volcanic heroism,&quot; desert islands, &quot;politically anomalous artificial land fabrication,&quot; and a brief history of dredging in the Florida Everglades &lt;small&gt;(perhaps vaguely related: &lt;a href=&quot;http://bldgblog.blogspot.com/2008/02/prosthetic-delta.html&quot;&gt;&lt;i&gt;Prosthetic Delta&lt;/i&gt;&lt;/a&gt;)&lt;/small&gt;.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;mammoth&lt;/b&gt;, &lt;a href=&quot;http://m.ammoth.us/blog/2010/02/a-glacier-is-a-very-long-event/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;a glacier is a very long event&lt;/i&gt;&lt;/a&gt;: In which we read about the self-altering internal torque of metamorphic glaciers, salt farms, shell middens, the ecological redesign of an abandoned landfill, accretionary geographies, and much more. &lt;br /&gt;&lt;br /&gt;The title of this post, meanwhile, comes from &lt;a href=&quot;http://m.ammoth.us/blog/2010/02/a-glacier-is-a-very-long-event/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;mammoth&lt;/i&gt;&lt;/a&gt;, as cited above. It was also chosen as way of pointing out that, while this week pretends toward the status of &lt;i&gt;symposium&lt;/i&gt;that is, multiple blogs with different backgrounds all pursuing a shared suite of themes and references at the same time for a limited periodit is, in reality, no more than what already happens in the deep chains of internet conversation everyday. I write a post referring to something on &lt;a href=&quot;http://pruned.blogspot.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Pruned&lt;/i&gt;&lt;/a&gt;; &lt;i&gt;Pruned&lt;/i&gt; perhaps saw something tweeted by &lt;a href=&quot;http://twitter.com/ballardian&quot;target=&quot;_blank&quot;&gt;Ballardian&lt;/a&gt; or &lt;a href=&quot;http://twitter.com/alexismadrigal&quot;target=&quot;_blank&quot;&gt;Alexis Madrigal&lt;/a&gt;; the link in question might have come from an &lt;a href=&quot;http://archinect.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Archinect&lt;/i&gt;&lt;/a&gt; board or even &lt;a href=&quot;http://www.metafilter.com/&quot;target=&quot;_blank&quot;&gt;Metafilter&lt;/a&gt;; and the endlessly marbled laminations of successive re-linking never cease to accumulate. That's how things are; that's simply what happens. This is not distortion, we might say, and it is certainly nothing new; it is just an amplification of processes that already occur.&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(There may or may not be Twitter updates throughout the week using the #glacierislandstorm hashtag).&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-337196815770718024?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/amplification-of-processes-that-already.html</link><guid>e48e74d42ae3021a037974098fdf3db3</guid></item>
<item><title type="text">The Architecture of Polar Ice Floes</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm4.static.flickr.com/3188/2575823374_8b5c18b22e_o.jpg&quot; width=&quot;475&quot; height=&quot;369&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Trapped in ice].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Back in January 2008, a ship called &lt;a href=&quot;http://oceans.taraexpeditions.org/en/home-tara.php?id_page=1&quot;target=&quot;_blank&quot;&gt;Tara&lt;/a&gt; unlocked from the polar ice near Greenland; it had been frozen in the Arctic floes for a year and four months, repeating the journey of the &lt;a href=&quot;http://www.fram.museum.no/en/&quot;target=&quot;_blank&quot;&gt;Fram&lt;/a&gt;, a Norwegian ship that once drifted across the polar seas, frozen solid in the ice fields, back in 1896. &lt;br /&gt;&lt;br /&gt;In both cases, the ships temporarily became buildings, works of architecture wed flush with the landscape surrounding them.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm4.static.flickr.com/3083/2574997225_a37e0a6cb6_o.jpg&quot; width=&quot;475&quot; height=&quot;355&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: Photos via &lt;a href=&quot;http://www.julesvernefestival.com/jva/spip.php?article536&amp;lang=en&quot;target=&quot;_blank&quot;&gt;Jules Verne Adventures&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;As reported two winters ago in the &lt;a href=&quot;http://www.timesonline.co.uk/tol/news/uk/science/article3060238.ece&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Times&lt;/i&gt;&lt;/a&gt;:&lt;ul&gt;Visitors to the North Pole in the past 15 months might have happened upon a peculiar sight: a ship, high and dry on the ice pack, her masts upright against the flaming aurora borealis, her bow pointing over the ice sheet, as if sailing on a sea of snow. They might have thought it a polar mirage.&lt;/ul&gt;It was, however, the Tara, a mobile building of the Arctic. &lt;br /&gt;&lt;br /&gt;In a description so strange I have trouble visualizing it, we read about a &quot;pressure ridge&quot; that moved toward the boat at &quot;super-slow&quot; speeds, threatening everyone on board with destruction:&lt;ul&gt;There was another scare that winter with a pressure ridge caused by colliding plates of ice advancing towards the boat. It was like a frozen wave, moving in super-slow motionabout a centimeter a second, said [a crew member]. At one stage we attacked it with picks and chainsaws, but there was no way we could stop it. It leant over the boat, then suddenly it stopped by itself and we were released from the pinch, said [the crew member].&lt;/ul&gt;&lt;i&gt;When landscapes attack&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4042/4397534566_c7e1da19c9_o.jpg&quot; width=&quot;500&quot; height=&quot;469&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Map of the Arctic ice routes that brought ships across the sea, courtesy of &lt;a href=&quot;http://environment.newscientist.com/channel/earth/mg19826591.800-climate-scientists-go-with-the-floe.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New Scientist&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;But what interests me here is the idea that you could build one thinga shipthat only becomes what it's really meant to bea buildingwhen the circumstances it's surrounded by undergo a phase change (here, water turning into ice). &lt;br /&gt;&lt;br /&gt;The ship's hull was specifically designed for this, we read in &lt;a href=&quot;http://environment.newscientist.com/channel/earth/mg19826591.800-climate-scientists-go-with-the-floe.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New Scientist&lt;/i&gt;&lt;/a&gt;; it was &quot;broad, smooth and round so that, rather than being crushed like an egg, the boat would pop up like an olive stone squeezed between finger and thumb, and sit on top of the pack ice. It also featured a lifting centerboard instead of a fixed keel, and removable propellers and rudders. These precautions worked: Tara suffered just a small dent at the stern, and another stretching a metre or so along the hull.&quot; &lt;br /&gt;&lt;br /&gt;What might the atmospheric equivalent of this be? Perhaps a planetary probe dropped into the skies of &lt;a href=&quot;http://www.theregister.co.uk/2010/01/15/titan_patio_gas_hot_air_balloons/&quot;target=&quot;_blank&quot;&gt;Titan&lt;/a&gt; or &lt;a href=&quot;http://www.boston.com/bigpicture/2008/10/enceladus_up_close.html&quot;target=&quot;_blank&quot;&gt;Enceladus&lt;/a&gt;, awaiting some strange aerial phase change to occur on all sides? &lt;br /&gt;&lt;br /&gt;And, speaking of other planets, could you ever encounter such extraordinary air pressureon a &lt;a href=&quot;http://www.sciencedaily.com/articles/g/gas_giant.htm&quot;target=&quot;_blank&quot;&gt;gas giant&lt;/a&gt;, saysuch that solid objects simply become trapped in place, unable to fall any further? The atmosphere beneath them is denser than the metal they are made from. &lt;br /&gt;&lt;br /&gt;Like machine-fossils buried transparently in airor like Arctic ships locked in iceNASA probes would gradually decay, compressed by nothing but air, under deformational pressures lasting tens of millions of years. Aerial tectonics. Slow weather. Sky glacier.&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(&lt;a href=&quot;http://www.boston.com/bigpicture/2008/10/enceladus_up_close.html&quot;target=&quot;_blank&quot;&gt;Enceladus&lt;/a&gt; link via &lt;a href=&quot;http://twitter.com/pruned&quot;target=&quot;_blank&quot;&gt;@pruned&lt;/a&gt;).&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-6542819591612904352?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/architecture-of-polar-ice-floes.html</link><guid>fe375242007c6eb215c9e6fa9793a329</guid></item>
<item><title type="text">The Star Archive</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2748/4386221357_0ed27b24ab_o.jpg&quot; width=&quot;500&quot; height=&quot;330&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Perseids Meteor Shower, August 11, 1999; photo by Wally Pacholka, courtesy of &lt;a href=&quot;http://neo.jpl.nasa.gov/images/perseids99.html&quot;target=&quot;_blank&quot;&gt;NASA&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;In an &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/vincent-van-gogh-and-storm-archive.html&quot;&gt;earlier post&lt;/a&gt;, I looked at the possibility that the paintings of Vincent Van Gogh might include a very physical archive of 19th-century meteorological events, with sand, dust, pollen, and other airborne particulates from the days Van Gogh painted &lt;i&gt;en plein air&lt;/i&gt; now trapped for all art history inside the vibrant swirls of his canvases. &lt;br /&gt;&lt;br /&gt;Adam, from &lt;a href=&quot;http://www.designundersky.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Design Under Sky&lt;/i&gt;&lt;/a&gt;, then left a comment saying that this unintentional archive of sand already exists, with or without such speculation: &quot;Sand was used as an ink blotting material and remnants are often still found in manuscripts today.&quot; Every library is thus also a museum of sand. &lt;br /&gt;&lt;br /&gt;But I completely failed to mention an article that has fascinated me for more than a year now; I believe I originally found it via Andrew Ray of &lt;a href=&quot;http://some-landscapes.blogspot.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Some landscapes&lt;/i&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;In a feature for &lt;a href=&quot;http://www.cosmosmagazine.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;COSMOS Magazine&lt;/i&gt;&lt;/a&gt; called &quot;&lt;a href=&quot;http://www.cosmosmagazine.com/features/print/3142/sky-detectives&quot;target=&quot;_blank&quot;&gt;Sky detectives&lt;/a&gt;,&quot; we read that &quot;forensic astronomers... are seeking clues to historical events embedded in artworks and literature.&quot; &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4033/4386201273_f023035ae4_o.jpg&quot; width=&quot;500&quot; height=&quot;138&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Halley's Cometupper rightpasses through the &lt;a href=&quot;http://www.bayeuxtapestry.org.uk/Bayeux14.htm&quot;target=&quot;_blank&quot;&gt;Bayeux Tapestry&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;In other words, similar to the idea of &lt;a href=&quot;http://bldgblog.blogspot.com/2005/12/geomythology.html&quot;&gt;geomythology&lt;/a&gt;in which ancient tales of floods or vengeful fire gods can be re-interpreted in light of newly found evidence for catastrophic tsunamis or volcanic eruptions&quot;forensic astronomers&quot; look for more celestial clues. Things like Halley's Comet burning through the night sky of the &lt;a href=&quot;http://www.bayeuxtapestry.org.uk/Bayeux14.htm&quot;target=&quot;_blank&quot;&gt;Bayeux Tapestry&lt;/a&gt; will catch their eye, or supernovas as depicted in &lt;a href=&quot;http://www.space.com/scienceastronomy/060605_rock_art.html&quot;target=&quot;_blank&quot;&gt;Native American rock art&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;These details, hidden in plain sight, can be used to indirectly piece together long-gone astronomical events. &lt;br /&gt;&lt;br /&gt;The following very long quotation gives at least some idea of how extraordinary the results can be; it's like something out of &lt;a href=&quot;http://www.amazon.com/gp/product/B00005JL78?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00005JL78&quot;&gt;&lt;i&gt;Minority Report&lt;/i&gt;&lt;/a&gt;:&lt;ul&gt;Donald Olson, a physics professor at Texas State University in San Marcos, U.S., has used similar techniques to help art historians pin down details of famous paintings. In 2000, for example, he found the location at which Vincent van Gogh created one of his last paintings, &lt;i&gt;The White House at Night&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;Knowing that van Gogh painted it in mid-June, and the direction in which the house faced, Olson was able to determine that a bright star in the painting was mostly likely the planet Venus, which would have been prominent at the time.&lt;br /&gt;&lt;br /&gt;Two years later, Olson used a similar process with another van Gogh painting, &lt;i&gt;Moonrise&lt;/i&gt;. That painting depicts the full moon rising behind an overhanging cliff in southern France. Historians knew the work was made sometime in 1889, and haystacks in the foreground indicate that the time of year is somewhere around harvest season.&lt;br /&gt;&lt;br /&gt;Olson's team hunted down the location and, with a bit of astronomical detective work, determined that there was only one date on which the Moon rose in the right place: 13 July 1889. Since van Gogh once said he never worked from memory and always painted what he saw, this was probably the date on which he started painting &lt;i&gt;Moonrise&lt;/i&gt;.&lt;/ul&gt;Here, I'll reveal a secret fantasy of mine: at one point  during the film &lt;a href=&quot;http://en.wikipedia.org/wiki/Jaws_(film)&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Jaws&lt;/i&gt;&lt;/a&gt;, there is a night scene during which a meteor &lt;a href=&quot;http://www.meteorobs.org/maillist/msg19667.html&quot;target=&quot;_blank&quot;&gt;suddenly lights up the sky overhead&lt;/a&gt;. The characters are out at sea when &lt;i&gt;zoooooom&lt;/i&gt;: a flash goes by, from one end of the screen to the other. &lt;br /&gt;&lt;br /&gt;Every time I see that scene I wonder what the flash was, and, more importantly, where it went: if something later crashed down into the sands of North Africa, or hit a cliff in Arizona, or splashed into the ocean waters much further out at sea. Or simply burnt up into dust and fiery particles. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4043/4386973860_879141fe0b_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Rock art possibly depicting a supernova. Photo by John Barentine, Apache Point Observatory, courtesy of &lt;a href=&quot;http://www.space.com/scienceastronomy/060605_rock_art.html&quot;target=&quot;_blank&quot;&gt;SPACE.com&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;But what if someday you find a meteorite and you somehow piece together evidence for when it fell to earthand you find that it was during the summer that Steven Spielberg filmed &lt;i&gt;Jaws&lt;/i&gt;. You find out exactly where they filmed &lt;i&gt;Jaws&lt;/i&gt;, and you keep digging deeper, and then, finally, there it is: some fantastic piece of irrefutable evidence that proves you have just discovered the very object that once flew through the sky in a film seen by countless millions of people around the world. &lt;i&gt;Jaws&lt;/i&gt;, after all, is the &lt;a href=&quot;http://boxofficemojo.com/alltime/adjusted.htm&quot;target=&quot;_blank&quot;&gt;seventh-highest grossing film&lt;/a&gt; of all time. &lt;br /&gt;&lt;br /&gt;It's archaeo-astronomy via Hollywood film history. &lt;br /&gt;&lt;br /&gt;In any case, as you will see in the &quot;&lt;a href=&quot;http://www.cosmosmagazine.com/features/print/3142/sky-detectives&quot;target=&quot;_blank&quot;&gt;Sky detectives&lt;/a&gt;&quot; article, our forensic astronomers begin reading nothing less than &lt;a href=&quot;http://www.amazon.com/gp/product/0374525749?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0374525749&quot;&gt;&lt;i&gt;The Odyssey&lt;/i&gt;&lt;/a&gt;, looking for astronomical clues (&quot;...the poem describes Odysseus steering his boat by the positions of the constellations Botes and the Pleiades [which] establishes the date as early spring...&quot;). &lt;br /&gt;&lt;br /&gt;But as they start putting Homer's descriptions of the constellations, and the precise order and time of year in which Odysseus saw those constellations, &lt;a href=&quot;http://www.scientificamerican.com/article.cfm?id=homers-odyssey-may-document-eclipse&quot;target=&quot;_blank&quot;&gt;into their weird software&lt;/a&gt; that maps the movement of the earth and our nearby planets through 49,000 years of history... my hair began standing on end. &lt;br /&gt;&lt;br /&gt;All these astronomical cluesin ancient poetry, famous paintings, and the overlooked skies of film historysimply waiting to be deciphered.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7015681096865856035?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/star-archive.html</link><guid>54c433de212b1a369c5322e48904d2a0</guid></item>
<item><title type="text">Glacier / Island / Storm Online</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2791/4377784310_f40ee1dc15_o.jpg&quot; width=&quot;500&quot; height=&quot;159&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;a href=&quot;http://blog.modernmechanix.com/2008/10/01/modern-science-predicts-made-to-order-weather/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Modern Mechanix&lt;/i&gt;&lt;/a&gt;, thanks to a tip from Nicole Seekely].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;For the next five days, if everything goes as planned, BLDGBLOG and eight other architecture, design, and technology blogs will be engaged in a series of linked posts and ongoing conversations about themes relevant to the &quot;&lt;a href=&quot;http://bldgblog.blogspot.com/2010/01/glacier-island-storm.html&quot;&gt;Glacier/Island/Storm&lt;/a&gt;&quot; studio at Columbia University this Spring. &lt;br /&gt;&lt;br /&gt;In the broadest terms, we will be exploring the architecture of large-scale natural processes; more specifically, this means studying &lt;a href=&quot;http://www.newscientist.com/article/mg19726412.000-how-to-grow-a-glacier.html&quot;target=&quot;_blank&quot;&gt;artificial glaciers&lt;/a&gt;; &lt;a href=&quot;http://www.timesonline.co.uk/tol/news/world/asia/article1977593.ece&quot;target=&quot;_blank&quot;&gt;organically-grown archipelagos&lt;/a&gt; and other &lt;a href=&quot;http://www.biorock.net/Technologies/index.html&quot;target=&quot;_blank&quot;&gt;artificial reef technologies&lt;/a&gt;; and the &lt;a href=&quot;http://english.cri.cn/855/2006/05/19/481@91556.htm&quot;target=&quot;_blank&quot;&gt;unintended climatic side-effects&lt;/a&gt; of architecture, including the possibility of &quot;&lt;a href=&quot;http://www.amazon.com/gp/product/B00306NHYC?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00306NHYC&quot;&gt;owning the weather&lt;/a&gt;.&quot; &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2775/4377785494_8498cc7dd0_o.jpg&quot; width=&quot;500&quot; height=&quot;378&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;a href=&quot;http://blog.modernmechanix.com/2008/10/01/modern-science-predicts-made-to-order-weather/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Modern Mechanix&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt; &lt;br /&gt;The participating blogs are &lt;a href=&quot;http://www.aggregat456.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;a456&lt;/i&gt;&lt;/a&gt; (Enrique Ramirez), &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt; (Nicola Twilley), &lt;a href=&quot;http://htcexperiments.org/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;HTC Experiments&lt;/i&gt;&lt;/a&gt; (David Gissen), &lt;a href=&quot;http://infranetlab.org/blog/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;InfraNet Lab&lt;/i&gt;&lt;/a&gt; (Mason White, Maya Przybylski, Neeraj Bhatia, and Lola Sheppard), &lt;a href=&quot;http://m.ammoth.us/blog/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;mammoth&lt;/i&gt;&lt;/a&gt; (Rob Holmes and Stephen Becker), &lt;a href=&quot;http://serialconsign.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Serial Consign&lt;/i&gt;&lt;/a&gt; (Greg J. Smith), &lt;i&gt;Soundscrapers&lt;/i&gt;/&lt;a href=&quot;http://www.archinect.com/schoolblog/blog.php?id=C0_481_39&quot;target=&quot;_blank&quot;&gt;UC-Berkeley Archinect School Blog&lt;/a&gt; Project (Nick Sowers), and &lt;a href=&quot;http://quietbabylon.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Quiet Babylon&lt;/i&gt;&lt;/a&gt; (Tim Maly). &lt;br /&gt;&lt;br /&gt;For my own part, I'll be posting on a wide range of themes directly related to the studio, including summaries of visiting expert lectures and class field trips to local scientific institutions; but I will also be offering my own speculative thoughts on the matter. Also, in addition to each blogger commenting on one another's posts when possible, or simply following up with their own response-posts, I will be maintaining a list of relevant links to keep the whole thing flowing.&lt;br /&gt;&lt;br /&gt;So my students and I are off on a field trip for the rest of the day, but I will begin putting up posts this evening. Feel free to join in, leave comments, suggest further readings, and more. Thanks!&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7863969362300292529?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html</link><guid>b0e0721974a648d269428833cdd2afae</guid></item>
<item><title type="text">Urban Research</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2684/4438962504_60374e02be_o.jpg&quot; width=&quot;500&quot; height=&quot;375&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: San Francisco, as seen from the cockpit of a 747; photo by &lt;a href=&quot;http://www.flickr.com/photos/otolithe/2241690292/&quot;target=&quot;_Blank&quot;&gt;Olivier Roux&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt; &lt;br /&gt;The last few days have been pretty awesome. We've been road-tripping up from Los Angeles to Reno for a dinner with author &lt;a href=&quot;http://www.wlfox.net/&quot;target=&quot;_blank&quot;&gt;William Fox&lt;/a&gt;, Matthew Coolidge of the &lt;a href=&quot;http://www.clui.org/&quot;target=&quot;_blank&quot;&gt;Center for Land Use Interpretation&lt;/a&gt;, landscape activist &lt;a href=&quot;http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dlucy%2520lippard%26url%3Dsearch-alias%253Daps&amp;tag=bldgblog-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&quot;&gt;Lucy Lippard&lt;/a&gt;, &lt;a href=&quot;http://landarts.org/&quot;target=&quot;_blank&quot;&gt;Land Arts of the American West&lt;/a&gt; co-founder Bill Gilbert, cultural programmer Dorothy Dunn, Steve Wells of the &lt;a href=&quot;http://www.dri.edu/&quot;target=&quot;_blank&quot;&gt;Desert Research Institute&lt;/a&gt; (DRI), Libby Robin from the &lt;a href=&quot;http://www.nma.gov.au/index.html&quot;target=&quot;_blank&quot;&gt;National Museum of Australia&lt;/a&gt;, and the staff of the &lt;a href=&quot;http://www.nevadaart.org/&quot;target=&quot;_blank&quot;&gt;Nevada Museum of Art&lt;/a&gt;'s &lt;a href=&quot;http://artenvironment.nevadaart.org/&quot;target=&quot;_blank&quot;&gt;Center for Art + Environment&lt;/a&gt;; we spent the day yesterday on a tour of the DRI's ice core research facilities, its micro-atmospheric testing rooms (like characters in a Borges story, they once used their equipment to test the metal content in the ink letters of a Gutenberg Bible in order to identify those letters' near-millennium-old liquid chemistry), and the DRI's full-scale virtual reality room. &lt;br /&gt;&lt;br /&gt;I have some hilarious and amazing photos of Matthew Coolidge wearing black VR goggles, holding remote controls in each hand, while Bill Gilbert and Lucy Lippard look on, equally engoggled and optically stunned, flying helter-skelter over virtual terrains to chase simulated forest fires up canyon walls, the replicant ground dropping out from beneath them as we ran straight off a cliff, and I hope to post those here soon.&lt;br /&gt;&lt;br /&gt;We had amazing conversations, as well: we're all gearing up for a big conference next year in Reno, hosted by the &lt;a href=&quot;http://artenvironment.nevadaart.org/&quot;target=&quot;_blank&quot;&gt;Center for Art + Environment&lt;/a&gt; at the end of September 2011. That will definitely be something to keep your eye on if you're at all interested in landscapes, the hydrosciences, water rights, mythology and the American West, archaeoastronomy, the contested history (and future) of weather modification, offworld exploration, the anthropology of mining, nature writing in its broadest possible sense, and much more. We're putting together something really fantastic, to be honest, and you have 18 months to make plans to be there. &lt;br /&gt;&lt;br /&gt;Even better, Nicola Twilley from &lt;a href=&quot;http://www.ediblegeography.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt; and Mark Smout of &lt;a href=&quot;http://www.amazon.com/gp/product/1568986254?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1568986254&quot;&gt;Smout&lt;/a&gt; &lt;a href=&quot;http://www.smoutallen.com/&quot;target=&quot;_blank&quot;&gt;Allen&lt;/a&gt; were also on hand, winning stuffed animals together in the &lt;a href=&quot;http://www.circusreno.com/&quot;target=&quot;_blank&quot;&gt;Circus Circus&lt;/a&gt; casino (Mark quipped that the casinos were simply &quot;giant, ugly buildings with jewelry stuck on them, like earrings&quot;), and so the three of us are now down in San Francisco, where we'll be picking up &lt;a href=&quot;http://www.sarahrich.com/&quot;target=&quot;_blank&quot;&gt;Sarah Rich&lt;/a&gt; tomorrow to drive down to LAand I can hardly imagine a better group of people to hit the Californian road with. The roads outside Reno were eight-foot canyons of plowed snow till we hit the Bay Bridge and drove past Alcatraz blinking in the darkness. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2723/4438127703_f16e4142fe_o.jpg&quot; width=&quot;500&quot; height=&quot;367&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: Photo by George Steinmetz/CORBIS for &lt;a href=&quot;http://travel.nationalgeographic.com/staticfiles/NGS/Shared/StaticFiles/Places/Images/San%20Francisco/golden-gate-bridge-xl.jpg&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;National Geographic&lt;/i&gt;&lt;/a&gt;; via &lt;a href=&quot;https://twitter.com/stevesilberman&quot;target=&quot;_blank&quot;&gt;@stevesilberman&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;In any case, if you're near San Francisco tonight, Tuesday, March 16, I'll be &lt;a href=&quot;http://www.spur.org/events/calendar/bldgblog_book_talk_author_geoff_manaugh&quot;target=&quot;_blank&quot;&gt;giving a talk&lt;/a&gt; at the San Francisco Planning and Urban Research Association (&lt;a href=&quot;http://www.spur.org/&quot;target=&quot;_blank&quot;&gt;SPUR&lt;/a&gt;) starting at 6pm. It costs $5, unfortunately, but it should be fun, and I'm looking forward to seeing a lot of old friends and colleagues again; as all of those friends and colleagues know, I wasn't a huge fan of San Francisco when I lived here, but it's good to be back in this rolling city of fog lines, abandoned bunkers that look like hills, tectonic trembling, &lt;a href=&quot;http://bldgblog.blogspot.com/2007/06/ground-conditions.html&quot;&gt;lost ships&lt;/a&gt;, &lt;a href=&quot;http://sf.streetsblog.org/2009/08/24/eyes-on-the-street-the-ghost-streets-of-san-francisco/&quot;target=&quot;_blank&quot;&gt;ghost streets&lt;/a&gt;, &lt;a href=&quot;http://bldgblog.blogspot.com/2009/05/san-francisco-as-it-used-to-be.html&quot;target=&quot;_Blank&quot;&gt;buried dunes&lt;/a&gt;, vinicultural microclimates, &lt;a href=&quot;http://bldgblog.blogspot.com/2008/03/chemical-geography.html&quot;&gt;chemical weapons&lt;/a&gt;, a &lt;a href=&quot;http://en.wikipedia.org/wiki/The_Bridge_(documentary_film)&quot;target=&quot;_blank&quot;&gt;suicide bridge&lt;/a&gt;, and its artificially &lt;a href=&quot;http://employees.oneonta.edu/baumanpr/geosat2/Shrinking_Bay/Shrinking_Bay.htm&quot;target=&quot;_blank&quot;&gt;shrunken bay&lt;/a&gt;. I'll be talking about quarantine, &lt;a href=&quot;http://www.amazon.com/gp/product/0811866440?ie=UTF8&amp;tag=bldgblog-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0811866440&quot;&gt;&lt;i&gt;The BLDGBLOG Book&lt;/i&gt;&lt;/a&gt; (which I'm thrilled to say has just gone into a second printing), the &quot;&lt;a href=&quot;http://www.arch.columbia.edu/work/courses/studio/sp10-manaugh&quot;target=&quot;_blank&quot;&gt;Glacier/Island/Storm&lt;/a&gt;&quot; studio and its accompanying &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm.html&quot;&gt;blog-week experiment&lt;/a&gt;, blackouts, and more.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-957260656038368100?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/urban-research.html</link><guid>a55fe1d01f0afda4229fcc7c7ed3f1ce</guid></item>
<item><title type="text">Empty Paris</title><description type="html">&lt;a href=&quot;http://pruned.blogspot.com/2010/03/prunings-lv.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Pruned&lt;/i&gt;&lt;/a&gt; posted an image the other day by artist Nicolas Moulin (more of whose work can be seen over at &lt;a href=&quot;http://www.vulgare.net/bergenobliqusaml-by-nicolas-moulin-2008/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Vulgare&lt;/i&gt;&lt;/a&gt;). Looking into Moulin's work further, however, I came across another series he produced a little more than a decade ago called &lt;i&gt;Vider Paris&lt;/i&gt;. Here, we see Paris transformed into an abandoned maze of lifeless streets. Every building is sealed shut behind a seamless, Berlin Wall-like concrete monolith. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4035/4427063451_304093fbeb_o.jpg&quot; width=&quot;500&quot; height=&quot;711&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: From &lt;i&gt;Vider Paris&lt;/i&gt; (1998-2001) by Nicolas Moulin, courtesy of &lt;a href=&quot;http://www.galeriechezvalentin.com/&quot;target=&quot;_blank&quot;&gt;Galerie Chez Valentin&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Vider Paris&lt;/i&gt; &quot;is a series of computer-altered images of the streets of Paris,&quot; we read in a &lt;a href=&quot;http://www.galeriechezvalentin.com/fr/ressources/pdf/nm_dossier.pdf&quot;target=&quot;_blank&quot;&gt;PDF portfolio&lt;/a&gt; of Moulin's work. &quot;All traces of life are removed from the images: vegetal, urban furnishings, pedestrians, cars, etc.&quot; Further, &quot;all the buildings are sealed with sheets of concrete up to the second oor.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4038/4427828562_a33f7f513c_o.jpg&quot; width=&quot;500&quot; height=&quot;717&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: From &lt;i&gt;Vider Paris&lt;/i&gt; (1998-2001) by Nicolas Moulin, courtesy of &lt;a href=&quot;http://www.galeriechezvalentin.com/&quot;target=&quot;_blank&quot;&gt;Galerie Chez Valentin&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The effect is oddly exhilarating; whether because these images have the appearance of being stills pulled from a much longer video, or simply because of their haunting, &lt;a href=&quot;http://www.ballardian.com/&quot;target=&quot;_blank&quot;&gt;Ballardian&lt;/a&gt; overtones, Moulin's vision of an empty Paris seems tailor-made for Hollywood art directors or even for someone sketching out ideas at &lt;a href=&quot;http://www.thundergameworks.com/&quot;target=&quot;_blank&quot;&gt;Thunder Game Works&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;A dream of apocalypse, twelve centuries from now, when you wander into the concretized canyons of a Paris with almost no signs of life, its skies grey, the barest trace of weeds growing up through cracks in rain-filled gutters. There are sounds of distant animals rustling, the city's rhomboid geometries now animated by unpredictable acoustic effects. You see smoke somewhere, but it could be miles away. Looking for clean water, and a place to sleep before the sun goes down, you walk onward into the city core.&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(This is now the second post I've written from an airplane... flying somewhere over SW Nebraska).&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-7157466720226445876?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/empty-paris.html</link><guid>e1f1da74656881e915c865fdc6de5309</guid></item>
<item><title type="text">Mercedes-Benz Tornado</title><description type="html">While we're still on the subject of artificial weather, the &lt;a href=&quot;http://www.mercedes-benz-classic.com/content/classic/mpc/mpc_classic_website/en/mpc_home/mbc/home/museum/overview_museum.html&quot;target=&quot;_blank&quot;&gt;Mercedes-Benz Museum&lt;/a&gt; in Stuttgart, Germany, designed by &lt;a href=&quot;http://www.unstudio.com/nl/unstudio/projects/country/0/739/3110/mercedes-benz-museum&quot;target=&quot;_blank&quot;&gt;UNStudio&lt;/a&gt;, can repurpose its internal ventilation system to form an artificial tornado. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2725/4397741471_060bd2b2de_o.jpg&quot; width=&quot;500&quot; height=&quot;750&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: The &lt;a href=&quot;http://www.autoblog.com/2007/10/26/mercedes-benz-museum-contains-world-record-artificial-tornado/&quot;target=&quot;_blank&quot;&gt;Mercedes-Benz Tornado&lt;/a&gt;; photographer unknown].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt; &quot;The twister takes around seven minutes to materialize,&quot; &lt;a href=&quot;http://www.autoblog.com/2007/10/26/mercedes-benz-museum-contains-world-record-artificial-tornado/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Autoblog&lt;/i&gt;&lt;/a&gt; explains, &quot;and is generated by 144 jets and 28 tons of air. The low pressure area at the center of the tornado works to create a jet stream that draws smoke out of the building's corridors and funnels it upwards and out an exhaust vent on the roof.&quot; It is also more than 100 feet tallmaking it the official world-record holder for the World's Largest Artificial Tornado.&lt;br /&gt;&lt;br /&gt;Watch the video of how it forms:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;object width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/79XVdJRKhE0&amp;hl=en_US&amp;fs=1&amp;rel=0&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/79XVdJRKhE0&amp;hl=en_US&amp;fs=1&amp;rel=0&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;&lt;br /&gt;A reader, &lt;a href=&quot;http://www.daankoch.com/&quot;target=&quot;_blank&quot;&gt;Daan Koch&lt;/a&gt;, pointed this internal atmospheric feature out to methe tornado as ornamentadding that this &quot;dramatic way of ventilating an atrium... could be nice for the Guggenheim in New York, as well.&quot; I couldn't agree more. &lt;br /&gt;&lt;br /&gt;Or perhaps horizontal tornadoes could roll through the New York subway system every night from 2-5am, cleaning out the underworld of its dust and potato chip bags. Perhaps even inside this New Haven parking garage, shown below, with its &quot;fabulous concrete circulation drum&quot; as recently photographed by Charles Holland. Complicatedly angled fans and vacuums suck new wind systems into existence near Yale. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4043/4397887413_41aa676acc_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: New Haven parking garage as Tornadodrome; photographed by &lt;a href=&quot;http://fantasticjournal.blogspot.com/2010/03/return-of-hack.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Fantastic Journal&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Or your new house in the Chicago suburbs seems absolutely perfect for you and your familytill the first hot day of the year sets in and you turn on the A/C. Some sinister combination of ill-conceived vents and over-tall &lt;a href=&quot;http://www.theonion.com/content/node/38734&quot;target=&quot;_blank&quot;&gt;foyer&lt;/a&gt; begins to rope together windspulling in air from the living room, from the basement, from the kids' bedroomsand within a mere twenty minutes a tornado-strength twister takes visible form. &lt;br /&gt;&lt;br /&gt;It then spins for days, suffocating the residents in their sleep by robbing them of oxygen, and lifting their limp bodies into the air, where they turn in lazy circles like pirates drowned at sea. Their bodies dance aloft, as if caught in an aero-&lt;a href=&quot;http://www.eddaardvark.co.uk/python_patterns/spirograph.html&quot;target=&quot;_blank&quot;&gt;spirograph&lt;/a&gt;, eerily lit by dim suburban lamplight and visible through the front door windowsa vision of the vortexaccidentally killed by HVAC.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4009/4398679090_2cf13533fa_o.jpg&quot; width=&quot;500&quot; height=&quot;360&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: Two views inside UNStudio's &lt;a href=&quot;http://www.unstudio.com/nl/unstudio/projects/country/0/739/3110/mercedes-benz-museum&quot;target=&quot;_blank&quot;&gt;Mercedes-Benz Museum&lt;/a&gt;; photographer unknown].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(Thanks, &lt;a href=&quot;http://www.daankoch.com/&quot;target=&quot;_blank&quot;&gt;Daan&lt;/a&gt;, for the tip!)&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-4235769129108839456?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/mercedes-benz-tornado.html</link><guid>d18f802acc1ee8583efe611fb8326a37</guid></item>
<item><title type="text">MAP 002: Quarantine</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2700/4384779043_e2d508c013_o.jpg&quot; width=&quot;500&quot; height=&quot;354&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://davidgarciastudiomap.blogspot.com/2010/01/map-to-be-launched-at-storefront-new.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;MAP 002: Quarantine&lt;/i&gt;&lt;/a&gt; by David Garcia].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Architect David Garcia's &lt;a href=&quot;http://davidgarciastudiomap.blogspot.com/&quot;target=&quot;_blank&quot;&gt;MAP&lt;/a&gt; projectthe &lt;a href=&quot;http://bldgblog.blogspot.com/2009/09/manual-of-architectural-possibilities.html&quot;&gt;&lt;i&gt;Manual of Architectural Possibilities&lt;/i&gt;&lt;/a&gt;has been mentioned here before, which makes me all the more excited to announce that the next issue of &lt;i&gt;MAP&lt;/i&gt; will not only be themed around &lt;a href=&quot;http://davidgarciastudiomap.blogspot.com/2009/02/map-002-quarantine.html&quot;target=&quot;_blank&quot;&gt;quarantine&lt;/a&gt; but it will be on display as an offical part of the &lt;a href=&quot;http://www.storefrontnews.org/exhib_dete.php?exID=155&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Landscapes of Quarantine&lt;/i&gt;&lt;/a&gt; exhibition opening next month at Storefront for Art and Architecture. &lt;br /&gt;&lt;br /&gt;This installment, which features Garcia's speculative designs for projects like a &quot;Zoo of Infectious Species,&quot; a &quot;Domestic Isolation Unit,&quot; and an &quot;Instantly Quarantinable Farm,&quot; will also once again include an introductory text by &lt;a href=&quot;http://www.crabstudio.co.uk/&quot;target=&quot;_blank&quot;&gt;Sir Peter Cook&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4050/4401572576_dda92f849c_o.jpg&quot; width=&quot;500&quot; height=&quot;355&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://davidgarciastudiomap.blogspot.com/2010/01/map-to-be-launched-at-storefront-new.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;MAP 002: Quarantine&lt;/i&gt;&lt;/a&gt; by David Garcia].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Garcia will in town for Storefront's &lt;i&gt;Landscapes of Quarantine&lt;/i&gt; opening party, on Tuesday, March 9, so be sure to come by, buy a copy of &lt;a href=&quot;http://davidgarciastudiomap.blogspot.com/2010/01/map-to-be-launched-at-storefront-new.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;MAP 002: Quarantine&lt;/i&gt;&lt;/a&gt; for yourself, and meet the man in person.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-50280534616131313?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/map-002-quarantine.html</link><guid>e298e509b1f595a5adb923ee5ea331bc</guid></item>
<item><title type="text">Artificial Glaciers 101</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4006/4390034083_c6fd72b197_o.jpg&quot; width=&quot;500&quot; height=&quot;334&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;i&gt;Wired Science&lt;/i&gt;'s photo gallery, &quot;&lt;a href=&quot;http://www.wired.com/wiredscience/2009/09/gallery_glaciers/&quot;target=&quot;_blank&quot;&gt;Stunning Views of Glaciers Seen From Space&lt;/a&gt;&quot;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;In light of this week's &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm.html&quot;&gt;ongoing conversation&lt;/a&gt;, I thought I'd take a quick look at how to build a glacier. &lt;br /&gt;&lt;br /&gt;The &quot;art of glacier growing,&quot; as &lt;a href=&quot;http://www.newscientist.com/article/mg19726412.000-how-to-grow-a-glacier.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New Scientist&lt;/i&gt;&lt;/a&gt; calls it, is &quot;also known as glacial grafting.&quot; It has been &quot;practiced for centuries in the mountains of the Hindu Kush and Karakorum ranges,&quot; and it was never about science fiction: &quot;It was developed as a way to improve water supplies to villages in valleys where glacial meltwater tended to run out before the end of the growing season.&quot;&lt;br /&gt;&lt;br /&gt;The artificial glacier, then, is simply a traditional landscape-architectural technique that manipulates and amplifies pre-existing natural processes. It is vernacular hydrology writ large.&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2703/4390034289_df43ce5d6d_o.jpg&quot; width=&quot;500&quot; height=&quot;667&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;i&gt;Wired Science&lt;/i&gt;'s photo gallery, &quot;&lt;a href=&quot;http://www.wired.com/wiredscience/2009/09/gallery_glaciers/&quot;target=&quot;_blank&quot;&gt;Stunning Views of Glaciers Seen From Space&lt;/a&gt;&quot;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;So how do you build an artificial glacier? &lt;br /&gt;&lt;br /&gt;First, you need a site, and that site should be mountainous; altitudes higher than 4,500 meters are thermally preferable. From &lt;a href=&quot;http://www.newscientist.com/article/mg19726412.000-how-to-grow-a-glacier.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New Scientist&lt;/i&gt;&lt;/a&gt;:&lt;ul&gt;Once the site is selected, ice is brought to rocky areas where there are small boulders about 25 centimeters across. The rocks protect the ice from sunlight, and often have ice trapped in the gaps between them. This seems to be critical to a successful &quot;planting.&quot;&lt;/ul&gt;Also critical is the glacier's &quot;gender.&quot; Yes, glaciers &quot;have a gender&quot;: &quot;A 'male' glacier is one that is covered in stones and soil and moves slowly or not at all. A 'female' one is whiter, and grows more quickly, yielding more water.&quot;&lt;ul&gt;After [glacier-growing mountain villagers] have added female to the male ice (traditionally by importing 12 man-loads or about 300 kilograms of the stuff), they cover the area with charcoal, sawdust, wheat husk, nutshells or pieces of cloth to insulate it. Gourds of water placed among the ice and rocks are also critical to a glaciers chances of forming, according to [artificial-glacier expert, Ingvar Tveiten]. As the glacier grows and squeezes the gourds, they burst, spreading water on the surrounding ice, which then freezes.&lt;/ul&gt;Awesomely, the glacier then exhibits complex internal ventilation: &lt;ul&gt;Any snowmelt trapped in the budding glacier also freezes, adding more ice. Pockets of cold air moving between the rocks and ice keep the glacier cool. When the mass of rock and ice is heavy enough, it begins to creep downhill, forming a self-sustaining glacier within four years or so.&lt;/ul&gt;Of course, &quot;whats produced is hardly a glacier in the proper sense,&quot; we're reminded, &quot;but growing and flowing areas of ice many tens of meters long have been reported at the sites of earlier grafts.&quot; &lt;br /&gt;&lt;br /&gt;Let me repeat that: to call these &lt;i&gt;artificial glaciers&lt;/i&gt; is a poetic over-statement, as they are much more realistically described as artificially maintained deposits of snowwhat I have elsewhere called &lt;a href=&quot;http://bldgblog.blogspot.com/2010/01/glacier-island-storm.html&quot;&gt;&lt;i&gt;non-electrical ice reserves&lt;/i&gt;&lt;/a&gt;. But the thermally self-sustaining nature of these deposits nonetheless makes them susceptible to glaciological analysis. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 1px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4054/4390034333_089cb42261_o.jpg&quot; width=&quot;500&quot; height=&quot;500&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2685/4390803580_bcd7760c38_o.jpg&quot; width=&quot;500&quot; height=&quot;414&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;i&gt;Wired Science&lt;/i&gt;'s photo gallery, &quot;&lt;a href=&quot;http://www.wired.com/wiredscience/2009/09/gallery_glaciers/&quot;target=&quot;_blank&quot;&gt;Stunning Views of Glaciers Seen From Space&lt;/a&gt;&quot;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;But there are also other, equally lo-fi techniques of glacier-growing. &lt;br /&gt;&lt;br /&gt;Elsewhere, we read that &quot;a &lt;a href=&quot;http://www.csmonitor.com/World/2009/1021/p11s01-wogn.html&quot;target=&quot;_Blank&quot;&gt;good artificial glacier costs $50,000&lt;/a&gt;,&quot; even though &quot;the materials are simple: dirt, pipes, rocksand runoff from real glaciers high above.&quot; Importantly, then, but quite obviously, a controlled act of artificial glaciation can only be achieved in regions where there is already water available; you can't simply snap your fingers and &quot;build a glacier&quot; in a Tucson parking lot. &lt;br /&gt;&lt;br /&gt;In any case, this &lt;a href=&quot;http://news.nationalgeographic.com/news/2001/08/0830_artglacier.html&quot;target=&quot;_blank&quot;&gt;second technique&lt;/a&gt; &quot;is remarkably simple&quot;: &lt;ul&gt;Water from an existing stream is diverted using iron pipes to a comparably shady part of the valley and here the water is allowed to flow out onto an inclined mountainside. At regular intervals along the slope of the mountain, small embankments of stone are made which impede the flow of water making shallow pools. At the start of winter, water is allowed to flow into this `masonry contraption' and as the winter temperatures are constantly falling the water freezes forming a thick sheet of ice looking almost like a thin, long glacier. &lt;br /&gt; &lt;br /&gt;All this is done before the onset of winter. During the winter, as temperatures fall steadily, the water collected in the small pools freezes. Once this cycle has been repeated over many weeks, a thick sheet of ice forms, resembling a long, thin glacier. &lt;/ul&gt;Again: &lt;i&gt;resembling a long, thin glacier&lt;/i&gt;. We're not talking about monumental, mountain-crushing tectonic formations (yet)even if I do feel compelled to wax speculative here and suggest that, if these structures do indeed begin &quot;to creep downhill, forming a self-sustaining glacier within four years or so,&quot; then it is not at all unrealistic to assume that, given the right thermal circumstances and the necessary amount of snowfall, you could kick-start glaciation on a macro-scale. This might only mean on the scale of one valleyand not, say, the entire northern hemispherebut it is an amazing idea that architects could set massive, self-sustaining, tectonically complex structures of ice into motion. &lt;br /&gt;&lt;br /&gt;After all, glaciers are &lt;a href=&quot;http://m.ammoth.us/blog/2010/02/a-glacier-is-a-very-long-event/&quot;target=&quot;_blank&quot;&gt;very long events&lt;/a&gt;, as &lt;i&gt;mammoth&lt;/i&gt; memorably put it. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2504/4390803870_21abe5d14e_o.jpg&quot; width=&quot;500&quot; height=&quot;385&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;i&gt;Wired Science&lt;/i&gt;'s photo gallery, &quot;&lt;a href=&quot;http://www.wired.com/wiredscience/2009/09/gallery_glaciers/&quot;target=&quot;_blank&quot;&gt;Stunning Views of Glaciers Seen From Space&lt;/a&gt;&quot;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;To reiterate the simplicity of this latter design process, I want to quote artificial-glacier expert Chawang Norphel, from an &lt;a href=&quot;http://ipsnews.net/news.asp?idnews=49369&quot;target=&quot;_blank&quot;&gt;interview he did with the &lt;i&gt;IPS&lt;/i&gt;&lt;/a&gt;:&lt;ul&gt;Glacier melt at different altitudes is diverted to the shaded side of the hill, facing the north, where the winter sun is blocked by a ridge or a mountain slope. At the start of winter (November), the diverted water is made to flow onto the sloping hill face through appropriately designed distribution channels or outlets.  &lt;br /&gt; &lt;br /&gt;At regular intervals stone embankments are built, which impede the flow of water, making shallow pools. In the distributing chambers, 1.5-inch diameter G pipes are installed after every five feet for proper distribution of water.  &lt;br /&gt; &lt;br /&gt;Water flows in small quantities and at low velocity through the G pipes, and freezes instantly. The process of ice formation continues for three to four winter months and a huge reserve of ice accumulates on the mountain slope, aptly termed artificial glacier.&lt;/ul&gt;I emphasize this for two reasons: &lt;b&gt;1)&lt;/b&gt; It's extraordinarily easy to dismiss the idea of building &quot;artificial glaciers&quot; simply on the basis of the phrase alone. That is, the very phrase &quot;artificial glaciers&quot; sounds pseudo-scientific, impossibly complex, and disastrously fossil-fuel dependent. However, it's actually a remarkably straight-forward design process, involving thermal site-specificity and vernacular building materials. &lt;b&gt;2)&lt;/b&gt; The idea of &quot;artificial glaciers&quot; also reeks of space-operatic self-indulgence, but the fundamental purpose of these structures is to create a reliable freshwater reservoir (or ice reserve) for rural communities. &lt;br /&gt;&lt;br /&gt;We're not talking about nuclear-powered snow-blowers built and operated by Darth Vader, in other words; we're talking about rural Himalayan villagers who have learned to reorganize their region's existing snowpack so as to make it thermally self-sustaining. &lt;br /&gt;&lt;br /&gt;Or, as Norphel himself &lt;a href=&quot;http://ipsnews.net/news.asp?idnews=49369&quot;target=&quot;_blank&quot;&gt;phrases it&lt;/a&gt;, &quot;Apart from solving the irrigation problem, the artificial glaciers help in the recharging of ground water and rejuvenation of springs. They enable farmers to harvest two crops in a year, help in developing pastures for cattle rearing and reducing water sharing disputes among the farmers.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2762/4390804086_188df8d517_o.jpg&quot; width=&quot;500&quot; height=&quot;310&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: From &lt;i&gt;Wired Science&lt;/i&gt;'s photo gallery, &quot;&lt;a href=&quot;http://www.wired.com/wiredscience/2009/09/gallery_glaciers/&quot;target=&quot;_blank&quot;&gt;Stunning Views of Glaciers Seen From Space&lt;/a&gt;&quot;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Having said that, the design possibilities become truly amazing when you scale this up, from a vernacular aid project to the level of carefully-maintained industrial infrastructure, and when you consider a wide range of alternative reasons for stockpiling ice (and, of course, things go bonkers if you let yourself consider genuinely and deliberately sci-fi-inflected ideas, such as maintaining artificial glaciers at the lunar south pole or using artificial glaciation as a Martian terraforming technique). &lt;br /&gt;&lt;br /&gt;In any and all cases here, this makes artificial glaciers a fascinating topic for an &lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;architectural design studio&lt;/a&gt;at least in my opinionand the resulting conversations (and even open disagreements) about this topic have been very much worth the time already. &lt;br /&gt;&lt;br /&gt;&lt;small&gt;&lt;a href=&quot;http://bldgblog.blogspot.com/2010/02/glacier-island-storm-online.html&quot;&gt;#glacierislandstorm&lt;/a&gt;&lt;/small&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-5699427153690684809?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/artificial-glaciers-101.html</link><guid>2b77c5b37da9ddece0219605e4b2389a</guid></item>
<item><title type="text">Nonfiction</title><description type="html">Just a quick note, on a break from painting the interior of &lt;a href=&quot;http://www.storefrontnews.org/&quot;target=&quot;_blank&quot;&gt;Storefront&lt;/a&gt;, that I will be live on the air in NYC in about ten minutes, speaking with Harry Allen on his show &lt;a href=&quot;http://harryallen.info/?p=7053&quot;target=&quot;_blank&quot;&gt;&lt;I&gt;Nonfiction&lt;/I&gt;&lt;/a&gt;. We'll be discussing architecture, &lt;I&gt;The BLDGBLOG Book&lt;/I&gt;, and more. Tune into WBAI for audio...&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-9020748720766286444?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/just-quick-note-on-break-from-painting.html</link><guid>53b14fdf7aa2b367ef53e43848189213</guid></item>
<item><title type="text">The Dark Cities</title><description type="html">26 years ago, the &lt;a href=&quot;http://www.guggenheim.org/&quot;target=&quot;_blank&quot;&gt;Guggenheim&lt;/a&gt; hosted an exhibition of work by Will Insley, focusing particularly on Insley's project &lt;i&gt;ONECITY&lt;/i&gt;.  &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2733/4427908432_f6dd7a0fdd.jpg&quot; width=&quot;500&quot; height=&quot;329&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;i&gt;ONECITY&lt;/i&gt; by Will Insley; image via &lt;a href=&quot;http://thenonist.com/index.php/weblog/comments/2334/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Nonist&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The &lt;a href=&quot;http://www.nytimes.com/1984/09/28/arts/art-will-insley-s-visions-of-a-labyrinthine-city.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New York Times&lt;/i&gt;&lt;/a&gt; described it at the time as depicting an &quot;imaginary labyrinth 650 miles square.&quot; It is &quot;'situated' between the Mississippi and the Rockies and consists of many 2 1/2-mile-square structures, each divided into an 'Over-building' and an 'Under-building' and each containing nine arenas.&quot;&lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2787/4427923184_20fa5966d8.jpg&quot; width=&quot;500&quot; height=&quot;329&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2761/4427923420_04e1a44045.jpg&quot; width=&quot;500&quot; height=&quot;329&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: &lt;i&gt;ONECITY&lt;/i&gt; by Will Insley, via &lt;a href=&quot;http://thenonist.com/index.php/weblog/comments/2334/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Nonist&lt;/i&gt;&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The artist described his own interests as having &quot;very little to do with advanced planning theories of the present&quot; and no relation really at all to the ''utopias of the future, but rather with the dark cities of mythology, which exist outside of normal times in some strange location of extremity.'' &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4055/4427909104_c87b3a4224.jpg&quot; width=&quot;500&quot; height=&quot;496&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4031/4427144743_290fb13983.jpg&quot; width=&quot;500&quot; height=&quot;496&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: &lt;i&gt;ONECITY&lt;/i&gt; by Will Insley].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Courtesy of a comment left a while back on the sorely-missed site &lt;a href=&quot;http://thenonist.com/index.php/weblog/comments/2334/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Nonist&lt;/i&gt;&lt;/a&gt;, we learn that Insley once quipped: &quot;what was absent from the ruin is often less marvelous than we imagine it to have been. The abstract power of suggestion (the fragment) is greater than the literal power of the initial fact. Myth elevates.&quot; These mythic fragments of a city that never was thus take their artistic power more from &lt;i&gt;suggestion&lt;/i&gt;of possible archaeologies and future extensions, impossible events this civilization of the plains might yet undergorather than any sense of intended realizability. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2766/4427144449_7f68a47f6d.jpg&quot; width=&quot;500&quot; height=&quot;329&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: &lt;i&gt;ONECITY&lt;/i&gt; by Will Insley].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Continuing from the &lt;a href=&quot;http://www.nytimes.com/1984/09/28/arts/art-will-insley-s-visions-of-a-labyrinthine-city.html&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;New York Times&lt;/i&gt;&lt;/a&gt;, meanwhile:&lt;ul&gt;It's clear, however, that the city's inhabitants are segregated into day people, wholesome types who study at home with their children by means of electronic devices, and night people. &quot;Tattered ghosts in phosphorescent clothing,&quot; the night people sound a lot like the more Felliniesque denizens of the Lower East Side, being given to masks and elaborate makeup; they &quot;mutter a lot&quot; and &quot;often carry around personal abstract structures&quot; that they exchange &quot;according to mysterious rituals.&quot; And while they have homes in the Over-building, they frequently sleep in the cubby holes of the Under-building, ignored by day people going about their business.&lt;/ul&gt;&lt;i&gt;ONECITY&lt;/i&gt; is a &quot;masonite labyrinth,&quot; the article concludes, complete with &quot;Wall Fragments&quot; that have been &quot;gridded with white or yellow lines and shaped like garment sections waiting to be sewn together.&quot; It's the city as dystopian clothing that we tailor to fit our future selves. Imagine a dusty third-floor walk-up in the Garment District of Manhattan, where precise plans for megastructures are produced on massive looms, needles and yawn moving to a hypnotic drone in semi-darkness. Architectural invention by way of &lt;a href=&quot;http://www.costumes.org/History/100pages/DIDEROT.HTM&quot;target=&quot;_blank&quot;&gt;sewing diagrams&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;In any case, you can see a few more images of Insley's &lt;a href=&quot;http://doublenegative.tarasen.net/city.html&quot;target=&quot;_blank&quot;&gt;Michael Heizer&lt;/a&gt;-like creation of excavations and voids over at &lt;a href=&quot;http://thenonist.com/index.php/weblog/comments/2334/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;The Nonist&lt;/i&gt;&lt;/a&gt;.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-5121306974360410234?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/03/dark-cities.html</link><guid>339285add5ef1f563e84eda4a6a7fb26</guid></item>
<item><title type="text">Educational Agriculture</title><description type="html">&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4039/4392341742_b07fe36726_o.jpg&quot; width=&quot;500&quot; height=&quot;250&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://work.ac/ps-216-edible-schoolyard/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Schoolyard&lt;/i&gt;&lt;/a&gt; by WORKac].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Nicola Twilley and Sarah Rich will be hosting &lt;a href=&quot;http://www.foodprintproject.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Foodprint NYC&lt;/i&gt;&lt;/a&gt; later today at &lt;a href=&quot;http://www.arch.columbia.edu/studiox&quot;target=&quot;_blank&quot;&gt;Studio-X&lt;/a&gt; in Manhattan (the event is free and located at 180 Varick Street, Suite 1610; here is a &lt;a href=&quot;http://maps.google.com/maps?client=safari&amp;q=180+varick+street+nyc&amp;oe=UTF-8&amp;ie=UTF8&amp;hq=&amp;hnear=180+Varick+St,+New+York,+10014&amp;gl=us&amp;ei=kSuJS5KLJpDT8AaboKC_Dw&amp;ved=0CAgQ8gEwAA&amp;ll=40.727486,-74.00528&amp;spn=0.04371,0.090551&amp;z=14&quot;target=&quot;_blank&quot;&gt;map&lt;/a&gt;). &lt;br /&gt;&lt;br /&gt;Things kick off at 1pm, as you can see on the &lt;a href=&quot;http://www.foodprintproject.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Foodprint Project&lt;/i&gt;&lt;/a&gt; website. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4042/4392341902_eb929e3154_o.jpg&quot; width=&quot;500&quot; height=&quot;229&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm3.static.flickr.com/2795/4392341852_22fd05ff75_o.jpg&quot; width=&quot;500&quot; height=&quot;213&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Images: &lt;a href=&quot;http://work.ac/ps-216-edible-schoolyard/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Schoolyard&lt;/i&gt;&lt;/a&gt; by WORKac].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The above images, meanwhile, come from the &lt;a href=&quot;http://work.ac/ps-216-edible-schoolyard/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Schoolyard&lt;/i&gt;&lt;/a&gt; by WORKac. Amale Andraos, co-principal with Dan Wood in &lt;a href=&quot;http://work.ac/&quot;target=&quot;_blank&quot;&gt;WORKac&lt;/a&gt;, will be speaking on a panel at 4:30pm today about her firm's work with nutritional landscapes, educational agriculture, and the future of urban food production. &lt;br /&gt;&lt;br /&gt;&lt;i&gt;Edible Schoolyard&lt;/i&gt;, specifically, presents &quot;a series of interlinked sustainable systems that produce energy and heat, collect rainwater, process compost and sort waste with an off-grid infrastructure.&quot;&lt;ul&gt;At the heart of the project is the Kitchen Classroom, where up to thirty students can prepare and enjoy meals together. The kitchens butterfly-shaped roof channels rain water for reclamation. Connected to one side is the Mobile Greenhouse, extending the growing season by covering 1600sf of soil in the colder months and sliding away in the spring, over the Kitchen Classroom. On the other side is the Systems Wall: a series of spaces that include a cistern, space for composting and waste-sorting, solar batteries, dishwashing facilities, a tool shed and a chicken coop.&lt;/ul&gt;The project, created in collaboration with Alice Water's Chez Panisse Foundation and P.S. 216, continues the suite of ideas WORKac first explored in their design for &lt;a href=&quot;http://work.ac/pf-1/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Public Farm 1&lt;/i&gt;&lt;/a&gt;, less a functioning farm, or even a prototype for one, than an intensely spatial art installation ornamented by edible plants. &lt;br /&gt;&lt;br /&gt;&lt;img style=&quot;display:block; margin:0px auto 2px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4069/4392369844_dc2e298044_o.jpg&quot; width=&quot;500&quot; height=&quot;334&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;img style=&quot;display:block; margin:0px auto 6px; text-align:center;&quot; src=&quot;http://farm5.static.flickr.com/4050/4392369878_fef7e071c1_o.jpg&quot; width=&quot;500&quot; height=&quot;204&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;small&gt;[Image: &lt;a href=&quot;http://work.ac/pf-1/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Public Farm 1&lt;/i&gt;&lt;/a&gt; by WORKac; photos by &lt;a href=&quot;http://www.raymondadams.net/&quot;target=&quot;_blank&quot;&gt;Raymond Adams&lt;/a&gt;].&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;Joining Amale Andraos on the panel today will be Marcelo Coelho (of &quot;&lt;a href=&quot;http://fluid.media.mit.edu/projects.php?action=details&amp;id=79&quot;target=&quot;_blank&quot;&gt;Cornucopia&lt;/a&gt;&quot; fame, a 3D food-printer designed with Amit Zoran), Natalie Jeremijenko (of, among many, many other things, the &lt;a href=&quot;http://www.conservationmagazine.org/articles/v8n4/cross-species-cookbook/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Cross Species Cookbook&lt;/i&gt;&lt;/a&gt;), and Beverly Tepper (Professor of &lt;a href=&quot;http://nutrition.rutgers.edu/faculty/tepper.html&quot;target=&quot;_blank&quot;&gt;Food Science&lt;/a&gt; at Rutgers and director of the Sensory Evaluation Laboratory). As &lt;a href=&quot;http://www.ediblegeography.com/foodprint-nyc/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Edible Geography&lt;/i&gt;&lt;/a&gt; describes it, &quot;the result will be a speculative and wide-ranging conversation about food security, sensory design, and [the panelists'] hopes and fears for the future of food in New York City.&quot;&lt;br /&gt;&lt;br /&gt;That is only the final of four panels; read more about today's event over on the &lt;a href=&quot;http://www.foodprintproject.com/&quot;target=&quot;_blank&quot;&gt;&lt;i&gt;Foodprint Project&lt;/i&gt;&lt;/a&gt; website.&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8663346-5186625095321513726?l=bldgblog.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://bldgblog.blogspot.com/2010/02/educational-agriculture.html</link><guid>cd1ed4aea203fe6625554b6afc3cf699</guid></item>
<item><title>parmakliklar ardinda 92.blm kisim 8</title><link>http://www.dailymotion.com/video/xcmnkm_parmakliklar-ardinda-92-blm-kisim-8_shortfilms</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnkm_parmakliklar-ardinda-92-blm-kisim-8_shortfilms&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/473/212/21212374:jpeg_preview_medium.jpg?20100318213045&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;parmakliklar ardinda 92.blm kisim 8&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/gittigidiyorcuk&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;gittigidiyorcuk&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/parmakliklar&quot;&gt;parmakliklar&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/ardinda&quot;&gt;ardinda&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/92.blm&quot;&gt;92.blm&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/kisim&quot;&gt;kisim&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (gittigidiyorcuk)</author><pubDate>Thu, 18 Mar 2010 16:23:05 -0400</pubDate><guid>3109daa73c9536a056a081e502c9ef7c</guid></item>
<item><title>Colombia: Retuvieron a 300 indgenas el da de elecciones</title><link>http://www.dailymotion.com/video/xcmnjl_colombia-retuvieron-a-300-indigenas_news</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnjl_colombia-retuvieron-a-300-indigenas_news&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/733/212/21212337:jpeg_preview_medium.jpg?20100318212630&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;Un total de 300 indgenas, entre ellos 16 menores de edad, fueron retenidos por grupos armados en la regin de Bajo Band durante la jornada electoral del domingo, denunci la Organizacin Nacional Indgena de Colombia. teleSUR&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/teleSUR_tv&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/018/004/32400810:avatar_medium.jpg?20100309021954&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;teleSUR_tv&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/aborigenes&quot;&gt;aborigenes&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/detencion&quot;&gt;detencion&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/eleccion&quot;&gt;eleccion&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/elecciones&quot;&gt;elecciones&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/regionales&quot;&gt;regionales&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/indigenas&quot;&gt;indigenas&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/organizacion&quot;&gt;organizacion&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/nacional&quot;&gt;nacional&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/ind&quot;&gt;ind&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/retencion&quot;&gt;retencion&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (teleSUR_tv)</author><pubDate>Thu, 18 Mar 2010 16:21:03 -0400</pubDate><guid>691c76c5ab9237a952f8ed3c78419e00</guid></item>
<item><title>Chips 2010</title><link>http://www.dailymotion.com/video/xcmnjj_chips-2010_animals</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnjj_chips-2010_animals&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/533/212/21212335:jpeg_preview_medium.jpg?20100318212630&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;Toilettage au peigne de notre petit chien&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/jeanmi64&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;jeanmi64&lt;/a&gt;&lt;br /&gt;Tags: &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (jeanmi64)</author><pubDate>Thu, 18 Mar 2010 16:21:02 -0400</pubDate><guid>76c4cecb4308110b8e396a5960de1c25</guid></item>
<item><title>X-degliingue-X  feat  iliias-121o</title><link>http://www.dailymotion.com/video/xcmnjd_x-degliingue-x-feat-iliias-121o_lifestyle</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnjd_x-degliingue-x-feat-iliias-121o_lifestyle&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/923/212/21212329:jpeg_preview_medium.jpg?20100318212630&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/x-deglingue1030-x&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;x-deglingue1030-x&lt;/a&gt;&lt;br /&gt;Tags: &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (x-deglingue1030-x)</author><pubDate>Thu, 18 Mar 2010 16:20:36 -0400</pubDate><guid>1a91ed7a9f8b9472e59858a82eaa187b</guid></item>
<item><title>GENERIQUE : DAVID LANSKY</title><link>http://www.dailymotion.com/video/xcmnj2_generique-david-lansky_shortfilms</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnj2_generique-david-lansky_shortfilms&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/813/212/21212318:jpeg_preview_medium.jpg?20100318212629&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/artemis181&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;artemis181&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/GENERIQUE&quot;&gt;GENERIQUE&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/DAVID&quot;&gt;DAVID&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/LANSKY&quot;&gt;LANSKY&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/SERIE&quot;&gt;SERIE&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/FRANCE&quot;&gt;FRANCE&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (artemis181)</author><pubDate>Thu, 18 Mar 2010 16:19:54 -0400</pubDate><guid>e4938faf4cb62e2b11f1fcc261ccc111</guid></item>
<item><title>props_chimiste_carottes_05</title><link>http://www.dailymotion.com/video/xcmniu_props-chimiste-carottes-05_creation</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmniu_props-chimiste-carottes-05_creation&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/013/212/21212310:jpeg_preview_medium.jpg?20100318212629&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/kissline&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/female/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;kissline&lt;/a&gt;&lt;br /&gt;Tags: &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (kissline)</author><pubDate>Thu, 18 Mar 2010 16:19:39 -0400</pubDate><guid>8c98d34999a552eafed0791dc9090e60</guid></item>
<item><title>LIVRES &amp; LECTURE 2-7s.mov</title><link>http://www.dailymotion.com/video/xcmnir_livres-lecture-2-7s-mov_news</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnir_livres-lecture-2-7s-mov_news&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/703/212/21212307:jpeg_preview_medium.jpg?20100318212628&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;Habillage TV&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/EDITOUT&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/525/890/26098525:avatar_medium.jpg?20100318083741&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;EDITOUT&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/Habillage&quot;&gt;Habillage&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/LIVRES&quot;&gt;LIVRES&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/LECTURE&quot;&gt;LECTURE&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Cration&quot;&gt;Cration&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/EDITOUT&quot;&gt;EDITOUT&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (EDITOUT)</author><pubDate>Thu, 18 Mar 2010 16:19:36 -0400</pubDate><guid>e7b67c11588b1ab55c5dc60a1bd3f6cc</guid></item>
<item><title>Mzeyyen Senar - zmir'in iinde vurdular beni</title><link>http://www.dailymotion.com/video/xcmnik_muzeyyen-senar-yzmir-in-icinde-vurd_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnik_muzeyyen-senar-yzmir-in-icinde-vurd_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/003/212/21212300:jpeg_preview_medium.jpg?20100318212628&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/recness&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;recness&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/Mzeyyen&quot;&gt;Mzeyyen&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Senar&quot;&gt;Senar&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/zmirin&quot;&gt;zmirin&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/iinde&quot;&gt;iinde&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/vurdular&quot;&gt;vurdular&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/beni&quot;&gt;beni&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (recness)</author><pubDate>Thu, 18 Mar 2010 16:19:14 -0400</pubDate><guid>dba47dd0ac5dc569b76a69bb5ed5b84b</guid></item>
<item><title>PTDR YASSIN &amp; FATHY ENTRAIN DFAIRE LA GUITARE !</title><link>http://www.dailymotion.com/video/xcmni4_ptdr-yassin-fathy-entrain-dfaire-la_shortfilms</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmni4_ptdr-yassin-fathy-entrain-dfaire-la_shortfilms&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/482/212/21212284:jpeg_preview_medium.jpg?20100318212404&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;RHAYYE 2 BLEDAR EN TRAiN DFAiRE DLA GUiTARE CHEZ MAEVA PTDRRRR&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/xEdeen&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/female/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;xEdeen&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/chez&quot;&gt;chez&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/maeva&quot;&gt;maeva&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (xEdeen)</author><pubDate>Thu, 18 Mar 2010 16:18:20 -0400</pubDate><guid>0a8a0b9d582cc1ce8b4770f760d3229d</guid></item>
<item><title>Horny United - Crazy Paris 2008 (Klaas Remix)</title><link>http://www.dailymotion.com/video/xcmnhy_horny-united-crazy-paris-2008-klaas_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhy_horny-united-crazy-paris-2008-klaas_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/872/212/21212278:jpeg_preview_medium.jpg?20100318212355&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;Horny United - Crazy Paris 2008 (Klaas Remix)&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/Kevin-Crisa&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;Kevin-Crisa&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/horny&quot;&gt;horny&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/united&quot;&gt;united&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/klaas&quot;&gt;klaas&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/crazy&quot;&gt;crazy&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/paris&quot;&gt;paris&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/+2008&quot;&gt;2008&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/remix&quot;&gt;remix&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (Kevin-Crisa)</author><pubDate>Thu, 18 Mar 2010 16:17:58 -0400</pubDate><guid>45d43541c6c703d7ae92d9206fe14763</guid></item>
<item><title>canakkale-zaferi9</title><link>http://www.dailymotion.com/video/xcmnhv_canakkale-zaferi9_lifestyle</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhv_canakkale-zaferi9_lifestyle&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/572/212/21212275:jpeg_preview_medium.jpg?20100318213044&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;www.hepbekaraydin.com  yazmay  unutmayn&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/bekaraydin&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/584/687/16786485:avatar_medium.jpg?20091225092027&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;bekaraydin&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/Bekaraydin_tarih&quot;&gt;Bekaraydin_tarih&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (bekaraydin)</author><pubDate>Thu, 18 Mar 2010 16:17:50 -0400</pubDate><guid>9c026ef72b7a6fefbf776db4c8484bc2</guid></item>
<item><title>slam france mo</title><link>http://www.dailymotion.com/video/xcmnhk_slam-france-mo_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhk_slam-france-mo_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/462/212/21212264:jpeg_preview_medium.jpg?20100318212224&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/slamharaga&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/female/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;slamharaga&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/slam&quot;&gt;slam&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/musique&quot;&gt;musique&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/college&quot;&gt;college&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (slamharaga)</author><pubDate>Thu, 18 Mar 2010 16:17:28 -0400</pubDate><guid>db55ec2afe989db5ede93223754cc90c</guid></item>
<item><title>GENERIQUE : DESTINATION DANGER</title><link>http://www.dailymotion.com/video/xcmnhh_generique-destination-danger_shortfilms</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhh_generique-destination-danger_shortfilms&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/162/212/21212261:jpeg_preview_medium.jpg?20100318212240&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/artemis181&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;artemis181&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/GENERIQUE&quot;&gt;GENERIQUE&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/DESTINATION&quot;&gt;DESTINATION&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/DANGER&quot;&gt;DANGER&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/SERIE&quot;&gt;SERIE&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (artemis181)</author><pubDate>Thu, 18 Mar 2010 16:17:14 -0400</pubDate><guid>df78b2b6d08587572e61b0ca65f78d7e</guid></item>
<item><title>C-lor: kis ta dis</title><link>http://www.dailymotion.com/video/xcmnhf_c-lor-kis-ta-dis_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhf_c-lor-kis-ta-dis_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/952/212/21212259:jpeg_preview_medium.jpg?20100318212404&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/c-lor-prod&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;c-lor-prod&lt;/a&gt;&lt;br /&gt;Tags: &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (c-lor-prod)</author><pubDate>Thu, 18 Mar 2010 16:17:11 -0400</pubDate><guid>74d891c570acb66e278309bbdabaedd3</guid></item>
<item><title>aski memnu 65.blm kisim 4</title><link>http://www.dailymotion.com/video/xcmnhe_aski-memnu-65-blm-kisim-4_shortfilms</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnhe_aski-memnu-65-blm-kisim-4_shortfilms&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/852/212/21212258:jpeg_preview_medium.jpg?20100318212240&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;aski memnu 65.blm kisim 4&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/gittigidiyorcuk&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;gittigidiyorcuk&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/aski&quot;&gt;aski&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/memnu&quot;&gt;memnu&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/65.blm&quot;&gt;65.blm&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/kisim&quot;&gt;kisim&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (gittigidiyorcuk)</author><pubDate>Thu, 18 Mar 2010 16:17:08 -0400</pubDate><guid>6bc79a3136aa4b1d448729518551a436</guid></item>
<item><title>DOB 2009-20010 sezonu BAHAR VE AK ARKILARI</title><link>http://www.dailymotion.com/video/xcmnh5_ydob-2009-20010-sezonu-bahar-ve-ayk_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnh5_ydob-2009-20010-sezonu-bahar-ve-ayk_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/942/212/21212249:jpeg_preview_medium.jpg?20100318212628&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;DOB 2009-20010 sezonu BAHAR VE AK ARKILARI konseri tantm&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/ihaksu&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/343/951/27159343:avatar_medium.jpg?20091114004831&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;ihaksu&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/DOB&quot;&gt;DOB&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/konserler&quot;&gt;konserler&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (ihaksu)</author><pubDate>Thu, 18 Mar 2010 16:16:22 -0400</pubDate><guid>4ce721036ae5ba4d676a43ff17e3a581</guid></item>
<item><title>Inquietud en Colombia, cae sistema y suspenden escrutinio</title><link>http://www.dailymotion.com/video/xcmnh4_inquietud-en-colombia-cae-sistema-y_news</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnh4_inquietud-en-colombia-cae-sistema-y_news&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/842/212/21212248:jpeg_preview_medium.jpg?20100318212224&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;En Colombia, se suspendi el escrutinio de votos tras las elecciones regionales del domingo, ya que colaps el sistem, y hay inquietud por la falta de resultados. Por otra parte, la Registradura recibi muestra de apoyo, tras las denuncias del presidente lvaro Uribe. teleSUR&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/teleSUR_tv&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/018/004/32400810:avatar_medium.jpg?20100309021954&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;teleSUR_tv&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/conteo&quot;&gt;conteo&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/eleccion&quot;&gt;eleccion&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/elecciones&quot;&gt;elecciones&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/regionales&quot;&gt;regionales&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/escrutinio&quot;&gt;escrutinio&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/registraduria&quot;&gt;registraduria&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/sufragios&quot;&gt;sufragios&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/votos&quot;&gt;votos&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (teleSUR_tv)</author><pubDate>Thu, 18 Mar 2010 16:16:18 -0400</pubDate><guid>5feebbe14802d8b4846ba3fecb726ec4</guid></item>
<item><title>Parole de juif!</title><link>http://www.dailymotion.com/video/xcmnh1_parole-de-juif_news</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmnh1_parole-de-juif_news&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/542/212/21212245:jpeg_preview_medium.jpg?20100318212224&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/Le-Petit-Colibri&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/527/803/33308725:avatar_medium.jpg?20100307214104&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;Le-Petit-Colibri&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/gaza&quot;&gt;gaza&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Palestine&quot;&gt;Palestine&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Isral&quot;&gt;Isral&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/sionisme&quot;&gt;sionisme&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/mossad&quot;&gt;mossad&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/crif&quot;&gt;crif&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/France&quot;&gt;France&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Sarkozy&quot;&gt;Sarkozy&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Jrusalem&quot;&gt;Jrusalem&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Aqsa&quot;&gt;Aqsa&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/apartheid&quot;&gt;apartheid&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/juif&quot;&gt;juif&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/judasme&quot;&gt;judasme&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/islam&quot;&gt;islam&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/christianisme&quot;&gt;christianisme&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/nabe&quot;&gt;nabe&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/soral&quot;&gt;soral&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/Dieudonn&quot;&gt;Dieudonn&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 5.0&lt;br /&gt;Votes: 1&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (Le-Petit-Colibri)</author><pubDate>Thu, 18 Mar 2010 16:16:15 -0400</pubDate><guid>bb360f7dcee0d365c2a7910f446424ef</guid></item>
<item><title>Shut up and ride</title><link>http://www.dailymotion.com/video/xcmngu_shut-up-and-ride_music</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmngu_shut-up-and-ride_music&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/832/212/21212238:jpeg_preview_medium.jpg?20100318212613&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/jackmess69&quot;&gt;&lt;img src=&quot;http://ak2.static.dailymotion.com/static/user/591/748/21847195:avatar_medium.jpg?20090429194725&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;jackmess69&lt;/a&gt;&lt;br /&gt;Tags: &lt;a href=&quot;http://www.dailymotion.com/tag/dogg&quot;&gt;dogg&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/master&quot;&gt;master&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/funk&quot;&gt;funk&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/francaise&quot;&gt;francaise&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/grenoble&quot;&gt;grenoble&lt;/a&gt; &lt;a href=&quot;http://www.dailymotion.com/tag/trick&quot;&gt;trick&lt;/a&gt; &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 0.0&lt;br /&gt;Votes: 0&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (jackmess69)</author><pubDate>Thu, 18 Mar 2010 16:15:54 -0400</pubDate><guid>27936dfe10b82ae50307b613cb44d8fc</guid></item>
<item><title>YouTube- Aaron 2</title><link>http://www.dailymotion.com/video/xcmngt_youtube-aaron-2_lifestyle</link><description>&lt;a href=&quot;http://www.dailymotion.com/video/xcmngt_youtube-aaron-2_lifestyle&quot;&gt;&lt;img align=&quot;right&quot; width=&quot;120&quot; height=&quot;90&quot; src=&quot;http://ak2.static.dailymotion.com/static/video/732/212/21212237:jpeg_preview_medium.jpg?20100318212239&quot; style=&quot;border: 2px solid #B9D3FE;&quot;&gt;&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Author: &lt;a href=&quot;http://www.dailymotion.com/miroslavceborosov&quot;&gt;&lt;img src=&quot;http://ak.style.dailymotion.com/images/avatar/male/80x80.jpg&quot; width=&quot;80&quot; height=&quot;80&quot; alt=&quot;avatar&quot;/&gt;miroslavceborosov&lt;/a&gt;&lt;br /&gt;Tags: &lt;br /&gt;Posted: 18 March 2010&lt;br /&gt;Rating: 5.0&lt;br /&gt;Votes: 1&lt;br /&gt;&lt;/p&gt;</description><author>rss@dailymotion.com (miroslavceborosov)</author><pubDate>Thu, 18 Mar 2010 16:15:52 -0400</pubDate><guid>f75469898894a57648da522a20bda23a</guid></item>
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<item><title>SQL script for detecting unindexed FK constraints</title><link>http://www.devx.com/getHelpOn/10MinuteSolution/16595/1763?supportItem=1</link><description></description><guid>8db1feccb7f7ef5d7a5ba82a173eadfe</guid></item>
<item><title>Free Magento Themes Collection</title><link>http://www.webresourcesdepot.com/free-magento-themes-collection/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed: webresourcesdepot (WebResourcesDepot)&amp;utm_content=Netvibes</link><description></description><guid>61a7ccab0f31e912da0ceafa03e1152e</guid></item>
<item><title>Salon du livre 2010 : nos entretiens avec les auteurs invits</title><pubDate>Thu, 18 Mar 2010 10:45:00 -0400</pubDate><link>http://livres.fluctuat.net/blog/42923-salon-du-livre-2010-nos-entretiens-avec-les-auteurs-invites.html</link><description>  Pour son dition anniversaire, le Salon du livre de Paris invite le grand public  dcouvrir 90 auteurs d&amp;rsquo;exception, franais ou trangers. La liste compte quelques superstars ( Paul Auster ,  Umberto Eco ), et bien des crivains que l&amp;rsquo;...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42923-salon-du-livre-2010-nos-entretiens-avec-les-auteurs-invites.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42923-salon-du-livre-2010-nos-entretiens-avec-les-auteurs-invites.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>94fbf38c3c9b7bf9c4f30806c64b6c71</guid></item>
<item><title>Une nouvelle plateforme pour la newsletter Outils Froids</title><description>InfosOutilsFroids&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;On a beau se faire le chantre de la veille via RSS il faut rester objectif, les newsletters sont largement plus utilises pour se tenir inform. C'est le constat que j'avais fait en novembre 2004, lorsque je lanais la newsletter Outils Froids et c'est celui que je fais 6 ans plus tard au moment de changer de plateforme. &lt;br /&gt;&lt;br /&gt;Cette lettre,  priodicit irrgulire, pointe vers chaque article paru dans ce blog et oriente vers ceux qui m'auront paru les plus utiles/importants a posteriori. Quelques rapides analyses complmentaires de l'actualit de la veille/KM/IE peuvent galement y apparatre de manire non systmatique.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pour vous abonner/rabonner il suffit d'utiliser le formulaire sur votre gauche ou de vous rendre sur cette page Google Groups : http://groups.google.fr/group/lalettredoutilsfroids&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;J'espre...</description><link>http://www.outilsfroids.net/news/une-nouvelle-plateforme-pour-la-newsletter-outils-froids</link><pubDate>Thu, 18 Mar 2010 09:00:37 -0400</pubDate><guid>2b274c1fc288a8031f356ec1b7f1de89</guid></item>
<item><title>Whatdoyousuggest, pour naviguer  vue dans les suggestions Google</title><description>OutilsRechercheWebDivers - OutilsGoogle - OutilsCartographieD_Information&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Voici un service qui ne rvolutionnera pas la recherche sur internet mais dont j'aime bien l'ide. Il s'agit en fait de proposer les suggestions Google pour un mot-cl de manire visuelle et par tapes.&lt;br /&gt;&lt;br /&gt;Lorsqu'il n'y a plus de suggestions Whatdoyousuggest  propose les 4 premiers rsultats de la requte ainsi labore. Rien ne vous empche videmment d'en reprendre les termes pour lancer une requte classique dans Google. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ce qui est intressant c'est la manire dont les choix de mots-cls sont proposs, cela modifie beaucoup la perception que l'on en a par rapport  une liste. Comme d'habitude cartographier l'information est payant et c'est en implmentant des petites fonctionnalits de ce type que l'on amliorera...&lt;br /&gt;&lt;img src=&quot;/images/thumbs/Whatdoyousuggest.png&quot; alt=&quot;Whatdoyousuggest, pour naviguer  vue dans les suggestions Google&quot; /&gt;</description><link>http://www.outilsfroids.net/news/whatdoyousuggest-pour-naviguer-a-vue-dans-les-suggestions-google</link><pubDate>Thu, 18 Mar 2010 05:23:46 -0400</pubDate><enclosure url="http://www.outilsfroids.net/images/thumbs/Whatdoyousuggest.png" type="image/png" length="5285"></enclosure><guid>fd39806c7796ac42aaf5ec8aa0373ab6</guid></item>
<item><title type="text">Links for 2010-03-17 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/uBjfx47Sb3o/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://cyberneticzoo.com/&quot;&gt;cyberneticzoo.com&lt;/a&gt;&lt;br/&gt;blog about a history of cybernetic animals and early robots&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/uBjfx47Sb3o&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>2d7eac105b5fb9fbf67bbc9f1af4f44b</guid></item>
<item><title>Arthur Radio Voyage #9: Forest Dwelling with Overture</title><link>http://www.arthurmag.com/2010/03/17/arthur-radio-voyage-9-forest-dwelling-with-overture/</link><pubDate>Wed, 17 Mar 2010 23:11:36 -0400</pubDate><description>Above (left): Collage by Aya &amp;#038; Jason (Overture), created live in the radio station during the broadcast of Arthur Radio Voyage #9. Double-click to view fullscreen.Stream: Download: Arthur Radio Voyage #9: Forest Dwelling with OvertureThis week we arrived at the Newtown Radio studio to find it transformed beyond recognition&amp;#8230; emerald green vines blanketed the walls, [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/03/Arthur-Radio-Voyage-9-Forest-Dwelling-with-Jason-Aya-3-14-2010.mp3" length="175734410" type="audio/mpeg"></enclosure><guid>a89cae6d6f173fcd79c6d813f5d4a6fe</guid></item>
<item><title>New Orleans still makes something</title><link>http://www.arthurmag.com/2010/03/17/duende-in-new-orleans/</link><pubDate>Wed, 17 Mar 2010 21:54:07 -0400</pubDate><description>From a piece on the forthcoming &amp;#8220;Treme&amp;#8221; tv series (from David Simon, creator of The Wire) in this coming Sunday&amp;#8217;s New York Times Sunday Magazine&amp;#8230;THERES A THING about being capable of a great moment, Simon told me on a break from shooting. This city is capable of moments unlike any moments youll ever experience in [...]</description><guid>46c0ffa9c2f9f40f8a6fd58fc62bab91</guid></item>
<item><title>Japan Media Arts festival (Part 2)</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/japan-media-arts-festival-part.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0yohikanada8-640.jpg&quot;width=&quot;640&quot;height=&quot;368&quot;alt=&quot;159k&quot;title=&quot;Japan Media Arts festival (Part 2)&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Last and overdue notes from the Japan Media Arts Festival which took place last month in Tokyo. I'm just going to do a lazy post and glaze over he entertainment and animation categories  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/japan-media-arts-festival-part.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/r7qJD_HsslDjhDAGM3rId2wBTi4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/r7qJD_HsslDjhDAGM3rId2wBTi4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/r7qJD_HsslDjhDAGM3rId2wBTi4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/r7qJD_HsslDjhDAGM3rId2wBTi4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=SlLv3cZlj6w:nIZ1nDm7hy8:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SlLv3cZlj6w:nIZ1nDm7hy8:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=SlLv3cZlj6w:nIZ1nDm7hy8:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/SlLv3cZlj6w&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>ea4fbf6ba24a38a6a6821b8566fcc2b7</guid></item>
<item><title>Ellerdale Trends, la rencontre entre temps rel et sites de rfrence</title><description>OutilsRechercheWebDivers&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vous trouverez dans La lettre Recherche et Rfrencement qui vient de paratre un article de 5 pages concernant l'excellent moteur hybride Trends, de la socit Ellerdale. &lt;br /&gt;&lt;br /&gt;Egalement au sommaire de ce numro :&lt;br /&gt;&lt;br /&gt;    Boostez                           votre rfrencement avec les vidos                          ! (20 pages). &lt;br /&gt;&lt;br /&gt;    David                           Botella (Orange) : &quot;Un moteur de recherche est  une                          somme de challenges techniques  relever...&quot;&lt;br /&gt;&lt;br /&gt;    Les                           expansions de requtes  l'aide de synonymes                          dans Google (7 pages).&lt;br /&gt;&lt;br /&gt;    Considrations                           juridiques sur le dpart de Google de Chine                           (4 pages). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description><link>http://www.outilsfroids.net/news/ellerdale-trends-la-rencontre-entre-temps-reel-et-sites-de-reference</link><pubDate>Wed, 17 Mar 2010 07:40:08 -0400</pubDate><guid>cd3b132b30482c377229a01be8a3105d</guid></item>
<item><title>Mon livre en cadeau avec un abonnement  Veille Magazine</title><description>InfosOutilsFroids&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Je remercie Jacqueline Sala qui me fait l'honneur d'offrir mon livre  chaque personne qui s'abonne  Veille Magazine. C'est par ici.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;J'en profite aussi pour voquer l'opration Le printemps de la Veille. Il s'agit de sessions de formation qui seront regroupes fin mai dbut avril et dont vous pourrez trouver la description sur cette page. Je devais initialement y animer une formation sur le PKM mais des problmes de calendrier nous ont oblig  la reporter.</description><link>http://www.outilsfroids.net/news/mon-livre-en-cadeau-avec-un-abonnement-a-veille-magazine</link><pubDate>Wed, 17 Mar 2010 07:30:45 -0400</pubDate><guid>5b394300fa94b5887eac930519f901e8</guid></item>
<item><title>Martin Amis : 'j'aurais voulu que ma soeur se convertisse  l'Islam.'</title><pubDate>Wed, 17 Mar 2010 06:26:00 -0400</pubDate><link>http://livres.fluctuat.net/blog/42888-martin-amis--j-aurais-voulu-que-ma-soeur-se-convertisse-a-l-islam-.html</link><description>    Accus d'islamophobie en de nombreuses occasions - et notamment celles des parutions des articles runis dans le Deuxime Avion, qui vient tout juste d'tre traduit en franais -  Martin Amis  a dclar cette semaine, au cours d'un  entretien pou...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42888-martin-amis--j-aurais-voulu-que-ma-soeur-se-convertisse-a-l-islam-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42888-martin-amis--j-aurais-voulu-que-ma-soeur-se-convertisse-a-l-islam-.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>4bc45ec15c3bee77be420fe2a5145855</guid></item>
<item><title type="text">Links for 2010-03-16 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/tficq_XiZdY/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.telegraph.co.uk/news/newstopics/howaboutthat/7449234/Fashion-designer-turns-roadkill-into-hats.html&quot;&gt;Fashion designer turns roadkill into hats - Telegraph&lt;/a&gt;&lt;br/&gt;James Faulkner, an aspiring fashion designer, has used the wings, feathers and furs of animals killed on roads to create an entire range of headgear.&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.guardian.co.uk/uk/2010/mar/16/artists-academics-refused-uk-entry&quot;&gt;Artists and academics regularly refused UK entry, say campaigners | UK news | guardian.co.uk&lt;/a&gt;&lt;br/&gt;Writers have been prevented from attending their book launches, painters deported for carrying their own works and a Pakistani band banned from attending the World Pipe Band championship in Glasgow, according to the civil rights group, Manifesto Club.&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/tficq_XiZdY&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>de2fd7d85e38cab6a6d4ff9be99f379f</guid></item>
<item><title>Guantanamo</title><link>http://www.arthurmag.com/2010/03/16/guantanamo/</link><pubDate>Tue, 16 Mar 2010 19:31:24 -0400</pubDate><description>Music: Massive Attack with Damon Albarn&amp;#8220;Filmed inside Cambridge University&amp;#8217;s anechoic chamber (designed to create total silence) and featuring former Guantanamo Bay detainee, Ruhal Ahmed, this short by Adam and Olly is a reflection on Ahmed&amp;#8217;s experiences whilst in detention (particularly how he was interrogated using high-volume music) and about the use of human sound on [...]</description><guid>f1fe1f62895a05a8ee35df5bb4337ac7</guid></item>
<item><title>Downhill skating in Puerto Rico</title><link>http://www.arthurmag.com/2010/03/16/downhill-skating-in-puerto-rico/</link><pubDate>Tue, 16 Mar 2010 16:27:33 -0400</pubDate><description></description><guid>de287d09f5c5d06351d60c8741e3fcb2</guid></item>
<item><title>Quality conversation starter</title><link>http://www.arthurmag.com/2010/03/16/yes-please/</link><pubDate>Tue, 16 Mar 2010 15:59:25 -0400</pubDate><description>$18 postpaid from wannastartacommune.com</description><guid>7b52b86d0dc224f9b7be01d25c54bc0a</guid></item>
<item><title>Synthetic Aesthetics, exploring the territory between art, design and synthetic biology</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/synthetic-biology-is-a-bit.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/00synthetickingdom_lung-640.jpg&quot;width=&quot;640&quot;height=&quot;770&quot;alt=&quot;91k&quot;title=&quot;Synthetic Aesthetics, exploring the territory between art, design and synthetic biology&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Among Daisy Ginsberg's latest activities are a residency at SymbioticA, a collaboration with James King and Cambridge University's iGEM 2009 grand-prizewinning team and then there's Synthetic Aesthetics. The project investigates shared territory between design and synthetic biology, invites exchange of existing skills and approaches, and enables the development of new forms of craft and collaboration  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/synthetic-biology-is-a-bit.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/QUyeEWJs6M5J6MIFMT-qeYYNTk4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/QUyeEWJs6M5J6MIFMT-qeYYNTk4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/QUyeEWJs6M5J6MIFMT-qeYYNTk4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/QUyeEWJs6M5J6MIFMT-qeYYNTk4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=8z0Rd1Ai2Tk:vfIPmjTM_UY:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=8z0Rd1Ai2Tk:vfIPmjTM_UY:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=8z0Rd1Ai2Tk:vfIPmjTM_UY:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/8z0Rd1Ai2Tk&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>56527ba84d9b05d49c8dbe3e2b9036a0</guid></item>
<item><title>Book review - Digital Folklore</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/book-review-digital-folklore-1.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0biznizzz0-640.jpg&quot;width=&quot;640&quot;height=&quot;364&quot;alt=&quot;113k&quot;title=&quot;Book review - Digital Folklore&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Users' endeavors, like glittering star backgrounds, photos of cute kittens and rainbow gradients, are mostly derided as kitsch or in the most extreme cases, postulated as the end of culture itself. In fact this evolving vernacular, created by users for users, is the most important, beautiful and misunderstood language of new media  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/book-review-digital-folklore-1.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/3_DsxgZc0if7tBytBJOKEaoCtXg/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/3_DsxgZc0if7tBytBJOKEaoCtXg/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/3_DsxgZc0if7tBytBJOKEaoCtXg/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/3_DsxgZc0if7tBytBJOKEaoCtXg/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=2mfUw6SArNA:epe8ajphNIQ:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=2mfUw6SArNA:epe8ajphNIQ:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=2mfUw6SArNA:epe8ajphNIQ:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/2mfUw6SArNA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>a4222738048a86686a150676c1db5cb4</guid></item>
<item><title>Art and Medicine at the Mori Art Museum in Tokyo (Part 1)</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/medicine-and-art-at-the.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0amascagnagngi9-640.jpg&quot;width=&quot;640&quot;height=&quot;813&quot;alt=&quot;206k&quot;title=&quot;Art and Medicine at the Mori Art Museum in Tokyo (Part 1)&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Prosthetics, anatomical drawings by Michelangelo, ornate amputation saw from ca. 1650, disturbing videos by Patricia Piccinici, Tibetan anatomical figures, a painting by Damien Hirst. Some 150 medical artifacts from the Wellcome Collection in London and works of old Japanese and contemporary art are exhibited side by side. Without any hierarchy nor anxiety &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/medicine-and-art-at-the.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/N6DUx_MQt_3-F3Rara0PWEYAICA/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/N6DUx_MQt_3-F3Rara0PWEYAICA/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/N6DUx_MQt_3-F3Rara0PWEYAICA/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/N6DUx_MQt_3-F3Rara0PWEYAICA/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=6ge9puGVyLM:Xnf0xS4iev4:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=6ge9puGVyLM:Xnf0xS4iev4:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=6ge9puGVyLM:Xnf0xS4iev4:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/6ge9puGVyLM&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>6164b32d3100d4541674d4136f149fa3</guid></item>
<item><title type="text">Links for 2010-03-12 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/BNwPfURJQBU/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://futureeverything.org/awards&quot;&gt;FutureEverything | About the awards&lt;/a&gt;&lt;br/&gt;results of FutureEverything Award 2010 are in!&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/BNwPfURJQBU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>8ca1ceb21b2c90dfc25b264fd8b89908</guid></item>
<item><title type="text">Links for 2010-03-14 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/IGaU-ivp4FU/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://blogs.telegraph.co.uk/technology/shanerichmond/100004760/sxsw-2010-big-or-small-the-future-of-news-online/&quot;&gt;SXSW 2010: Big or small? The future of news online &amp;ndash; Telegraph Blogs&lt;/a&gt;&lt;br/&gt;Three key themes came out of these talks: first, as the media is unbundled, how do we ensure that important stories dont get missed?; second, are big mainstream media sites now doomed to be replaced by smaller, more agile web competitors?; and third, we need to question and perhaps abandon our old models for news.&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/IGaU-ivp4FU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>69ebee2ab5a6aec6db07ab05d1a012a7</guid></item>
<item><title>Book Review - Data Flow 2: Visualizing Information in Graphic Design </title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/book-review-data-flow-v-2-visu.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/07mosquito8-640.jpg&quot;width=&quot;640&quot;height=&quot;917&quot;alt=&quot;156k&quot;title=&quot;Book Review - Data Flow 2: Visualizing Information in Graphic Design &quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Data Flow 2 expands the definition of contemporary information graphics. The book features new possibilities for diagrams, maps, and charts. It investigates the visual and intuitive presentation of processes, data, and information. Concrete examples of research and art projects as well as commercial work illuminate how techniques such as simplification, abstraction, metaphor, and dramatization function  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/book-review-data-flow-v-2-visu.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/CHMxR2oyvhq8_AJrAXt2L1zdNaU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/CHMxR2oyvhq8_AJrAXt2L1zdNaU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/CHMxR2oyvhq8_AJrAXt2L1zdNaU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/CHMxR2oyvhq8_AJrAXt2L1zdNaU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=3Fm1DlW24AA:7Y9-rbvtTcE:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=3Fm1DlW24AA:7Y9-rbvtTcE:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=3Fm1DlW24AA:7Y9-rbvtTcE:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/3Fm1DlW24AA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>8b693c22261aa9fbe0b86b71c0e10086</guid></item>
<item><title type="text">Links for 2010-03-11 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/VWpwM2Hb9DY/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.kilpiscope.net/archives/category/2010-art-and-technoscience-conference/conference&quot;&gt;ART AND TECHNOSCIENCE Conference&lt;/a&gt;&lt;br/&gt;The front-lines between art and knowledge-production seem to be in transformation. The conference seeks to contextualize the practices of art&amp;amp;science both in the contemporary political atmosphere and the history of contemporary art.&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.independent.co.uk/news/uk/this-britain/welcome-to-afghanistan-no-norfolk-1919462.html&quot;&gt;Welcome to Afghanistan? No, Norfolk - This Britain, UK - The Independent&lt;/a&gt;&lt;br/&gt;To prepare troops for action, the Army has turned a training camp into a simulacrum of an Afghan village  complete with amputees, fake blood and suicide bombers. Terri Judd reports&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.guardian.co.uk/world/richard-adams-blog/2010/mar/11/lesbian-prom-mississippi-cancel&quot;&gt;School cancels prom over fear of lesbians | Richard Adams | World news | guardian.co.uk&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/VWpwM2Hb9DY&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>0b9f04c05247c6521948f368a1ebdc62</guid></item>
<item><title type="text">Links for 2010-03-13 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/Wlhqq1pd-WQ/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.guardian.co.uk/world/2010/mar/14/palestinian-children-rights-violated-israel&quot;&gt;Jail ordeal of hundreds of Palestinian children arrested for throwing stones | World news | The Observer&lt;/a&gt;&lt;br/&gt;Rights groups express concern at the rising number of juveniles as young as 12 who are held behind bars and &amp;#039;treated like terrorists&amp;#039;&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/Wlhqq1pd-WQ&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>da4884dc232766276e154e745ad5d781</guid></item>
<item><title>Book Review - World of Giving</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/book-review-world-of-giving.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0calfreoooiiogron9-640.jpg&quot;width=&quot;640&quot;height=&quot;414&quot;alt=&quot;80k&quot;title=&quot;Book Review - World of Giving&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt; Acknowledging that each of us is inclined to give, this illuminating publication reveals how a beneficent deed contributes to an environment of increasing generosity in addition to enhancing the capabilities of its recipient. As a shared value, giving can grow to be a meaningful collective force that affects the world in surprising ways  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/book-review-world-of-giving.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/aGZt8gCK7wOIOvi6TI6ZfdkF4z0/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/aGZt8gCK7wOIOvi6TI6ZfdkF4z0/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/aGZt8gCK7wOIOvi6TI6ZfdkF4z0/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/aGZt8gCK7wOIOvi6TI6ZfdkF4z0/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=fIi1icvhasE:5r-fuaVos1I:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=fIi1icvhasE:5r-fuaVos1I:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=fIi1icvhasE:5r-fuaVos1I:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/fIi1icvhasE&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>02f34fa3ebf3019c7f34a322a8bca986</guid></item>
<item><title>Art and Medicine at the Mori Art Museum in Tokyo (Part 2)</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/art-and-medicine-at-the-mori-a.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/018boyz-640.jpg&quot;width=&quot;640&quot;height=&quot;506&quot;alt=&quot;50k&quot;title=&quot;Art and Medicine at the Mori Art Museum in Tokyo (Part 2)&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt; In light of the latest developments in biotechnology, cybernetics and neuroscience, the mixture of medical exhibits and works of art introduces visitors to developments in bioscience and issues they entail. Can our definition of life remain unchallenged? Is the human commitment to reproduce going to remain the same? How much can medical and scientific developments impact the way we love and live?  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/art-and-medicine-at-the-mori-a.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ewHDC7ePYfGX2Q8sDBef7XbvhTU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ewHDC7ePYfGX2Q8sDBef7XbvhTU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ewHDC7ePYfGX2Q8sDBef7XbvhTU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ewHDC7ePYfGX2Q8sDBef7XbvhTU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=niTX48SfdBQ:owHKw2PsKKo:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=niTX48SfdBQ:owHKw2PsKKo:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=niTX48SfdBQ:owHKw2PsKKo:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/niTX48SfdBQ&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>a2b7eadb02c4fde18a473ad7ababf10d</guid></item>
<item><title type="text">Links for 2010-03-05 [del.icio.us]</title><link>http://feeds.we-make-money-not-art.com/~r/wmmna/~3/xklYzDiJEkI/regine</link><description type="html">&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2010/mar/02/tunick-gormley-interactive-art&quot;&gt;Not everyone can be an artist | Jonathan Jones | Art and design | guardian.co.uk&lt;/a&gt;&lt;br/&gt;Interactive art is gaining ground  but whether it&amp;#039;s Spencer Tunick&amp;#039;s nudes or Antony Gormley&amp;#039;s plinth, no masterpiece was ever created by committee&lt;/li&gt;&lt;/ul&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/xklYzDiJEkI&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>e1ef8225699e8ff8bf412563c986a13e</guid></item>
<item><title>Exhibition tip - GaMe! at the [DAM] gallery in Berlin</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/one-of-those-rare-exhibitions.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/22-deutsch-640.jpg&quot;width=&quot;640&quot;height=&quot;959&quot;alt=&quot;149k&quot;title=&quot;Exhibition tip - GaMe! at the [DAM] gallery in Berlin&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;The exhibition presents six international positions on the subject of computer games and electronic toys. The spectrum includes interactive computer games, developed by artists, a film collage of modified content of commercial games as well as small toy robots; furthermore four photos from a series showing male adolescents during a LAN-party  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/one-of-those-rare-exhibitions.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/BSpLeU83-otlLbeJrQl3Ryr7ZzA/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/BSpLeU83-otlLbeJrQl3Ryr7ZzA/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/BSpLeU83-otlLbeJrQl3Ryr7ZzA/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/BSpLeU83-otlLbeJrQl3Ryr7ZzA/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=ftU0LmyFqiw:fLRWX9UXae8:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=ftU0LmyFqiw:fLRWX9UXae8:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=ftU0LmyFqiw:fLRWX9UXae8:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/ftU0LmyFqiw&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>b03c76007537f6af6d3cfeb20ae48631</guid></item>
<item><title>...and Counting</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/latest-project-by-new-york.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0awafaasbackk0-640.jpg&quot;width=&quot;640&quot;height=&quot;345&quot;alt=&quot;48k&quot;title=&quot;...and Counting&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Wafaa Bilal's latest project addresses the issue of the invisibility of Iraqi civilian deaths during the war. The artist will submit his body to a 24-hour live performance. His back will be tattooed with a borderless map of Iraq covered with one dot for each Iraqi and American casualty near the cities where they fell &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/latest-project-by-new-york.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/gYGgvolxK81-ieyLKQMSPlAofWk/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/gYGgvolxK81-ieyLKQMSPlAofWk/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/gYGgvolxK81-ieyLKQMSPlAofWk/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/gYGgvolxK81-ieyLKQMSPlAofWk/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=Jon_GYLQfPo:o-RQQp7rqn0:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Jon_GYLQfPo:o-RQQp7rqn0:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=Jon_GYLQfPo:o-RQQp7rqn0:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/Jon_GYLQfPo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>2812a097293c2185f362a6aee9e9efef</guid></item>
<item><title>BIP2010 - The Acrobatic Squad</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/bip2010-the-acrobatic-squad.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/acrobatic-squad-03-640.jpg&quot;width=&quot;640&quot;height=&quot;903&quot;alt=&quot;124k&quot;title=&quot;BIP2010 - The Acrobatic Squad&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;The 7th International Biennial of Photography and Visual Arts in Liege is one of the most exciting art events i've seen in a while. This year's theme is (Out of) Control. It oscillates between the cheerful and the somber, between the mundane and the extraordinary. I'll get back to you with a proper report but i couldn't help singling out a quirky series of photos i discovered at the biennial  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/bip2010-the-acrobatic-squad.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/payXj3oPsVMmV6IH-gDr1cIJkJA/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/payXj3oPsVMmV6IH-gDr1cIJkJA/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/payXj3oPsVMmV6IH-gDr1cIJkJA/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/payXj3oPsVMmV6IH-gDr1cIJkJA/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=cV9_2J3JJfo:zva3_7H9UbE:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=cV9_2J3JJfo:zva3_7H9UbE:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=cV9_2J3JJfo:zva3_7H9UbE:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/cV9_2J3JJfo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>90a55aaaa38abe002e83272dbeb9843a</guid></item>
<item><title>Golden Orb Spider Farm</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/adam-smith-ads4-have-a.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/spiderfarmexhibit-640.jpg&quot;width=&quot;640&quot;height=&quot;640&quot;alt=&quot;74k&quot;title=&quot;Golden Orb Spider Farm&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;In the years to come, might the best employers encourage women to work longer by offering them the means to unlimited fertility in the form of a golden orb spider farm from which to harvest silk for their luxury spare womb? &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/adam-smith-ads4-have-a.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/0NDvcFSHg5b9wGjqxhcQ18eiHuQ/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/0NDvcFSHg5b9wGjqxhcQ18eiHuQ/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/0NDvcFSHg5b9wGjqxhcQ18eiHuQ/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/0NDvcFSHg5b9wGjqxhcQ18eiHuQ/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=j_2sMfFcJ3Q:Fwk9g1nhTkQ:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=j_2sMfFcJ3Q:Fwk9g1nhTkQ:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=j_2sMfFcJ3Q:Fwk9g1nhTkQ:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/j_2sMfFcJ3Q&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>493159ebedae3ff6777592249c275134</guid></item>
<item><title>Exhibition tip - The Making of Images in Paris</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/-hemis-mana-cette-mana.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/4426974996_87880292bd_b-640.jpg&quot;width=&quot;640&quot;height=&quot;853&quot;alt=&quot;169k&quot;title=&quot;Exhibition tip - The Making of Images in Paris&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;I'll never recommend enough a visit to the Muse du Quai Branly in Paris. No matter what they are showing i will go and discover something exciting. Such as the statue of a Man-Shark or the Kachina/katsina dolls which are part of The Making of Images, an anthropology exhibition that deciphers large artistic and material productions of humanity to reveal what is not seen directly in an image   &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/-hemis-mana-cette-mana.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/3ZHQaPri9g48_Yy5Dnjh_Dc7ETU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/3ZHQaPri9g48_Yy5Dnjh_Dc7ETU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/3ZHQaPri9g48_Yy5Dnjh_Dc7ETU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/3ZHQaPri9g48_Yy5Dnjh_Dc7ETU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=89Ag2Br8fJs:iNcZP8FJR-U:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=89Ag2Br8fJs:iNcZP8FJR-U:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=89Ag2Br8fJs:iNcZP8FJR-U:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/89Ag2Br8fJs&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>23ac5320499d1dcf2208d6ebb07ed772</guid></item>
<item><title>Future Archaeologies</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/in-his-exhibition-entitled-fut.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/a21nucleare1zDz8-640.jpg&quot;width=&quot;640&quot;height=&quot;360&quot;alt=&quot;63k&quot;title=&quot;Future Archaeologies&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;The illegal Israeli settlement Har Homa in the West Bank, the interior of the MIR space-station simulator in Moscow, the modernist monument in honour of WW II victims in Kosturnica, the bedsheet serving as an improvised cinema screen in a Chinese village - these are real Science Fiction scenarios, constructed man-made utopias, hurling their absurdities at the viewer  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/02/in-his-exhibition-entitled-fut.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/c0g_Nee-WxxVwhcyFtsgxEAgY_o/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/c0g_Nee-WxxVwhcyFtsgxEAgY_o/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/c0g_Nee-WxxVwhcyFtsgxEAgY_o/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/c0g_Nee-WxxVwhcyFtsgxEAgY_o/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=SERmHSWleIk:nK47wfPjflg:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=SERmHSWleIk:nK47wfPjflg:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=SERmHSWleIk:nK47wfPjflg:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/SERmHSWleIk&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>57244f75899b04e4d99eeedfd09f7674</guid></item>
<item><title>Japan Media Arts festival - The Art Division </title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/japan-media-arts-festival-in.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/0assi89plannneto-640.jpg&quot;width=&quot;640&quot;height=&quot;526&quot;alt=&quot;70k&quot;title=&quot;Japan Media Arts festival - The Art Division &quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Onion scanners, tv screens used as percussion instruments, storm inside a transparent cylinder, genetically modified blue carnations brought back to their original white, techy Japanese-style glockenspiel, etc.  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/japan-media-arts-festival-in.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/NPxHdVmc5iaXo7T7uIUIjmgbV08/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/NPxHdVmc5iaXo7T7uIUIjmgbV08/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/NPxHdVmc5iaXo7T7uIUIjmgbV08/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/NPxHdVmc5iaXo7T7uIUIjmgbV08/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=A375PzaMkzo:VMyZIR9ZOoI:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=A375PzaMkzo:VMyZIR9ZOoI:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=A375PzaMkzo:VMyZIR9ZOoI:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/A375PzaMkzo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>51a4b31e0574a0d64ff73ea67076a974</guid></item>
<item><title>Sensity V &amp; A, an interview with Stanza</title><link>http://creativecommons.org/licenses/by-sa/2.0/</link><description type="html" xml:lang="en" xml:base="http://www.we-make-money-not-art.com/">                 &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/do-you-have-a-photo.php&quot;&gt;&lt;img src=&quot;http://www.we-make-money-not-art.com/wow/motes2-640.jpg&quot;width=&quot;640&quot;height=&quot;960&quot;alt=&quot;141k&quot;title=&quot;Sensity V &amp; A, an interview with Stanza&quot;border=&quot;0&quot; &gt;&lt;/a&gt;&lt;/span&gt;&lt;div class=&quot;wow_exc&quot;&gt;Or how an exhibition i disliked gave me the opportunity to interview an artist whose work i've been admiring ever since i started the blog  &lt;a href=&quot;http://www.we-make-money-not-art.com/archives/2010/03/do-you-have-a-photo.php&quot;&gt;continue&lt;/a&gt;                                             &lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/IFjzKcT3TWUuqcI5F7bAyxzmF7I/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/IFjzKcT3TWUuqcI5F7bAyxzmF7I/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/IFjzKcT3TWUuqcI5F7bAyxzmF7I/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/IFjzKcT3TWUuqcI5F7bAyxzmF7I/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;feedflare&quot;&gt;&lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:7Q72WNTAKBA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:YwkR-u9nhCs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=mSF6EOCx1jg:XJzUJV5FAP4:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href=&quot;http://feeds.we-make-money-not-art.com/~ff/wmmna?a=mSF6EOCx1jg:XJzUJV5FAP4:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/wmmna?i=mSF6EOCx1jg:XJzUJV5FAP4:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/div&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/wmmna/~4/mSF6EOCx1jg&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><guid>9f5f148f26a0120e344b891d4cb7e0c4</guid></item>
<item><title>Un expert identifie la pice perdue de Shakespeare</title><pubDate>Tue, 16 Mar 2010 13:11:00 -0400</pubDate><link>http://livres.fluctuat.net/blog/42875-un-expert-identifie-la-piece-perdue-de-shakespeare.html</link><description>  Les spcialistes de Shakespeare ne s'ennuient jamais. Aprs  l'affaire du tableau , une nouvelle rvlation suscite dbats et discussions d'experts : Brean Hammond, qui travaille depuis 10 ans sur une pice intitul  Double Falsehood , vient d'anno...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42875-un-expert-identifie-la-piece-perdue-de-shakespeare.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42875-un-expert-identifie-la-piece-perdue-de-shakespeare.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>5951ea4bdbda10ceb0f970e479a307c9</guid></item>
<item><title>Nietzsche en bd par Onfray et Le Roy</title><pubDate>Tue, 16 Mar 2010 05:03:00 -0400</pubDate><link>http://livres.fluctuat.net/blog/42841-nietzsche-en-bd-par-onfray-et-le-roy.html</link><description>   Nietzsche  racont en BD par  Onfray , c'est le pari de   Nietzsche : se crer libert  , un ouvrage conu et dessin par le jeune  Maximilien Le Roy  (  Hosni  ), d'aprs un script du philosophe franais, initialement prvu pour le cinma. Si la ...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42841-nietzsche-en-bd-par-onfray-et-le-roy.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42841-nietzsche-en-bd-par-onfray-et-le-roy.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>cc74fcf4948ce14f6d2be772a549877a</guid></item>
<item><title>SUMMER DREAMS</title><link>http://www.arthurmag.com/2010/03/15/summer-dreams/</link><pubDate>Mon, 15 Mar 2010 21:57:48 -0400</pubDate><description>A Midsummer Night&amp;#8217;s Dreampictures from the film by Jir Trnka1959</description><guid>20902cbc107b99c5e12e5f17ac680038</guid></item>
<item><title>All hail the Shaking Ray Levis</title><link>http://www.arthurmag.com/2010/03/15/all-hail-shaking-ray-levis/</link><pubDate>Mon, 15 Mar 2010 16:18:51 -0400</pubDate><description>The Shaking Ray Levis remain one of America&amp;#8217;s unheralded SOUTHERN free-improv treasures. They have been active in performance, teaching, and organizing in the region since 1986. The 1993 Shaking Ray Levis Festival in Chattanooga, Tennessee was one of the most important festivals of the period, featuring sets by Anthony Braxton, &amp;#8220;the last working Southern black [...]</description><guid>65d66253d0d524c0810da967e4248fab</guid></item>
<item><title>Mold May Help Design Future Transportation Routes</title><link>http://www.arthurmag.com/2010/03/15/mold-may-help-design-future-transportation-routes/</link><pubDate>Mon, 15 Mar 2010 15:53:02 -0400</pubDate><description> The tendril network of a slime mold is a near match to Japan&amp;#8217;s railway sytem. Photo via Science/AAASMiraculous Mold! Invade LA&amp;#8217;s public transport please&amp;#8230;</description><guid>f1ed3434702169f6dbf9acf06bafca83</guid></item>
<item><title>Littrature exprimentale : c'est moi ou on nous la raconte ?</title><pubDate>Mon, 15 Mar 2010 05:24:00 -0400</pubDate><link>http://livres.fluctuat.net/blog/42682-litterature-experimentale-c-est-moi-ou-on-nous-la-raconte-.html</link><description>     Une frange actuelle de la critique (et certains lecteurs) semblent vouloir nous faire croire que la littrature n'est intressante (ou ne peut l'tre) que si elle est exprimentale : l'crivain contemporain doit renier les conventions linaires ...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42682-litterature-experimentale-c-est-moi-ou-on-nous-la-raconte-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42682-litterature-experimentale-c-est-moi-ou-on-nous-la-raconte-.html&quot; rel=&quot;nofollow&quot;&gt;22 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>4fd3b4960cc48c49c1536b580b1019a8</guid></item>
<item><title>DOWNTOWN RURAL DETROIT</title><link>http://www.arthurmag.com/2010/03/13/downtown-rural-detroit/</link><pubDate>Sat, 13 Mar 2010 20:39:28 -0500</pubDate><description>from : http://spectregroup.wordpress.com/2010/03/10/downtown-rural-detroitPre-Industrial Land-Usehttp://www.detroitagriculture.org/GRP_Website/Grown_In_Detroit.htmlhttp://www.greeningofdetroit.com/3_0_cool_projects.phphttp://detroitblackfoodsecurity.org/policy.htmlhttp://urbanfarming.org/homefarming.htmlDownsizinghttp://washingtontimes.com/news/2010/mar/09/detroit-looks-at-downsizing-to-save-city/Detroit wants to save itself by shrinking&amp;#8220;Detroit, the very symbol of American industrial might for most of the 20th century, is drawing up a radical renewal plan that calls for turning large swaths of this now-blighted, rusted-out city back into the fields and farmland that existed before the automobile. Operating on a [...]</description><guid>0d7f0faa385d37486ee7fd93521bf905</guid></item>
<item><title>Tonight  Maria Chavez @ Roulette in NYC</title><link>http://www.arthurmag.com/2010/03/13/tonight-maria-chavez-roulette-in-nyc/</link><pubDate>Sat, 13 Mar 2010 12:52:52 -0500</pubDate><description>Born in Peru, avant-turntablist Maria Chavez currently resides in Brooklyn, New York. With a collection of new and broken needles that she calls pencils of sound and a selection of records, she creates electro-acoustic sound pieces. Chavez made her New York City debut in a duet with Thurston Moore, collaborated with Otomo Yoshihide as part [...]</description><guid>330097604685f9bcbd97302f155b2f11</guid></item>
<item><title>Kickstarter  DIAMOND COMICS #5  Free comics newspaper of experimental &amp; psychedelic art</title><link>http://www.arthurmag.com/2010/03/12/kickstarter-diamond-comics-5-free-comics-newspaper-of-experimental-psychedelic-art/</link><pubDate>Fri, 12 Mar 2010 14:43:41 -0500</pubDate><description>I heard about Kickstarter just a few weeks ago by word of mouth.  It&amp;#8217;s a fundraising website that works like an online pledge drive for creative projects.  Artists are using the site to fund album recordings, independent film and video game production, book publication, liscensing costs, travel expenses and other art projects.  [...]</description><guid>5ec57b4cd6c55c6a40f4e7f734661e5a</guid></item>
<item><title>Orgueil et prjugs et zombies : la bd (entre autres produits drivs)</title><pubDate>Fri, 12 Mar 2010 05:14:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42789-orgueil-et-prejuges-et-zombies-la-bd-entre-autres-produits-derives-.html</link><description>   Seth Grahame-Smith  est un alchimiste. Qui transforme les zombies en or. Son   Orgueil et Prjugs et Zombies  , paru en avril 2009 chez Quirk Book, a suscit tant de curiosit et d'enthousiame qu'il a aujourd'hui droit  tous les drivs qu'on r...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42789-orgueil-et-prejuges-et-zombies-la-bd-entre-autres-produits-derives-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42789-orgueil-et-prejuges-et-zombies-la-bd-entre-autres-produits-derives-.html&quot; rel=&quot;nofollow&quot;&gt;2 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>71ae96d65fb30978ce4714e63caa36a0</guid></item>
<item><title>SATIN BLACK SCI-FI RAY GUN vinyl auto decals</title><link>http://www.arthurmag.com/2010/03/12/satin-black-sci-fi-ray-gun-vinyl-auto-decals/</link><pubDate>Fri, 12 Mar 2010 04:34:12 -0500</pubDate><description>sold out, but more on their way!!</description><guid>000a7c35c0d579c7f6b1b97da068a0e3</guid></item>
<item><title>Dylan Williams interview on PROFANITY HILL</title><link>http://www.arthurmag.com/2010/03/12/dylan-williams-interview-on-profanity-hill/</link><pubDate>Fri, 12 Mar 2010 03:48:18 -0500</pubDate><description>Jason Miles interviews owner/operator of Sparkplug Comic Books, Dylan Williams.From Profanity Hill:The truth is the Punk DIY thing is SO SO SO amazing to me. I hate mainstream society in so many ways. Everything I love is usually done by nuts. Sometimes they get accepted like Herge or Carl Barks but most of the time [...]</description><guid>1bc21e3ad466fca342753a45bce1b27e</guid></item>
<item><title>Own a copy of Arthur No. 1</title><link>http://www.arthurmag.com/2010/03/11/own-a-copy-of-arthur-no-1/</link><pubDate>Thu, 11 Mar 2010 15:38:41 -0500</pubDate><description>$6 POSTPAID DIRECT TO YOU FROM THE ARTHUR STORECLICK HERE TO PURCHASEArthur No. 1 (cover date Oct 2002). Quarterfold, newsprint, 56 pages, 11X17. Color, one-color, black and white. We printed 70,000 of these suckers somewhere in New Jersey in September 2002 and got &amp;#8216;em outfreeto the people across North America thanks to every volunteer my [...]</description><guid>e4c05bac3fd2b8eac15049fa48e88a21</guid></item>
<item><title>ANACONDA!</title><link>http://www.arthurmag.com/2010/03/11/anaconda/</link><pubDate>Thu, 11 Mar 2010 12:03:31 -0500</pubDate><description></description><guid>9b210daa02f07f154bfb3af95c55f07d</guid></item>
<item><title>De Sternberg  Jauffret : l'nigme du fminin</title><pubDate>Thu, 11 Mar 2010 10:02:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42644-de-sternberg-a-jauffret-l-enigme-du-feminin.html</link><description>  C'est le moment de parler du   Svre   de  Rgis Jauffret , chronique romanesque des aventures tristement sado-maso d'Edouard Stern et de sa matresse Ccile Brossard. De parler de la faon dont Jauffret dcrit les corps, les femmes notamment, com...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42644-de-sternberg-a-jauffret-l-enigme-du-feminin.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42644-de-sternberg-a-jauffret-l-enigme-du-feminin.html&quot; rel=&quot;nofollow&quot;&gt;2 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>fc1e5dd042bbc4fb036e7ef1f1a8d4ae</guid></item>
<item><title>Les archives de David Foster Wallace exposes  l'Universit du Texas</title><pubDate>Thu, 11 Mar 2010 04:40:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42767-les-archives-de-david-foster-wallace-exposees-a-l-universite-du-texas.html</link><description> Le centre Harry Ransom, intgr  l'universit du Texas (Austin) vient d'acqurir l'intgralit des archives de l'infiniment grand David Foster Wallace, auteur, entre autres, de   La Fonction du Balai   et d' Infinite Jest . Ds l'automne prochain, ...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42767-les-archives-de-david-foster-wallace-exposees-a-l-universite-du-texas.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42767-les-archives-de-david-foster-wallace-exposees-a-l-universite-du-texas.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>a48c47c273ec120d71bba72f48ec7ec1</guid></item>
<item><title>Defense Industry Report VIII: WHERE HAVE ALL THE GOOD CRIMES GONE?</title><link>http://www.arthurmag.com/2010/03/11/defense-industry-report-viii-where-have-all-the-good-crimes-gone/</link><pubDate>Thu, 11 Mar 2010 01:48:22 -0500</pubDate><description>So. 9/11. Boom Boom. Civil rights canceled. Special Delivery. Airmail. And woe is us, for the forked phallus of Wall Street was the lodestone of the Bush Gang, without which maps and words lost meaning, until Operation Enduring Freedom kicked down the doors of the wrong war. Most of the real terrorists were killed at [...]</description><guid>b80e384114dc4b98c68b4d2ca48210f8</guid></item>
<item><title>Tristan Pernet  Jean Josef Jesus  Supreme!</title><link>http://www.arthurmag.com/2010/03/10/tristan-pernet-jean-josef-jesus-supreme/</link><pubDate>Wed, 10 Mar 2010 22:25:07 -0500</pubDate><description>Our next installment in the Arthur Comics series drops&amp;#8230;so click here to check it out!About Jean Josef Jesus:Jean Josef Jesus is a comic zine, 30 pages long going on 100. The work will premiere in conjunction with a narrative installation in an exhibition in May 2010 at the ESAD, a school of decorative arts in [...]</description><guid>b97c136c2e879f2ad750e685b86b161e</guid></item>
<item><title>GLASS ROCK Lion Dance (music to drink wine and sway to)</title><link>http://www.arthurmag.com/2010/03/10/glass-rock-lion-dance-music-to-drink-wine-and-sway-to/</link><pubDate>Wed, 10 Mar 2010 17:55:02 -0500</pubDate><description>Stream: Download: &amp;#8220;Lion Dance&amp;#8221;  Glass Rock (mp3)One of ten beauties on Glass Rock&amp;#8217;s debut, Tall Firs Meet Soft Location, out now via Ecstatic Peace (more info&amp;#8230;).</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/03/7_lion_dance.mp3" length="3184326" type="audio/mpeg"></enclosure><guid>7b463bb99d3cef11bfc9f5d19d889969</guid></item>
<item><title>[Blog] Quelques petits ajustements...</title><link>http://www.gasteroprod.com/blog/quelques-petits-ajustements.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Vous l&amp;#8217;avez peut-tre remarqu vous mme si vous faites partie des rares  venir de temps en temps sur le site, mais certainement pas si vous me lisez via le flux RSS, j&amp;#8217;ai fait quelques ajustements, notamment sur la page d&amp;#8217;accueil.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;h3 class=&quot;spip&quot;&gt;Un peu de typographie&lt;/h3&gt;&lt;p&gt;Pour commencer, j&amp;#8217;ai augment la taille de base de la police de caractres, et j&amp;#8217;ai mis en place la solution &lt;a href='http://typekit.com/colophons/utv7ffj' class='spip_out' rel='external'&gt;Typekit&lt;/a&gt; pour que les navigateurs qui le permettent bnficient d&amp;#8217;une plus belle typographie, base sur &amp;#171;&amp;nbsp;Museo&amp;nbsp;&amp;#187; pour les titres, et &amp;#171;&amp;nbsp;Museo Sans&amp;nbsp;&amp;#187; pour les contenus, deux polices fournies gratuitement par Jos Buivenga via son &lt;a href='http://www.josbuivenga.demon.nl/' class='spip_out' rel='external'&gt;exljbris Font Foundry&lt;/a&gt;.&lt;/p&gt;&lt;h3 class=&quot;spip&quot;&gt;Un peu de fidlisation&lt;/h3&gt;&lt;p&gt;Ensuite, j&amp;#8217;ai dcid de mettre plus en avant et de complter les diffrents moyens que vous avez pour suivre l&amp;#8217;activit de ce site.&lt;/p&gt;&lt;p&gt;J&amp;#8217;ai donc ajout un bloc &amp;#171;&amp;nbsp;Gardez le contact&amp;nbsp;!&amp;nbsp;&amp;#187; au dbut de la colonne de droite, avec bien visibles le lien vers le flux RSS global&lt;sup&gt;&lt;a href='#nb1' class='spip_note' rel='footnote' title='Jenvisage  nouveau de supprimer les autres, qui ont peu dabonns...' id='nh1'&gt;1&lt;/a&gt;&lt;/sup&gt;, une possibilit de s&amp;#8217;abonner pour plutt tre inform des nouveauts par e-mail&lt;sup&gt;&lt;a href='#nb2' class='spip_note' rel='footnote' title='Qui exploite notre splendide plugin SPIP CleverMail, tant qu faire&amp;nbsp;(...)' id='nh2'&gt;2&lt;/a&gt;&lt;/sup&gt;, et enfin le lien vers mon compte Twitter qui reprend lui aussi les liens vers mes contenus&lt;sup&gt;&lt;a href='#nb3' class='spip_note' rel='footnote' title='En plus de mes divagations quotidiennes en 140 caractres...' id='nh3'&gt;3&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_596 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L323xH228/gardez-contact-d4ce9.png' width='323' height='228' alt=&quot;&quot; style='height:228px;width:323px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3 class=&quot;spip&quot;&gt;Et pour finir un peu plus de photographie&amp;nbsp;!&lt;/h3&gt;&lt;p&gt;J&amp;#8217;ai aussi cherch  donner plus d&amp;#8217;ampleur aux quelques photos que je publie, en augmentant leur largeur, sans remettre en cause la structure de base des trois colonnes. J&amp;#8217;ai donc fait gliss la photo sous le petit calendrier, en esprant ne pas avoir un jour une photo o ce calendrier recouvrirait l&amp;#8217;lment d&amp;#8217;intrt principal...&lt;/p&gt;&lt;p&gt;Voil comment c&amp;#8217;tait avant&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_597 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/9/0/8/gp-photo-accueil-avant.png&quot; title='PNG - 2.4 Mo' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L240xH400/gp-photo-accueil-avant-3bb8e-be47f.png' width='240' height='400' alt='PNG - 2.4 Mo' style='height:400px;width:240px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:240px;'&gt;&lt;strong&gt;Avant&lt;/strong&gt;&lt;/dt&gt;&lt;/dl&gt;&lt;p&gt;Et voil comment c&amp;#8217;est maintenant&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_598 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/b/b/0/gp-photo-accueil-apres.png&quot; title='PNG - 2.6 Mo' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L221xH400/gp-photo-accueil-apres-436fd-a7f18.png' width='221' height='400' alt='PNG - 2.6 Mo' style='height:400px;width:221px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:221px;'&gt;&lt;strong&gt;Aprs&lt;/strong&gt;&lt;/dt&gt;&lt;/dl&gt;&lt;p&gt;Qu&amp;#8217;en dites-vous&amp;nbsp;?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;margin: 1em 0 0 3em;&quot;&gt;&lt;fieldset&gt;&lt;legend&gt;Notes de bas de page&lt;/legend&gt;&lt;p&gt;[&lt;a href='#nh1' id='nb1' class='spip_note' title='Notes 1' rev='footnote'&gt;1&lt;/a&gt;] J&amp;#8217;envisage  nouveau de supprimer les autres, qui ont peu d&amp;#8217;abonns...&lt;/p&gt;&lt;p&gt;[&lt;a href='#nh2' id='nb2' class='spip_note' title='Notes 2' rev='footnote'&gt;2&lt;/a&gt;] Qui exploite notre splendide plugin SPIP &lt;a href='http://www.spip-contrib.net/CleverMail' class='spip_out' rel='external'&gt;CleverMail&lt;/a&gt;, tant qu&amp;#8217; faire&amp;nbsp;!&lt;/p&gt;&lt;p&gt;[&lt;a href='#nh3' id='nb3' class='spip_note' title='Notes 3' rev='footnote'&gt;3&lt;/a&gt;] En plus de mes divagations quotidiennes en 140 caractres...&lt;/p&gt;&lt;/fieldset&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/quelques-petits-ajustements.html#commentaires&quot;&gt;2 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D807%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/quelques-petits-ajustements.html&quot;&gt;Quelques petits ajustements...&lt;/a&gt;  a t publi par Nicolas Hoizey le  11 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Z0Gnx-6Cl7pN4Qaxx_LUsjL2KlM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Z0Gnx-6Cl7pN4Qaxx_LUsjL2KlM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Z0Gnx-6Cl7pN4Qaxx_LUsjL2KlM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Z0Gnx-6Cl7pN4Qaxx_LUsjL2KlM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/tL2BsXdX0u0&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 10 Mar 2010 17:28:57 -0500</pubDate><guid>427a4e9ecbbbf5dd34df9babd1a607f1</guid></item>
<item><title>Des coffrets de Marvel vendus au rabais sur Amazon</title><pubDate>Wed, 10 Mar 2010 06:15:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42749-des-coffrets-de-marvel-vendus-au-rabais-sur-amazon.html</link><description>       Ce qui nuit aux uns profitent le plus souvent aux autres : comme ce bug qui a conduit Amazon  proposer, il y a quelques jours, des luxueux coffrets de comics de la collection Marvel Omnibus  trs bas prix : parfois  moins de 15 dollars au l...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42749-des-coffrets-de-marvel-vendus-au-rabais-sur-amazon.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42749-des-coffrets-de-marvel-vendus-au-rabais-sur-amazon.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>f2331d88a26040e670b18d5ff6c61198</guid></item>
<item><title>Arthur Radio Voyage #8 with Bobby Bouzouki</title><link>http://www.arthurmag.com/2010/03/10/arthur-radio-voyage-8-desert-winds-special/</link><pubDate>Wed, 10 Mar 2010 00:00:34 -0500</pubDate><description>Last Sunday Arthur Radio embarked on its eighth voyage, this time to the wind-swept deserts of Greece, Morocco, Arizona and beyond&amp;#8230; Special guest Robert Damore (aka Bobby Bouzouki) graced the Newtown Radio studio with the warm, nostalgia-inducing sounds of his bouzouki, and even took the time to tell us some of the narratives behind the [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/03/Arthur-Radio-Voyage-8-with-Bobby-Bouzouki-03-07-2010.mp3" length="162487821" type="audio/mpeg"></enclosure><guid>d309fb54cbfb70fef3833daaf4fd2fc2</guid></item>
<item><title>La dcapitation au Mexique : entretien avec Sergio Gonzlez Rodrguez</title><pubDate>Tue, 09 Mar 2010 08:38:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42733-la-decapitation-au-mexique-entretien-avec-sergio-gonzalez-rodriguez.html</link><description>  On vout dit : Mexique. Vous pensez : cartels de drogue. Kidnapping. Corruption. Je n'aimerais pas me retrouver une nuit seul dans une ruelle de Tijuana. Etc. Et ce ne sont pas les livres de  Sergio Gonzlez Rodrguez  qui viendront vous contredire....&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42733-la-decapitation-au-mexique-entretien-avec-sergio-gonzalez-rodriguez.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42733-la-decapitation-au-mexique-entretien-avec-sergio-gonzalez-rodriguez.html&quot; rel=&quot;nofollow&quot;&gt;3 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>0959a9dd24758fb583fa4921281b0b63</guid></item>
<item><title>[Liens] Ambilight for video tag</title><link>http://chikuyonok.ru/ambilight</link><description>&lt;div&gt;&lt;p&gt;Le mme effet d'une TV Philips en pur JavaScript. Ncessite un navigateur moderne...&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://chikuyonok.ru/ambilight&quot;&gt;Ambilight for video tag&lt;/a&gt;  a t publi par Nicolas Hoizey le  9 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/cJx5gAMD2Ws4UaRkTbN_gJWrFd4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/cJx5gAMD2Ws4UaRkTbN_gJWrFd4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/cJx5gAMD2Ws4UaRkTbN_gJWrFd4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/cJx5gAMD2Ws4UaRkTbN_gJWrFd4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/cX7TOCk3XTE&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 09 Mar 2010 05:32:26 -0500</pubDate><guid>e9566039e239accd1d73b6b8e93d2739</guid></item>
<item><title>[Liens] Photo : pourquoi l'appareil ne fait-il pas comme mon il ?</title><link>http://www.lesnumeriques.com/article-984.html</link><description>&lt;div&gt;&lt;p&gt;&quot;Cela laisse souvent les dbutants stupfaits : pourquoi leur appareil photo rend-il des images aussi diffrentes de ce que voit leur il ? lments de rponse...&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.lesnumeriques.com/article-984.html&quot;&gt;Photo : pourquoi l'appareil ne fait-il pas comme mon il ?&lt;/a&gt;  a t publi par Nicolas Hoizey le  8 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Q7PWsh7DEvGXh8BxemB93BV5kL4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Q7PWsh7DEvGXh8BxemB93BV5kL4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Q7PWsh7DEvGXh8BxemB93BV5kL4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Q7PWsh7DEvGXh8BxemB93BV5kL4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/VJvEDW3bqqc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 08 Mar 2010 09:26:23 -0500</pubDate><guid>2f45a5a598f19e245440d709200f3cd7</guid></item>
<item><title>Le Finnegans Wake de James Joyce parat dans une version simplifie</title><pubDate>Mon, 08 Mar 2010 05:59:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42700-le-finnegans-wake-de-james-joyce-parait-dans-une-version-simplifiee.html</link><description>      Le   Finnegans wake   de  James Joyce  est devenu un moyen idal pour mesurer le degr de frime - de baratin - du mec  chapeau qui, au cours d'une soire, se prtend lecteur et amateur avant tout de lectures difficiles. Il y a de grandes chan...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42700-le-finnegans-wake-de-james-joyce-parait-dans-une-version-simplifiee.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42700-le-finnegans-wake-de-james-joyce-parait-dans-une-version-simplifiee.html&quot; rel=&quot;nofollow&quot;&gt;4 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>b0d3959189eea13faede5a33fb7f59bc</guid></item>
<item><title>Pauvres femmes : l o Elisabeth Badinter se plante... et pas</title><pubDate>Mon, 08 Mar 2010 04:34:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42633-pauvres-femmes-la-ou-elisabeth-badinter-se-plante--et-pas.html</link><description>  Cela faisait un bail qu'un livre sur les femmes n'avait pas dclench autant de  polmiques et de ractions  que   Le conflit, la femme et la mre  , d' Elisabeth Badinter .    Tout le monde se fout gnralement des femmes, qui pour la plupart - c...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42633-pauvres-femmes-la-ou-elisabeth-badinter-se-plante--et-pas.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42633-pauvres-femmes-la-ou-elisabeth-badinter-se-plante--et-pas.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>84a0dc803a18e36010bea3cb34598b2c</guid></item>
<item><title>[Liens] Ceci n'est pas du Flash ou du Silverlight</title><link>http://www.andrew-hoyer.com/experiments/cloth</link><description>&lt;div&gt;&lt;p&gt;Voil ce qu'on arrive aujourd'hui  faire en utilisant les standards du Web. A condition d'avoir un navigateur qui les supporte...&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.andrew-hoyer.com/experiments/cloth&quot;&gt;Ceci n'est pas du Flash ou du Silverlight&lt;/a&gt;  a t publi par Nicolas Hoizey le  8 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/vG_qJd1VtNXtm1Ny4P0N0WX4IAU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/vG_qJd1VtNXtm1Ny4P0N0WX4IAU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/vG_qJd1VtNXtm1Ny4P0N0WX4IAU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/vG_qJd1VtNXtm1Ny4P0N0WX4IAU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/Vzxj15LAIjI&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 08 Mar 2010 03:43:26 -0500</pubDate><guid>388388aed183cb3904fbd136c77e59ba</guid></item>
<item><title>[Liens] Alfred.app : Lancement de la beta russi !</title><link>http://blog.alfredapp.com/2010/03/07/alfred-app-beta-looking-back-at-the-first-week</link><description>&lt;div&gt;&lt;p&gt; Putting a beta invite on Twitter is like announcing a house party on Facebook. If it looks any good, everyone will want it and youll turn around and have 100 people in your swimming pool! &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://blog.alfredapp.com/2010/03/07/alfred-app-beta-looking-back-at-the-first-week&quot;&gt;Alfred.app : Lancement de la beta russi !&lt;/a&gt;  a t publi par Nicolas Hoizey le  8 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/GVnIqnZ1oQKXcaB4GBE084kN_bw/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/GVnIqnZ1oQKXcaB4GBE084kN_bw/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/GVnIqnZ1oQKXcaB4GBE084kN_bw/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/GVnIqnZ1oQKXcaB4GBE084kN_bw/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/OwkEI27wNxU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 08 Mar 2010 03:11:23 -0500</pubDate><guid>b7be376b049230b23434619cf7be8812</guid></item>
<item><title>Diana Leafe Christian on ecovillaging</title><link>http://www.arthurmag.com/2010/03/07/diana-leafe-christian-on-ecovillaging/</link><pubDate>Sun, 07 Mar 2010 15:07:02 -0500</pubDate><description>Long interview with the author of Finding Community: How to Join an Ecovillage or Intentional Community and Creating a Life Together: Practical Tools to Grow Ecovillages and Intentional Communities.</description><guid>541e8419a936f307f98189c5e2af7bdd</guid></item>
<item><title>DID YOU FEEL THAT?</title><link>http://www.arthurmag.com/2010/03/05/did-you-feel-that/</link><pubDate>Fri, 05 Mar 2010 18:34:08 -0500</pubDate><description>from : http://spectregroup.wordpress.com/2010/03/05/did-you-feel-that/Days Now Slightly Shorterhttp://jpl.nasa.gov/news/news.cfm?release=2010-071http://bloomberg.com/apps/news?pid=20601124&amp;#38;sid=aLAUn4Gy92ss&amp;#8220;The earthquake that killed more than 700 people in Chile on Feb. 27 probably shifted the Earths axis and shortened the day, a NASA scientist has said. Earthquakes can involve shifting hundreds of kilometers of rock by several meters, changing the distribution of mass on the planet. This affects the [...]</description><guid>534400b40466375597e3c660abe34a33</guid></item>
<item><title>TONGUE TOP TEN by Byron Coley and Thurston Moore</title><link>http://www.arthurmag.com/2010/03/05/tongue-top-ten/</link><pubDate>Fri, 05 Mar 2010 15:20:10 -0500</pubDate><description>1. Whatever generation it is now of the St. Marks Poetry Project New York School is beyond us, we stopped counting as soon as we saw Anselm Berrigan running the joint, remembering him as a kid banging around the folding chairs at the Project really not that long ago. Time flies in real time and [...]</description><guid>6b612f2a5a8c5d314fa90bc2f238be45</guid></item>
<item><title>New Archies!</title><link>http://www.arthurmag.com/2010/03/05/new-archies/</link><pubDate>Fri, 05 Mar 2010 12:53:40 -0500</pubDate><description>New strength from longtime Arthur faves (and ArthurNights 2006 alumni) the Archie Bronson Outfit&amp;#8230;</description><guid>84d49a4ab4a81019bab740db987527e9</guid></item>
<item><title>Peut-on faire un roman avec n'importe quoi ? : l'exemple de Pierre Boulle</title><pubDate>Fri, 05 Mar 2010 10:22:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42617-peut-on-faire-un-roman-avec-n-importe-quoi--l-exemple-de-pierre-boulle.html</link><description>  On ne parlera pas ici (enfin, pas tout de suite) de la possibilit morale ou technique qu'ont les crivains de romans de s'attaquer  des sujets qui posent problme. La question du droit  crire est tranche par les faits : on peut crire sur tout...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42617-peut-on-faire-un-roman-avec-n-importe-quoi--l-exemple-de-pierre-boulle.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42617-peut-on-faire-un-roman-avec-n-importe-quoi--l-exemple-de-pierre-boulle.html&quot; rel=&quot;nofollow&quot;&gt;2 commentaires&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>5a9a839769a70e29033a9133d7cf0104</guid></item>
<item><title>[Liens] Le sous-titrage amliorera l'accessibilit sur YouTube</title><link>http://youtubefrblog.blogspot.com/2010/03/technologie-davenir-le-sous-titrage.html</link><description>&lt;div&gt;&lt;p&gt; Toutes les minutes, vingt heures de vido sont mises en ligne sur YouTube. Faciliter l'accs  quelques-unes de ces vidos aux malentendants ou aux trangers est non seulement une nouvelle tape vers la dmocratisation de l'information mais offre galement un rel potentiel pour favoriser la collaboration et la comprhension. &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://youtubefrblog.blogspot.com/2010/03/technologie-davenir-le-sous-titrage.html&quot;&gt;Le sous-titrage amliorera l'accessibilit sur YouTube&lt;/a&gt;  a t publi par Nicolas Hoizey le  5 mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Ub9xNbcmG5ktlKof2tliwge-3JA/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Ub9xNbcmG5ktlKof2tliwge-3JA/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Ub9xNbcmG5ktlKof2tliwge-3JA/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Ub9xNbcmG5ktlKof2tliwge-3JA/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/9kj_Dn5O0LA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 05 Mar 2010 09:34:46 -0500</pubDate><guid>0281d12a7b00a0a3e323aaef62178824</guid></item>
<item><title>Lucius Shepard ou la science-fiction dure  cuire</title><pubDate>Fri, 05 Mar 2010 04:40:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42580-lucius-shepard-ou-la-science-fiction-dure-a-cuire.html</link><description>  Les amateurs de SF &quot;de caractre&quot; (comme on dit d'un vieux whisky ou d'un bourbon, qu'il a &quot;du caractre&quot;), auront certainement not la parution, aux ditions du Blial le 11 fvrier dernier, d'un nouveau recueil de nouvelles de  Lucius Shepard , l...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42580-lucius-shepard-ou-la-science-fiction-dure-a-cuire.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42580-lucius-shepard-ou-la-science-fiction-dure-a-cuire.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>fe18ebbe371c143286bb6912bfd6ffb6</guid></item>
<item><title>Can you take me on a little journey through your face?</title><link>http://www.arthurmag.com/2010/03/04/can-you-take-me-through-a-little-journey-of-your-face/</link><pubDate>Thu, 04 Mar 2010 20:01:15 -0500</pubDate><description></description><guid>2fea548ebe61448e4983a6ecbcee25a3</guid></item>
<item><title>Lalie Walker et Parigramme poursuivis par le March Saint-Pierre</title><pubDate>Thu, 04 Mar 2010 04:34:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42620-lalie-walker-et-parigramme-poursuivis-par-le-marche-saint-pierre.html</link><description>  C'est dans le cadre de  la collection Noir 7.5 , lance  l'automne dernier par les ditions  Parigramme , que Lalie Walker (auteur entre autres pour la Baleine), a publi  Aux Malheurs des dames , un polar dont l'intrigue se droule au March Sain...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42620-lalie-walker-et-parigramme-poursuivis-par-le-marche-saint-pierre.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42620-lalie-walker-et-parigramme-poursuivis-par-le-marche-saint-pierre.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>640676506f14f2f1a715ef38d45e2b05</guid></item>
<item><title>Strike March 4th California and Pre-Game Communiqu</title><link>http://www.arthurmag.com/2010/03/03/strike-march-4thcalifornia-pre-game-communique/</link><pubDate>Wed, 03 Mar 2010 17:08:01 -0500</pubDate><description>That&amp;#8217;s Not the Sky, That&amp;#8217;s the Ceiling.With the slogan We Are The Crisis, California&amp;#8217;s public and private universities, college and community college campuses are experiencing a mass wave of radicalism and revolutionary heat unseen in like forever.  With whole academic departments and unions acting in solidarity with occupiers and strikers, the planned actions for [...]</description><guid>1bc63883847f3c2dd4e1593dfc9df21b</guid></item>
<item><title>ARTHUR RADIO VOYAGE #7: Alien Receptor</title><link>http://www.arthurmag.com/2010/03/03/arthur-radio-voyage-7-alien-receptor/</link><pubDate>Wed, 03 Mar 2010 15:17:45 -0500</pubDate><description>Another freeform blast set off from a location hidden deep inside the Newtown Radio labyrinth&amp;#8230;sit back and allow the soundwaves to reverberate over you as the Arthur Radio team busies itself with scooping musical gems out of the debris.Stream: Download: Arthur Radio 2-28-2010This week&amp;#8217;s playlist&amp;#8230;Doug Mesner &amp;#8211; Good and Bad UFOsThe Electric Prunes &amp;#8211; Holy [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/03/Arthur-Radio-2-28-2010.mp3" length="172661783" type="audio/mpeg"></enclosure><guid>f9c06cd4e36ab540c4dcb20b8a00a200</guid></item>
<item><title>800 livres lumineux pour clairer une rue de Brooklyn</title><pubDate>Wed, 03 Mar 2010 09:29:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42623-800-livres-lumineux-pour-eclairer-une-rue-de-brooklyn.html</link><description> Oui, les livres sont notre lumire. Au sens figur... comme au sens propre : afin de rendre  la lecture toute la place qu'elle mrite dans l'espace public, le collectif espagnol Luzinterruptus a dispos, le 17 fvrier dernier, 800 ouvrages lumineux...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42623-800-livres-lumineux-pour-eclairer-une-rue-de-brooklyn.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42623-800-livres-lumineux-pour-eclairer-une-rue-de-brooklyn.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>82ecb24ec1705db6afaada89c115a7b5</guid></item>
<item><title>Lectures d'influence : Vincent Ravalec prsente six de ses romans prfrs</title><pubDate>Wed, 03 Mar 2010 06:10:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42615-lectures-d-influence-vincent-ravalec-presente-six-de-ses-romans-preferes.html</link><description>  Pour vous aider  choisir vos lectures, vous avez : votre sympathique libraire. Un bibliothcaire rudit. Un honorable supplment littraire noirci de critiques avises. Un voisin bibliophage qui vous fait, rgulirement et timidement, le compte-re...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42615-lectures-d-influence-vincent-ravalec-presente-six-de-ses-romans-preferes.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42615-lectures-d-influence-vincent-ravalec-presente-six-de-ses-romans-preferes.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>0ef3364c406c5aa68893c97804053106</guid></item>
<item><title>Lets help em get it done</title><link>http://www.arthurmag.com/2010/03/02/lets-help-em-get-it-done/</link><pubDate>Tue, 02 Mar 2010 16:58:09 -0500</pubDate><description>You may remember BOB FASS, the charismatic New York City counter-culture radioman, from 2005&amp;#8217;s Arthur No. 13 (available from Arthur Store), wherein he spoke about his role in the 1967 exorcism of the Pentagon. Or perhaps you saw him profiled by Marc Fisher in the New Yorker in December, 2006. Now, thanks to the good [...]</description><guid>d09ffe909ba6a578dc95b9eeb85ff0f9</guid></item>
<item><title>Tuesday afternoon blazed n glazed daydream: ENUMCLAW</title><link>http://www.arthurmag.com/2010/03/02/tuesday-afternoon-blazed-n-glazed-daydream/</link><pubDate>Tue, 02 Mar 2010 13:37:47 -0500</pubDate><description>Film for the title track off the gorgeous new Enumclaw record, Opening of the Dawn. Streaming album preview, limited edition vinyl and mp3 downloads: Honeymoon Music</description><guid>4678d9dad616fd7fd572b189f0b60208</guid></item>
<item><title>Friday, Mar 5, W-burg 7-9pm: all-star artshow TIME TUNNEL curated by Pali Kashi opening at Charlie Horse</title><link>http://www.arthurmag.com/2010/03/02/friday-mar-5-wburg-7-9pm-all-star-artshow-time-tunnel-curated-by-pali-kashi-opening-at-charlie-horse/</link><pubDate>Tue, 02 Mar 2010 13:28:43 -0500</pubDate><description>&amp;#8230;.PRESS RELEASE FOLLOWS&amp;#8230; PRESS RELEASE FOLLOWS&amp;#8230; PRESS RELEASE FOLLOWS&amp;#8230;film still from &amp;#8220;One Flew Over the Cuckoo&amp;#8217;s Nest&amp;#8221; by Pali KashiCharlie Horse Gallery presents:Time TunnelCurated by Pali KashiMira BillotteJohn BrattinEric CopelandJeff DavisSpencer HerbstPali KashiJames KendiAdam MarnieKeith McCullochRich PorterLeif RitcheyArik RoperFrancine SpiegelRuby Sky StilerThe Large Hadron Collider is the world&amp;#8217;s largest and highest energy particle accelerator, and [...]</description><guid>58b50da518090a5fd12b8c30d0ed2660</guid></item>
<item><title>Le Nazi et le barbier d'Edgar Hilsenrath, en mars aux ditions Attila</title><pubDate>Tue, 02 Mar 2010 04:20:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42559-le-nazi-et-le-barbier-d-edgar-hilsenrath-en-mars-aux-editions-attila.html</link><description>  On dit : Chose promise, chose lue. Aprs avoir publi, il y a un an, la traduction du   Fuck America   d' Edgar Hilsenrath , les ditions Attila proposeront, le 18 mars prochain,   Le Nazi et le Barbier  , mettant ainsi un point d'honneur  faire r...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42559-le-nazi-et-le-barbier-d-edgar-hilsenrath-en-mars-aux-editions-attila.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42559-le-nazi-et-le-barbier-d-edgar-hilsenrath-en-mars-aux-editions-attila.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>9a069cd5f96def5331f8b62b07ab1b1a</guid></item>
<item><title>[Blog] Les spammeurs s'y connaissent en CSS</title><link>http://www.gasteroprod.com/blog/les-spammeurs-s-y-connaissent-en-css.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Un p&amp;#8217;tit malin qui se fait appeler Sylvain a laiss un commentaire trs sympathique sur &lt;a href='http://www.gasteroprod.com/blog/tumblr-aime-mes-meduses.html' class='spip_in'&gt;mon billet prcdent&lt;/a&gt;. Mais il a aussi gliss subrepticement un lien vers un site de &lt;i&gt;poker fashion&lt;/i&gt;...&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Voil  quoi ressemblait le commentaire avant que je le retire&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_594 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH141/gp-spam-52bca.png' width='450' height='141' alt=&quot;&quot; style='height:141px;width:450px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;C&amp;#8217;est la flche orange sous le texte &amp;mdash; indiquant normalement un lien vers un autre site &amp;mdash; qui m&amp;#8217;a mis la puce  l&amp;#8217;oreille, et aprs vrification, il y a bien un tel lien, vers un site marchand.&lt;/p&gt;&lt;p&gt;Ce petit malin de Sylvain a cru me duper, et ainsi gagner facilement du rfrencement avec un nouveau lien entrant, en masquant son lien avec un peu de CSS&lt;sup&gt;&lt;a href='#nb2-1' class='spip_note' rel='footnote' title='Le &amp;lt;span class=&amp;quot;sprite&amp;quot;&amp;gt;&amp;lt;/span&amp;gt; est de moi, cest lui&amp;nbsp;(...)' id='nh2-1'&gt;1&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_595 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH94/gp-spam-code-0a018.png' width='450' height='94' alt=&quot;&quot; style='height:94px;width:450px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Dommage pour lui, pris sur le fait&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;margin: 1em 0 0 3em;&quot;&gt;&lt;fieldset&gt;&lt;legend&gt;Notes de bas de page&lt;/legend&gt;&lt;p&gt;[&lt;a href='#nh2-1' id='nb2-1' class='spip_note' title='Notes 2-1' rev='footnote'&gt;1&lt;/a&gt;] Le &lt;code class='spip_code' dir='ltr'&gt;&amp;lt;span class=&amp;quot;sprite&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/code&gt; est de moi, c&amp;#8217;est lui qui permet l&amp;#8217;affichage de la flche.&lt;/p&gt;&lt;/fieldset&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/les-spammeurs-s-y-connaissent-en-css.html#commentaires&quot;&gt;5 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D805%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/les-spammeurs-s-y-connaissent-en-css.html&quot;&gt;Les spammeurs s&amp;#8217;y connaissent en CSS&lt;/a&gt;  a t publi par Nicolas Hoizey le  1er mars 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/j39EqffPAM3M7N6sNWvfDqADAzM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/j39EqffPAM3M7N6sNWvfDqADAzM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/j39EqffPAM3M7N6sNWvfDqADAzM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/j39EqffPAM3M7N6sNWvfDqADAzM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/V2Uzd0H7-i0&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 01 Mar 2010 14:35:00 -0500</pubDate><guid>373d248ef8878dc1780e3abb490ce308</guid></item>
<item><title>Journaliste et hors-la-loi : la premire bio d'Hunter S. Thompson en franais</title><pubDate>Mon, 01 Mar 2010 10:30:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42582-journaliste-et-hors-la-loi-la-premiere-bio-d-hunter-s-thompson-en-francais.html</link><description>  Premire biographie d' Hunter S. Thompson  traduite en franais,  Journaliste et hors-la-loi  donne une nouvelle dimension  l'oeuvre du pape du gonzo journalisme. De son enfance dans le Kentucky  sa mort solitaire dans le Colorado,  William McKee...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42582-journaliste-et-hors-la-loi-la-premiere-bio-d-hunter-s-thompson-en-francais.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42582-journaliste-et-hors-la-loi-la-premiere-bio-d-hunter-s-thompson-en-francais.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>ab8df81ddc052b73e18434a52d21f0a2</guid></item>
<item><title>Arturo Perez-Reverte : ''la guillotine a manqu  l'Espagne''</title><pubDate>Mon, 01 Mar 2010 04:38:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42572-arturo-perez-reverte--la-guillotine-a-manque-a-l-espagne-.html</link><description>  C'est  l'occasion de la parution de son nouveau roman qu' Arturo Perez-Reverte , ancien reporter de guerre et crivain  succs, a donn au quotidien  El Mundo  une interview dont les propos, virulents et provocateurs, n'ont pas manqu d'interpele...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42572-arturo-perez-reverte--la-guillotine-a-manque-a-l-espagne-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42572-arturo-perez-reverte--la-guillotine-a-manque-a-l-espagne-.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>73bb08f16893012a38cca0c221546768</guid></item>
<item><title>Higher trailer  documentary about Sly</title><link>http://www.arthurmag.com/2010/03/01/higher-trailer-documentary-about-sly/</link><pubDate>Mon, 01 Mar 2010 01:49:39 -0500</pubDate><description>A preview for the forthcoming film documentary about psychedelic funk legend Sly Stone. Anticipated to be released in 2010.</description><guid>1e73738da5b1832c610a65fe3c784b28</guid></item>
<item><title>CARTUNE XPREZ 2010  FUTURE TELEVISION TOUR</title><link>http://www.arthurmag.com/2010/02/27/cartune-xprez-2010-future-television-tour/</link><pubDate>Sat, 27 Feb 2010 15:44:16 -0500</pubDate><description>Hello cartoon friends,This marks the beginning of CARTUNE XPREZ&amp;#8217;s 2010 future television tour. After a wildly spiraling tour through Europe this past autumn we have returned to North America for more strange loops:02.26 -Reno, NV &amp;#8211; Joe Crowley Theater02.27 -Oakland, CA &amp;#8211; Lobot02.28 -Los Angeles, CA &amp;#8211; The Silent Movie Theater03.04 -Santa Barbara, CA &amp;#8211; [...]</description><guid>20c81e2e12577b57c0cf42ebfe421102</guid></item>
<item><title>Stanley Elkin : 'Un sale type' et un sacr roman</title><pubDate>Sat, 27 Feb 2010 05:26:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/39484-stanley-elkin--un-sale-type-et-un-sacre-roman.html</link><description>  Publi en 1967,   Un sale type     est peut-tre le roman le plus connu de  Stanley Elkin , l'un des crivains amricains les plus injustement ngligs de ce ct-ci de l'Atlantique et pourtant l'un des plus estims de ses pairs.   D'Elkin, on a di...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/39484-stanley-elkin--un-sale-type-et-un-sacre-roman.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/39484-stanley-elkin--un-sale-type-et-un-sacre-roman.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>73978fa182eff9dbaa94c7b484fb8b9f</guid></item>
<item><title>GWC, part 5+6 by Jesse Moynihan, now available in High Third-Eye Definition</title><link>http://www.arthurmag.com/2010/02/27/gwc-part-5-jesse-moynihan-third-eye/</link><pubDate>Sat, 27 Feb 2010 02:37:30 -0500</pubDate><description>Get ready for more transpersonal vision and non-localityas Jesse Moynihan&amp;#8217;s GWC continues!Click to read the new GWCWe are proud to announce the launch of Arthur Comics brought to you by Floating World. Stop by our new oasis,  http://www.arthurmag.com/comics, for a leisurely bath in our new interactive format, an exclusive collaboration with GreenerMags / . [...]</description><guid>4ef9cad49d1a273e03028050e1cdef95</guid></item>
<item><title>FAKING THE MARS LANDING</title><link>http://www.arthurmag.com/2010/02/26/faking-the-mars-landing/</link><pubDate>Fri, 26 Feb 2010 20:11:46 -0500</pubDate><description>from : http://spectregroup.wordpress.com/2010/02/25/faking-the-mars-landing-pt-3/Personnel Issue : Not All Pretend Astronauts Equally Serioushttp://geekosystem.com/mars-desert-research-station-mdrs/http://gizmodo.com/5476462/fake-mars-mission-befallen-by-real-drama&amp;#8220;The two-week simulations, including various experiments and equipment tests, take place at the Mars Desert Research Station, located outside Hanksville, Utah. The volunteers who participate are expected to take the matter very seriouslyafter all, our future Mars colony depends on it. But of course, some [...]</description><guid>f652f47b28fd1ce4ac1efbe5f1716293</guid></item>
<item><title>TIPS ON HOW TO ENJOY THE NEW DEPRESSION by Gabe Soria and Joseph Remnant</title><link>http://www.arthurmag.com/2010/02/26/tips-on-how-to-survive-the-coming-depression-by-gabe-soria-and-joseph-remnant-from-arthur-magazine-no-32-dec-2008/</link><pubDate>Fri, 26 Feb 2010 16:23:44 -0500</pubDate><description>Reposted from December, 2008&amp;#8230;cuz these tips still apply!(Click here to VIEW LARGE.)</description><guid>d38b2dc35348705e9f164e5fc7bd83bb</guid></item>
<item><title>THE RECESSION AND HOW TO LIVE THROUGH IT by Charles Potts</title><link>http://www.arthurmag.com/2010/02/26/the-recession-and-how-to-live-through-it-by-charles-potts/</link><pubDate>Fri, 26 Feb 2010 16:09:00 -0500</pubDate><description>Reposted from January 2009because it still applies&amp;#8230; Ed.January 28, 2009THE RECESSION AND HOW TO LIVE THROUGH ITby Charles Potts[Arthur editor] Jay Babcock has tempted me with the phrase, It would be great if you wrote something on this subject, referring to the subject line of his email, The recession and how to live through it.Ill [...]</description><guid>a363f08428b2c381222299aaee25fa5b</guid></item>
<item><title>New psych: Tell Me Thing by Dios</title><link>http://www.arthurmag.com/2010/02/26/new-psych-tell-me-thing-by-dios/</link><pubDate>Fri, 26 Feb 2010 16:04:06 -0500</pubDate><description>Stream: Download: &amp;#8220;Tell Me Thing&amp;#8221;  Dios (mp3)From the fellas&amp;#8217; new album We Are Dios, available in a large variety of formats from the band via topspin at http://www.wearedios.com/&amp;#8230;</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/06-tel-mi-theen.mp3" length="10833511" type="audio/mpeg"></enclosure><guid>b3c0f9fb5dfddc8617cccaaf84be4c88</guid></item>
<item><title>TONIGHT, March 4, L.A. 8pm: Arthur co-presents A Night With TVTV at Cinefamily</title><link>http://www.arthurmag.com/2010/02/26/a-night-with-tvtv-at-cinefamily/</link><pubDate>Fri, 26 Feb 2010 11:46:49 -0500</pubDate><description>(3.03.10) JUST ADDED: Dosa Truck will be at Cinefamily from 6pm-on!The original guerrilla TV pioneers return! See Lily Tomlin, Bill Murray, Steven Spielberg, Abbie Hoffman and a host of other personalities as the TVTV guys invade the 1975 Academy Awards, the Superbowl, presidential conventions and anywhere else they can bring their radical comedy. Join us [...]</description><guid>9c460bcdbee598f5fae81ac5430756e4</guid></item>
<item><title>March 13: Simultaneous Conjugation of Four Spirits in a RoomAlan Moore &amp; Stephen OMalley at Laing Gallery in Newcastle upon Tyne</title><link>http://www.arthurmag.com/2010/02/26/march-13-simultaneous-conjugation-of-four-spirits-in-a-room%e2%80%94alan-moore-stephen-omalley-at-laing-gallery-in-newcastle-upon-tyne/</link><pubDate>Fri, 26 Feb 2010 10:52:35 -0500</pubDate><description>Above: The Destruction of Sodom and Gomorrah, John MartinFrom the Laing Gallery:Alan Moore &amp;#038; Stephen O&amp;#8217;MalleySimultaneous Conjugation of Four Spirits in a Room: 201013 Mar 4 &amp;#8211; 4.30pmFor the opening of &amp;#8216;The Great British Art Debate: Turner Versus Martin,&amp;#8217; AV Festival 10 brings together two great forces in contemporary culture, the graphic novelist Alan Moore [...]</description><guid>a682aff6e569d8cf776174e754da788b</guid></item>
<item><title>Guide pratique de l'immortalit : c'est pas gagn ! </title><pubDate>Fri, 26 Feb 2010 09:19:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42554-guide-pratique-de-l-immortalite-c-est-pas-gagne-.html</link><description>  J'avais demand en fin d'anne dernire aux Editions Pearson de m'adresser un livre au titre amusant et qui avait titill ma curiosit :   Guide pratique de l'immortalit, trucs infaillibles et histoires vraies pour passer  coup sr  la postrit...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42554-guide-pratique-de-l-immortalite-c-est-pas-gagne-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42554-guide-pratique-de-l-immortalite-c-est-pas-gagne-.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>bc33ec01ee3adf99df75363c7b7a58af</guid></item>
<item><title>[Liens] Impressionnants exemples de logos minimalistes</title><link>http://webdesignledger.com/inspiration/30-minimal-logo-designs-that-say-more-with-less</link><description>&lt;div&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://webdesignledger.com/inspiration/30-minimal-logo-designs-that-say-more-with-less&quot;&gt;Impressionnants exemples de logos minimalistes&lt;/a&gt;  a t publi par Nicolas Hoizey le  26 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/gq3XtSry7-fMIO9cGcDh-xXbvN0/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/gq3XtSry7-fMIO9cGcDh-xXbvN0/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/gq3XtSry7-fMIO9cGcDh-xXbvN0/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/gq3XtSry7-fMIO9cGcDh-xXbvN0/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/ehZ01ZfdV9c&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 26 Feb 2010 05:41:37 -0500</pubDate><guid>d6ff037d8267e7f1e706d0e3386dfaa6</guid></item>
<item><title>[Liens] Mais pourquoi a pue autant dans le mtro parisien ?</title><link>http://www.rue89.com/2010/02/25/mais-pourquoi-ca-pue-autant-dans-le-metro-parisien-140401</link><description>&lt;div&gt;&lt;p&gt;Mais pourquoi a pue donc tant? Pour comprendre l'odeur du mtro, il faut considrer la qualit des trains, s'ils sont neufs ou rcents, sur quels types de rails ils circulent, la vitesse, le moteur, les diffrents dtergents, la colle des immenses panneaux d'affichage, souligne notre guide. Bien senti.&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.rue89.com/2010/02/25/mais-pourquoi-ca-pue-autant-dans-le-metro-parisien-140401&quot;&gt;Mais pourquoi a pue autant dans le mtro parisien ?&lt;/a&gt;  a t publi par Nicolas Hoizey le  26 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ZPGdkSpns8y8gNgT-BLZBfTlEtU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ZPGdkSpns8y8gNgT-BLZBfTlEtU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ZPGdkSpns8y8gNgT-BLZBfTlEtU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ZPGdkSpns8y8gNgT-BLZBfTlEtU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/89ElaV8iboU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 26 Feb 2010 05:02:49 -0500</pubDate><guid>04e5b1a0d06bf72a5463f124683daec0</guid></item>
<item><title>Marc Levy et Ccile Duflot, mes soeurs... sur Twitter ?</title><pubDate>Fri, 26 Feb 2010 03:40:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42524-marc-levy-et-cecile-duflot-ames-soeurs--sur-twitter-.html</link><description>      C'est ce que rvle en tout cas Tweet &amp; Twins, la nouvelle appli de Fluctuat qui vous permet de comparer vos tweets  ceux des politiques, et de dcouvrir ainsi votre jumeau sur Twitter.    Marc Levy  n'est pas le seul auteur de best-seller  t...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42524-marc-levy-et-cecile-duflot-ames-soeurs--sur-twitter-.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42524-marc-levy-et-cecile-duflot-ames-soeurs--sur-twitter-.html&quot; rel=&quot;nofollow&quot;&gt; commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>ff7121d3718fb610e64fe9c1f75acb14</guid></item>
<item><title>[Liens] Lipstick Lover</title><link>http://www.youtube.com/watch?v=6sU4L4wrFow</link><description>&lt;div&gt;&lt;p&gt;Il sont faits avec quels ingrdients, vos rouges  lvres ?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.youtube.com/watch?v=6sU4L4wrFow&quot;&gt;Lipstick Lover&lt;/a&gt;  a t publi par Nicolas Hoizey le  26 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/A_XKgH-fL2yKXrEQeF0w-sTOY_o/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/A_XKgH-fL2yKXrEQeF0w-sTOY_o/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/A_XKgH-fL2yKXrEQeF0w-sTOY_o/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/A_XKgH-fL2yKXrEQeF0w-sTOY_o/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/ZN7X8sNfJbA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 26 Feb 2010 02:47:48 -0500</pubDate><guid>d22f6373987fd798c625abc7a97a64ec</guid></item>
<item><title>ON HECKLING</title><link>http://www.arthurmag.com/2010/02/26/on-heckling/</link><pubDate>Fri, 26 Feb 2010 01:46:22 -0500</pubDate><description>Filmmaker Adam Curtis writes on his BBC blog:In 1966 one of the most brilliant American New Wave movie directorsJoseph Strick made a documentary for the BBC. It was about heckling in the British general election of that year. It is great piece of verite film-making&amp;#8230;In the film you can see both an old Britain and [...]</description><guid>65d4901b9bfd61ad4e9763405e5c2a47</guid></item>
<item><title>THE MAN</title><link>http://www.arthurmag.com/2010/02/25/the-man/</link><pubDate>Thu, 25 Feb 2010 23:37:09 -0500</pubDate><description>Edward Abbey: wiki, fansite</description><guid>f9d4ee9868afbfd1fd91fdaefa772b97</guid></item>
<item><title>Dunja Jankovic interviewed by Emily Nilsson</title><link>http://www.arthurmag.com/2010/02/25/dunja-jankovic-interviewed-by-emily-nilsson/</link><pubDate>Thu, 25 Feb 2010 19:52:29 -0500</pubDate><description>Emily Nilsson interviews Croatian born comics artist/musician Dunja Jankovic on the Sparkplug Comics blog. Click here for the full interview.What are your main influences as an artist?In a random order: 60s and 70s hairstyles, outsider art in every form, Constructivism, ceramics (even though Im not making it, but Id love to), street art and art [...]</description><guid>9ef0aef2cf5baa7e3f895ecc09dac74c</guid></item>
<item><title>[Blog] Tumblr aime mes mduses</title><link>http://www.gasteroprod.com/blog/tumblr-aime-mes-meduses.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Vous avez sans doute dj vu ma belle photo de mduses fluorescentes &amp;mdash; une de mes prfres &amp;mdash; que ce soit &lt;a href='http://www.gasteroprod.com/photos/meduses-fluorescentes.html' class='spip_in'&gt;ici&lt;/a&gt;, sur &lt;a href='http://www.flickr.com/photos/nicolas-hoizey/2632478734/' class='spip_out' rel='external'&gt;Flickr&lt;/a&gt;, &lt;a href='http://www.jpgmag.com/photos/809995' class='spip_out' rel='external'&gt;JPG Magazine&lt;/a&gt;, &lt;a href='http://nhoizey.deviantart.com/art/Fluorescent-Jellyfish-90477061' class='spip_out' rel='external'&gt;deviantArt&lt;/a&gt; ou plus rcemment sur &lt;a href='http://www.redbubble.com/people/nhoizey/art/4542942-3-fluorescent-jellyfishes' class='spip_out' rel='external'&gt;RedBubble&lt;/a&gt;. Et bien elle vient d&amp;#8217;tre publie en srie sur de nombreux micro blogs &lt;a href='http://www.tumblr.com/' class='spip_out' rel='external'&gt;Tumblr&lt;/a&gt;, lui apportant une norme visibilit.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Le premier  avoir publi la photo semble tre celui-ci&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_582 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/3/8/4/meduses-tumblr-2.png&quot; title='PNG - 813 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-2-7f572-d57df.png' width='400' height='215' alt='PNG - 813 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;birdhaus.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://birdhaus.tumblr.com/post/407643793/nicolas-hoizey' class='spip_out' rel='external'&gt;http://birdhaus.tumblr.com/post/407...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;p&gt;Et il a t largement repris ensuite&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_581 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/d/9/d/meduses-tumblr-2.png&quot; title='PNG - 1 Mo' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH217/meduses-tumblr-2-447db-c8e71.png' width='400' height='217' alt='PNG - 1 Mo' style='height:217px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;frostybear.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://frostybear.tumblr.com/p ost/407748576/fuckyeahjel lyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://frostybear.tumblr.com/p ost/...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_583 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/b/d/c/meduses-tumblr-3.png&quot; title='PNG - 517.1 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH216/meduses-tumblr-3-b030e-c67cf.png' width='400' height='216' alt='PNG - 517.1 ko' style='height:216px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;fuckyeahjellyfish.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://fuckyeahjellyfish.tumblr.com/post/407648432/birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://fuckyeahjellyfish.tumblr.com...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_584 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/c/0/5/meduses-tumblr-4.png&quot; title='PNG - 584.9 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH217/meduses-tumblr-4-01a0a-93434.png' width='400' height='217' alt='PNG - 584.9 ko' style='height:217px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;karencilla.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://karencilla.tumblr.com/post/407665077/isnt-gods-creation-amazing-birdhaus-nicolas' class='spip_out' rel='external'&gt;http://karencilla.tumblr.com/post/4...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_585 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/f/1/6/meduses-tumblr-5.png&quot; title='PNG - 536.9 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-5-ab647-55f38.png' width='400' height='215' alt='PNG - 536.9 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;moqueur.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://moqueur.tumblr.com/post/407674522/birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://moqueur.tumblr.com/post/4076...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_586 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/a/8/b/meduses-tumblr-6.png&quot; title='PNG - 1 Mo' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH217/meduses-tumblr-6-9e860-198bd.png' width='400' height='217' alt='PNG - 1 Mo' style='height:217px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;acertainshadeofgreen.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://acertainshadeofgreen.tumblr.com/post/407687092/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://acertainshadeofgreen.tumblr....&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_587 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/5/e/9/meduses-tumblr-7.png&quot; title='PNG - 443.3 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH216/meduses-tumblr-7-24048-5bc7e.png' width='400' height='216' alt='PNG - 443.3 ko' style='height:216px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;seashelllz.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://seashelllz.tumblr.com/post/407754310/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://seashelllz.tumblr.com/post/4...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_588 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/f/4/3/meduses-tumblr-8.png&quot; title='PNG - 556.3 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-8-fb5bb-e4258.png' width='400' height='215' alt='PNG - 556.3 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;meagannnn-reblog.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://meagannnn-reblog.tumblr.com/post/407784792' class='spip_out' rel='external'&gt;http://meagannnn-reblog.tumblr.com/...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_589 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/4/9/5/meduses-tumblr-9.png&quot; title='PNG - 831.4 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH216/meduses-tumblr-9-6d940-9d8ed.png' width='400' height='216' alt='PNG - 831.4 ko' style='height:216px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;thaiteaa.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://thaiteaa.tumblr.com/post/407819743/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://thaiteaa.tumblr.com/post/407...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_590 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/a/6/4/meduses-tumblr-10.png&quot; title='PNG - 544.6 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-10-6831b-72de6.png' width='400' height='215' alt='PNG - 544.6 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;strangestofinventions.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://strangestofinventions.tumblr.com/post/408117688/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://strangestofinventions.tumblr...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_591 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/d/6/5/meduses-tumblr-11.png&quot; title='PNG - 552.8 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-11-aa47e-2d496.png' width='400' height='215' alt='PNG - 552.8 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;vinitha.tumblr.com&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://vinitha.tumblr.com/post/408123360/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://vinitha.tumblr.com/post/4081...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_592 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;a href=&quot;http://www.gasteroprod.com/IMG/png/6/5/a/meduses-tumblr-12.png&quot; title='PNG - 550.1 ko' type=&quot;image/png&quot;&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L400xH215/meduses-tumblr-12-906f3-9ca1c.png' width='400' height='215' alt='PNG - 550.1 ko' style='height:215px;width:400px;' /&gt;&lt;/a&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;blog.neonjelly.net&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;&lt;a href='http://blog.neonjelly.net/post/407851083/fuckyeahjellyfish-birdhaus-nicolas-hoizey' class='spip_out' rel='external'&gt;http://blog.neonjelly.net/post/4078...&lt;/a&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;p&gt;Tout a grce sans aucun doute  la facilit offerte par Tumblr de faire un &amp;#171;&amp;nbsp;Reblog&amp;nbsp;&amp;#187;,  la manire des &amp;#171;&amp;nbsp;retweets&amp;nbsp;&amp;#187; de Twitter&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_593 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L68xH25/tumblr-reblog-90997.png' width='68' height='25' alt=&quot;&quot; style='height:25px;width:68px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Aucun commentaire pour l'instant.         &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;id_article=804&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fblog%2Ftumblr-aime-mes-meduses.html%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;A vous de commencer&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/tumblr-aime-mes-meduses.html&quot;&gt;Tumblr aime mes mduses&lt;/a&gt;  a t publi par Nicolas Hoizey le  25 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HyqkgOxncDhymmNU5PTTYSepV1g/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HyqkgOxncDhymmNU5PTTYSepV1g/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HyqkgOxncDhymmNU5PTTYSepV1g/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HyqkgOxncDhymmNU5PTTYSepV1g/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/-KaH-wB_rrM&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 25 Feb 2010 15:24:00 -0500</pubDate><guid>cb47f7b42fac9099e967437abb82b1ae</guid></item>
<item><title>Joanna Newsoms two-hour Have One On Me streams in its entirety via NPR</title><link>http://www.arthurmag.com/2010/02/25/joanna-newsoms-two-hour-have-one-on-me-streams-in-its-entirety-via-npr/</link><pubDate>Thu, 25 Feb 2010 13:55:59 -0500</pubDate><description></description><guid>efc2421f2558e2967924dab27a04ba13</guid></item>
<item><title>Excepter on Arthur Radio, Transmission #6</title><link>http://www.arthurmag.com/2010/02/25/excepter-on-arthur-radio-transmission-6/</link><pubDate>Thu, 25 Feb 2010 13:26:38 -0500</pubDate><description>Sunday was a very special day for Arthur Radio. We never thought that co-host Hairy Painter would return to Brooklyn after spending a month building Mardi Gras floats and dancing to sissy bounce music in Nola, but he surprised us at the station door &amp;#8212; out of breath, suitcase in hand &amp;#8212; right when we [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/EXCEPTER-on-Arthur-Radio-2-21-2010.mp3" length="154341378" type="audio/mpeg"></enclosure><guid>0d473475b7757564c25fe482a4850103</guid></item>
<item><title>Vladimir Sorokine, le fou qui tait sage</title><pubDate>Thu, 25 Feb 2010 05:47:00 -0500</pubDate><link>http://livres.fluctuat.net/blog/42519-vladimir-sorokine-le-fou-qui-etait-sage.html</link><description>  Dans   La Voie de Bro  ,  Vladimir Sorokine  traverse cinquante ans de rvolution Russe en coup de vent, semant au passage quelques clats de mtorites, une secte d'illumins et une poigne de miracles. Un roman fou et l'occasion pour son auteur i...&lt;br /&gt;&lt;a href=&quot;http://livres.fluctuat.net/blog/42519-vladimir-sorokine-le-fou-qui-etait-sage.html&quot; rel=&quot;nofollow&quot;&gt;Lire la suite&lt;/a&gt; | &lt;a href=&quot;http://livres.fluctuat.net/blog/42519-vladimir-sorokine-le-fou-qui-etait-sage.html&quot; rel=&quot;nofollow&quot;&gt;1 commentaire&lt;/a&gt;</description><enclosure url="http://files.fluctuat.net/ressources/blog/logo.gif" type="image/gif"></enclosure><guid>4344054256e14062c37840cb7400b020</guid></item>
<item><title>[Blog] Un Netbook comme videur de cartes amlior ?</title><link>http://www.gasteroprod.com/blog/un-netbook-comme-videur-de-cartes-ameliore.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Ayant du mal  trimbaler mon MacBook 13&quot; dans mon sac &lt;a href='http://www.gasteroprod.com/blog/quel-sac-photo-pour-un-reflex-et-ses-accessoires.html' class='spip_in'&gt;Lowepro Flipside 400 AW&lt;/a&gt;, je me dis de plus en plus qu&amp;#8217;un NetBook ferait plus l&amp;#8217;affaire comme videur de cartes amlior quand je suis en vadrouille. Mais quel modle choisir&amp;nbsp;?&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Je ne suis pas le seul  m&amp;#8217;intresser au sujet, comme le montre &lt;a href='http://vimeo.com/7731894' class='spip_out' rel='external'&gt;cette vido&lt;/a&gt; de &lt;a href='http://www.photob.be/' class='spip_out' rel='external'&gt;Benjamin Brolet&lt;/a&gt; dcouverte sur &lt;a href='http://www.blogeee.net/2009/12/un-netbook-au-service-dun-photographe-une-video-a-voir-absolument-si-vous-etes-amateur-de-photo/' class='spip_out' rel='external'&gt;Blogeee&lt;/a&gt;&amp;nbsp;:&lt;/p&gt;&lt;object width=&quot;400&quot; height=&quot;267&quot;&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;param name=&quot;movie&quot; value=&quot;http://vimeo.com/moogaloop.swf?clip_id=7731894&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=00ADEF&amp;amp;fullscreen=1&quot; /&gt;&lt;embed src=&quot;http://vimeo.com/moogaloop.swf?clip_id=7731894&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=00ADEF&amp;amp;fullscreen=1&quot; type=&quot;application/x-shockwave-flash&quot; allowfullscreen=&quot;true&quot; allowscriptaccess=&quot;always&quot; width=&quot;400&quot; height=&quot;267&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;p&gt;&lt;a href=&quot;http://vimeo.com/7731894&quot;&gt;Photob.be - Test du netbook Samsung N510&lt;/a&gt; from &lt;a href=&quot;http://vimeo.com/photob&quot;&gt;benjamin brolet&lt;/a&gt; on &lt;a href=&quot;http://vimeo.com/&quot;&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;J&amp;#8217;envisage donc de plus en plus cet achat pour trs prochainement &amp;mdash; du qu&amp;#8217;Apple sorte un iPad plutt qu&amp;#8217;un &lt;a href='http://www.gasteroprod.com/blog/a-quand-un-macbook-helium-pour-concurrencer-les-asus-eee-pc-msi-wind-et-autres-medion-akoya.html' class='spip_in'&gt;MacBook Helium&lt;/a&gt; &amp;mdash; et je m&amp;#8217;intresse pour l&amp;#8217;instant  cette alternative&amp;nbsp;:&lt;/p&gt;&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; soit un classique Netbook 10&quot; pas trop encombrant, mais plutt du genre costaud avec une coque mtal plutt que plastique et confortable en usage photo, comme le &lt;a href='http://h10010.www1.hp.com/wwpc/fr/fr/sm/WF05a/321957-321957-64295-3955550-3955550-4094022.html' class='spip_out' rel='external'&gt;HP Mini 5102&lt;/a&gt;&lt;sup&gt;&lt;a href='#nb3-1' class='spip_note' rel='footnote' title='Non, ne regardez pas lURL, vous allez pleurer...' id='nh3-1'&gt;1&lt;/a&gt;&lt;/sup&gt; avec 2 Go de RAM et rsolution 1366x768, mais sans l&amp;#8217;option cran tactile qui ajoute du poids et de l&amp;#8217;paisseur&lt;sup&gt;&lt;a href='#nb3-2' class='spip_note' rel='footnote' title='Malheureusement, le choix des options nest pour linstant disponible que sur&amp;nbsp;(...)' id='nh3-2'&gt;2&lt;/a&gt;&lt;/sup&gt;&lt;/li&gt;&lt;li&gt; soit un ultraportable 8&quot; &amp;mdash; en fait un Netbook sans le ct &lt;i&gt;Low Cost&lt;/i&gt; &amp;mdash; comme le &lt;a href='http://www.sony.fr/product/vn-p-series' class='spip_out' rel='external'&gt;Sony Vaio P-Series&lt;/a&gt;, avec une rsolution de 1600x768, 2 Go de RAM, etc.&lt;/li&gt;&lt;li&gt; soit carrment, quitte  prendre (trs) peu de place et poids dans le sac photo, un &lt;a href='http://www.presence-pc.com/actualite/mid-umpc-27251/' class='spip_out' rel='external'&gt;UMPC/MID&lt;/a&gt; d&amp;#8217;environ 5&quot;, genre &lt;a href='http://www.dynamism.com/notebooks/umid_bz.shtml' class='spip_out' rel='external'&gt;UMID mBook BZ&lt;/a&gt; ou &lt;a href='http://www.journaldugeek.com/2010/01/18/des-photos-du-viliv-n5/' class='spip_out' rel='external'&gt;Viliv N5&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;A vrai dire, le budget est loin d&amp;#8217;tre le critre principal, vous devez vous en doutez vu l&amp;#8217;tendu du pannel ci-dessus. Je cherche vraiment quelle est la solution idale pour un usage trs cibl de videur de cartes photo amlior.&lt;/p&gt;&lt;h3 class=&quot;spip&quot;&gt;Mise  jour&lt;/h3&gt;&lt;p&gt;Certains comme &lt;a href='http://twitter.com/nsilberman/statuses/9618017745' class='spip_out' rel='external'&gt;@nsilberman&lt;/a&gt; et &lt;a href='http://twitter.com/n1k0/statuses/9618326420' class='spip_out' rel='external'&gt;@n1k0&lt;/a&gt; m&amp;#8217;ont suggr de prendre plutt un &amp;#171;&amp;nbsp;vrai&amp;nbsp;&amp;#187; videur de cartes comme l&amp;#8217;&lt;a href='http://www.hypershop.com/HyperDrive-Memory-Card-Backup-Device-s/119.htm' class='spip_out' rel='external'&gt;HyperDrive Album&lt;/a&gt;, mais cela me pose plusieurs soucis&amp;nbsp;:&lt;/p&gt;&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; Pour avoir des backups, il faut soit en avoir deux, soit changer de disque  chaque fois, ce qui augmente les risques de panne&lt;/li&gt;&lt;li&gt; Pour mettre les tags et la golocalisation, cela me semble compromis&lt;/li&gt;&lt;li&gt; A taille d&amp;#8217;cran gale, la rsolution des UMPC/MID est bien meilleure&lt;/li&gt;&lt;li&gt; Cela ne fait que a, pas moyen d&amp;#8217;en profiter pour lire les mails ou surfer&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;D&amp;#8217;autres comme &lt;a href='http://twitter.com/declencheur/statuses/9619575269' class='spip_out' rel='external'&gt;@declencheur&lt;/a&gt; et &lt;a href='http://twitter.com/NikonPassion/statuses/9618044243' class='spip_out' rel='external'&gt;@NikonPassion&lt;/a&gt; m&amp;#8217;ont plutt suggr de multiplier les cartes Compact Flash et de ne pas me proccuper de drushage pendant le voyage, mais&amp;nbsp;:&lt;/p&gt;&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; Je prfre faire le boulot au fur et  mesure, plutt qu&amp;#8217;attendre le retour o je risque de trop procrastiner devant la lourde tche  accomplir&amp;nbsp;:&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; suppression des photos rates ou inintressantes&lt;/li&gt;&lt;li&gt; lgres retouches de base, type rotation et crop&lt;/li&gt;&lt;li&gt; cration des mta donnes, dont les tags&lt;/li&gt;&lt;li&gt; golocalisation manuelle ou  partir des traces de mon GPS&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt; Je n&amp;#8217;ai pas comme &lt;a href='http://twitter.com/davidbgk/statuses/9618769033' class='spip_out' rel='external'&gt;@davidbgk&lt;/a&gt;&lt;sup&gt;&lt;a href='#nb3-3' class='spip_note' rel='footnote' title='Qui attend plutt un iPad pour ce mme besoin' id='nh3-3'&gt;3&lt;/a&gt;&lt;/sup&gt; un boitier reflex avec double emplacement CF et possibilit de dupliquer les photos, et donc je prends un risque &amp;mdash; casse ou perte d&amp;#8217;une carte &amp;mdash; sans backup&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Vos avis et expriences&amp;nbsp;?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;margin: 1em 0 0 3em;&quot;&gt;&lt;fieldset&gt;&lt;legend&gt;Notes de bas de page&lt;/legend&gt;&lt;p&gt;[&lt;a href='#nh3-1' id='nb3-1' class='spip_note' title='Notes 3-1' rev='footnote'&gt;1&lt;/a&gt;] Non, ne regardez pas l&amp;#8217;URL, vous allez pleurer...&lt;/p&gt;&lt;p&gt;[&lt;a href='#nh3-2' id='nb3-2' class='spip_note' title='Notes 3-2' rev='footnote'&gt;2&lt;/a&gt;] Malheureusement, le &lt;a href='http://www.blogeee.net/2010/01/lhp-mini-5102-sadapte-a-vos-besoins-pas-a-votre-budget/' class='spip_out' rel='external'&gt;choix des options n&amp;#8217;est pour l&amp;#8217;instant disponible que sur le site de HP US&lt;/a&gt;...&lt;/p&gt;&lt;p&gt;[&lt;a href='#nh3-3' id='nb3-3' class='spip_note' title='Notes 3-3' rev='footnote'&gt;3&lt;/a&gt;] Qui attend plutt un iPad pour ce mme besoin&lt;/p&gt;&lt;/fieldset&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/un-netbook-comme-videur-de-cartes-ameliore.html#commentaires&quot;&gt;4 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D803%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/un-netbook-comme-videur-de-cartes-ameliore.html&quot;&gt;Un Netbook comme videur de cartes amlior&amp;nbsp;?&lt;/a&gt;  a t publi par Nicolas Hoizey le  25 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/GZ7_EF9kHT-1QdwPF3mf4pA9oqM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/GZ7_EF9kHT-1QdwPF3mf4pA9oqM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/GZ7_EF9kHT-1QdwPF3mf4pA9oqM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/GZ7_EF9kHT-1QdwPF3mf4pA9oqM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/UPVIbDEtKE8&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 25 Feb 2010 01:33:00 -0500</pubDate><guid>f875a6cfce8c85cbb25e5f4c9760181d</guid></item>
<item><title>TEN OUT OF 5: A comprehensive guide to the MC5s recordings, for the curious, the enthusiast and the hopeless completist</title><link>http://www.arthurmag.com/2010/02/24/ten-out-of-5/</link><pubDate>Wed, 24 Feb 2010 20:31:35 -0500</pubDate><description>photo: Leni SinclairThis guide was originally published in Arthur No. 9 (March 2004) as one of a set of articles on the MC5 in that issue that ran over several pages (see two of the section&amp;#8217;s two-page, 22&amp;#215;17-inch spreads above.) Copies of Arthur No. 9 are available for $25 each (our stock is almost out, [...]</description><guid>cbeeb5828030edab9ae338c5dc3a7039</guid></item>
<item><title>TYNER TESTIFIES</title><link>http://www.arthurmag.com/2010/02/24/tyner-testifies/</link><pubDate>Wed, 24 Feb 2010 14:55:46 -0500</pubDate><description>Beautiful, sincere: MC5 leader Robin Tyner remembers the great ol&amp;#8217; days at the Grande Ballroom in Detroit&amp;#8230; We&amp;#8217;ll be posting some articles on the MC5 from Arthur No. 9 shortly. here: TEN OUT OF FIVE.</description><guid>b665267415bf8755adcef477ae07f970</guid></item>
<item><title>Lou Curtiss Folk Arts Rare Records  Children of America, Buy Some Records!</title><link>http://www.arthurmag.com/2010/02/24/lou-curtiss-folk-arts-rare-records-children-of-america-buy-some-records/</link><pubDate>Wed, 24 Feb 2010 13:11:40 -0500</pubDate><description>If I was the mayor of San Diego, Id give Lou the key to the city &amp;#8211; Michael Taft, head of the archives of the American Folk Life Center at the Library of Congress in Washington, D.C.This past weekend the San Diego Union Tribune ran a great feature story about Lou Curtiss, patriarch of the [...]</description><guid>9bc9e1a95e558029dabf0e832bf90ae2</guid></item>
<item><title>[Liens] Un netbook au service d'un photographe</title><link>http://www.blogeee.net/2009/12/un-netbook-au-service-dun-photographe-une-video-a-voir-absolument-si-vous-etes-amateur-de-photo</link><description>&lt;div&gt;&lt;p&gt; une vido qui explique en dtails pourquoi aujourdhui un netbook est un bien meilleur compagnon de voyage pour un photographe quun simple videur de cartes &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.blogeee.net/2009/12/un-netbook-au-service-dun-photographe-une-video-a-voir-absolument-si-vous-etes-amateur-de-photo&quot;&gt;Un netbook au service d'un photographe&lt;/a&gt;  a t publi par Nicolas Hoizey le  24 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/g36YxA2MpAtlXxFC2Itr9O3rKSc/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/g36YxA2MpAtlXxFC2Itr9O3rKSc/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/g36YxA2MpAtlXxFC2Itr9O3rKSc/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/g36YxA2MpAtlXxFC2Itr9O3rKSc/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/KG9hW7oltGk&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 24 Feb 2010 04:58:14 -0500</pubDate><guid>68a48bace8d03427c3725acf07145910</guid></item>
<item><title>SERIOUS GONGBATH</title><link>http://www.arthurmag.com/2010/02/23/serious-gongbath/</link><pubDate>Tue, 23 Feb 2010 21:27:16 -0500</pubDate><description>Via Crystal Vibrations </description><guid>13e9ee198d7cd8d6be400a64aa594903</guid></item>
<item><title>CUT IT OUT</title><link>http://www.arthurmag.com/2010/02/23/cut-it-out/</link><pubDate>Tue, 23 Feb 2010 15:38:30 -0500</pubDate><description>Playing with Pictures: The Art of Victorian PhotocollageFebruary 2 &amp;#8211; May 9thThe Howard Gilman Gallery at The Metropolitan Museum of Arthttp://www.metmuseum.org</description><guid>7f049faa78cd5cbe4375fcbab9673c0f</guid></item>
<item><title>A love letter to the insurgent students and workers on California campuses</title><link>http://www.arthurmag.com/2010/02/23/a-love-letter-to-the-insurgent-students-and-workers-on-california-campuses/</link><pubDate>Tue, 23 Feb 2010 12:24:37 -0500</pubDate><description>From afterthefallcommuniques.info:Collecting the major statements from the recent wave of occupations, After the Fall is a love letter to the insurgent students and workers on California campuses. It is intended to spark excitement and discussion and we encourage students and others to use After the Fall to mobilize forces ahead of the March 4th offensive. [...]</description><guid>83304a25924b792dd909e5f493f1e918</guid></item>
<item><title>[Liens] MediaServer for iPhone, iPod touch, and iPad on the iTunes App Store</title><link>http://itunes.apple.com/en/app/mediaserver/id356838872?mt=8</link><description>&lt;div&gt;&lt;p&gt;Un serveur UPnP/DLNA pour iPhone/iPod Touch, wow!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://itunes.apple.com/en/app/mediaserver/id356838872?mt=8&quot;&gt;MediaServer for iPhone, iPod touch, and iPad on the iTunes App Store&lt;/a&gt;  a t publi par Nicolas Hoizey le  23 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/mY2_uRHJ9XauFr5NH_VyY9CleJo/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/mY2_uRHJ9XauFr5NH_VyY9CleJo/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/mY2_uRHJ9XauFr5NH_VyY9CleJo/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/mY2_uRHJ9XauFr5NH_VyY9CleJo/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/Ai0i_ZEgV-c&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 23 Feb 2010 03:43:46 -0500</pubDate><guid>885c16c32e2451d6350aff7a0a41d5d8</guid></item>
<item><title>It may be the very first thing human beings ever built.</title><link>http://www.arthurmag.com/2010/02/23/it-may-be-the-very-first-thing-human-beings-ever-built/</link><pubDate>Tue, 23 Feb 2010 01:16:23 -0500</pubDate><description>From March 1, 2010 Newsweek&amp;#8230;&amp;#8230;Standing on the hill at dawn, overseeing a team of 40 Kurdish diggers, the German-born archeologist waves a hand over his discovery here, a revolution in the story of human origins. Schmidt has uncovered a vast and beautiful temple complex, a structure so ancient that it may be the very first [...]</description><guid>33f72cbea011bd2c57b33a5aff0ef08e</guid></item>
<item><title>Iceberg intelligence conomique n 13 : du 12/01/2009 au 19/02/2010 (34 lments)</title><description>    &lt;br /&gt;    Capability of the People's Republic of China to Conduct Cyber Warfare and Computer Network Exploitation&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Rapport de Northtrop Grumman Corporation - 2009&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    2 Chinese Schools Said to Be Linked to Online Attacks&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Article du New York Times&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    U.S. Fails Test In Simulated Cyberattack&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Un bel exemple de wargame&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;        &lt;br /&gt;        &lt;br /&gt;        &quot;During the exercise, a server hosting the attack appeared to be based in Russia,&quot; said one report. &quot;However, the developer of the malware program was actually in the Sudan. Ultimately, the source of the attack remained unclear during the event.&quot;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;        &lt;br /&gt;&lt;br...</description><link>http://www.outilsfroids.net/news/iceberg-intelligence-economique-n-13-du-12-01-2009-au-19-02-2010-34-elements</link><pubDate>Mon, 22 Feb 2010 03:29:16 -0500</pubDate><guid>f0e81d9bc9e0907c87222962c838f9f6</guid></item>
<item><title>Wandering around Henry Millers bathroom</title><link>http://www.arthurmag.com/2010/02/21/wandering-around-henry-millers-bathroom/</link><pubDate>Sun, 21 Feb 2010 02:15:17 -0500</pubDate><description></description><guid>3adcb40c3d35503bc2796ff2c8c08f66</guid></item>
<item><title>STILL AVAILABLE: Arthurs Paradise Now dvd</title><link>http://www.arthurmag.com/2010/02/20/still-available-arthurs-paradise-now-dvd/</link><pubDate>Sat, 20 Feb 2010 23:47:26 -0500</pubDate><description>Judith Malina and Julian Beck, directors of the Living Theatre&amp;#8220;WE WANT THE WORLD, AND WE WANT IT NOW&amp;#8221;In 1968, after years of self-imposed exile in Europe, the Living Theatre triumphantly returned to America with their theatrical breakthrough &amp;#8220;Paradise Now.&amp;#8221; The sensational production, involving group nudity, marijuana smoking, advocacy of a non-violent anarchist revolution, continuous interaction [...]</description><guid>7ec83b1315480ae260a32ea81f7781d3</guid></item>
<item><title>WHAT WEVE LOST</title><link>http://www.arthurmag.com/2010/02/20/what-weve-lost/</link><pubDate>Sat, 20 Feb 2010 23:24:03 -0500</pubDate><description>Deforestation in the US from 1620 to 1992From the English WikipediaSource of 1620, 1850, and 1920 maps: William B. Greeley, The Relation of Geography to Timber Supply, Economic Geography, 1925, vol. 1, p. 1-11. Source of TODAY map: compiled by George Draffan from roadless area map in The Big Outside: A Descriptive Inventory of the [...]</description><guid>2146409dfbd11a5f4125b2c6c03818f0</guid></item>
<item><title>The greatest local band in the world</title><link>http://www.arthurmag.com/2010/02/20/the-greatest-local-band-in-the-world/</link><pubDate>Sat, 20 Feb 2010 14:43:26 -0500</pubDate><description></description><guid>adf4e29442e02fbfcf2ed1ea65530670</guid></item>
<item><title>Scenes from the Jack Rose wake last Saturday in Philly</title><link>http://www.arthurmag.com/2010/02/20/scenes-from-the-jack-rose-wake-last-saturday-in-philly/</link><pubDate>Sat, 20 Feb 2010 14:09:11 -0500</pubDate><description>Via NPR story &amp;#8220;Remembering Dr. Ragtime: Guitarist Jack Rose&amp;#8221; by Joel Rose (no relation)&amp;#8230;</description><guid>172d90e4595d9cd899b1721a4a41ab88</guid></item>
<item><title>Sur mon autre blog cette semaine (2 billets)</title><description>Voici les liens vers les 3 articles publis cette semaine sur le blog qui accompagne mon livre, Le nouveau management de l'information :&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    19/02/10 - Entreprise 2.0 - lu pour vous n 3 : 08/01/2010 au 19/02/2010&lt;br /&gt;&lt;br /&gt;    18/02/10 - Recyclage : Tout est parti d'une carte heuristique (octobre 2008)&lt;br /&gt;&lt;br /&gt;    17/02/10 - Fiche PKM 2.1 : Grer son identit numrique - Se crer un identifiant unique avec myOpenID&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description><link>http://www.outilsfroids.net/news/sur-mon-autre-blog-cette-semaine-2-billets-2</link><pubDate>Sat, 20 Feb 2010 09:30:33 -0500</pubDate><guid>6ebf4357f9461d245e8c046ca9db6580</guid></item>
<item><title>[Blog] Google Chrome sur Mac, bilan mitig</title><link>http://www.gasteroprod.com/blog/google-chrome-sur-mac-bilan-mitige.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;J&amp;#8217;ai attendu la sortie de la premire version stable de Chrome pour Mac supportant les extensions pour enfin tester, et je dois dire qu&amp;#8217;aprs quelques jours d&amp;#8217;utilisation, j&amp;#8217;en fait pour l&amp;#8217;instant un bilan plutt mitig.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;h3 class=&quot;spip&quot;&gt;Points positifs&lt;/h3&gt;&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; Rapidit&lt;/li&gt;&lt;li&gt; Onglets indpendants&lt;/li&gt;&lt;li&gt; Support natif des &lt;a href='http://userscripts.org/' class='spip_out' rel='external'&gt;userscripts&lt;/a&gt; pour avoir l&amp;#8217;quivalent de l&amp;#8217;incontournable extension Firefox Greasemonkey&lt;/li&gt;&lt;/ul&gt;&lt;h3 class=&quot;spip&quot;&gt;Points ngatifs&lt;/h3&gt;&lt;ul class=&quot;spip&quot;&gt;&lt;li&gt; Pas de barre de titre, donc je ne connais pas le nom de la page ds que j&amp;#8217;ai plus de 5 onglets&lt;/li&gt;&lt;li&gt; Pas de barre de statut fixe, et la barre de statut contextuelle tronque beaucoup trop les URL des liens survols&lt;/li&gt;&lt;li&gt; Pas trouv comment mettre les outils de dveloppeur en bas de fentre, comme dans Safari, ou avec Firebug&lt;/li&gt;&lt;li&gt; Pas de drag &amp;amp; drop de lien dans un dossier de la barre de favoris&lt;/li&gt;&lt;li&gt; La page reste blanche quelques instants  jusqu&amp;#8217; 2 secondes, en moyenne  avant d&amp;#8217;afficher quoi que ce soit&lt;/li&gt;&lt;li&gt; Je n&amp;#8217;arrive pas  faire fonctionner l&amp;#8217;extension Speed Tracer&lt;/li&gt;&lt;/ul&gt;&lt;h3 class=&quot;spip&quot;&gt;Et Chromium&amp;nbsp;?&lt;/h3&gt;&lt;p&gt;Du coup, sur les conseils de &lt;a href='http://prendreuncafe.com/' class='spip_out' rel='external'&gt;N1k0&lt;/a&gt;, et grce  son script bash &lt;a href='http://github.com/n1k0/chromium-updater' class='spip_out' rel='external'&gt;chromium-updater&lt;/a&gt;, je teste Chromium, en esprant que c&amp;#8217;est mieux...&lt;/p&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/google-chrome-sur-mac-bilan-mitige.html#commentaires&quot;&gt;6 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D798%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/google-chrome-sur-mac-bilan-mitige.html&quot;&gt;Google Chrome sur Mac, bilan mitig&lt;/a&gt;  a t publi par Nicolas Hoizey le  20 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/UUQiK-VLxjS93TgKDII3mGgZWcM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/UUQiK-VLxjS93TgKDII3mGgZWcM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/UUQiK-VLxjS93TgKDII3mGgZWcM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/UUQiK-VLxjS93TgKDII3mGgZWcM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/aW5slGPruRc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Sat, 20 Feb 2010 06:44:26 -0500</pubDate><guid>2e431d3710d407eab746f3754bf49988</guid></item>
<item><title>Sunday, February 21st  live set by Excepter on Arthur Radio</title><link>http://www.arthurmag.com/2010/02/20/sunday-february-21st-live-set-by-excepter-on-arthur-radio/</link><pubDate>Sat, 20 Feb 2010 03:05:44 -0500</pubDate><description>John Fell Ryan (otherwise known as &amp;#8220;JFR&amp;#8221; of Excepter) on his ink drawings (shown above &amp;#8211; click on view fullscreen to enlarge):These are all from the Spring of 1998. I was living alone on the corner of Metropolitan and Driggs in Williamsburg, trying to merge cartooning and abstract design with concepts of American Folk mythology [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/excepter_presidence.mp3" length="5352930" type="audio/mpeg"></enclosure><guid>7877ebf8edce3af6db009f63b9660596</guid></item>
<item><title>The problem is not desire. Its that your desires are too small. (Sri Nisargadatta)</title><link>http://www.arthurmag.com/2010/02/19/the-problem-is-not-desire-its-that-your-desires-are-too-small-sri-nisargadatta/</link><pubDate>Fri, 19 Feb 2010 20:16:04 -0500</pubDate><description></description><guid>e834b34ea940af0f52fab31c53a9adc3</guid></item>
<item><title>COSMIC FARCE, FEB. 18, 2010: DICK CHENEY WADDLES ONSTAGE AT CPAC TO THE TUNE OFHOWLIN RAINS DANCERS AT THE END OF TIME?!?</title><link>http://www.arthurmag.com/2010/02/19/dick-cheney-walks-onstage-to-the-tune-of-howlin-rain/</link><pubDate>Fri, 19 Feb 2010 17:11:30 -0500</pubDate><description>1971-76&amp;#8230;&amp;#8220;Bishop Beesley, endlessly corrupt gluttonous villain series. Thirsts for power, money, pleasure.&amp;#8221; (wikipedia entry on the villain from the Moorcock books)2008&amp;#8230;February 18, 2010&amp;#8230;2006&amp;#8230;Michael Moorcock (with Arthur editor) at Arthur event at Church of Casper the Friendly GhostSXSW, 2005&amp;#8230;</description><guid>2657edd84c19a53c75759eefc40f52c1</guid></item>
<item><title>New Kathleen Hanna interview</title><link>http://www.arthurmag.com/2010/02/19/kathleen-hanna-interview-on-grittv/</link><pubDate>Fri, 19 Feb 2010 16:47:27 -0500</pubDate><description></description><guid>e15b3a64f17925f016adb47ae9051a99</guid></item>
<item><title>THERE IS NO THEY</title><link>http://www.arthurmag.com/2010/02/19/there-is-no-they/</link><pubDate>Fri, 19 Feb 2010 15:05:23 -0500</pubDate><description></description><guid>b1ad6b5055f7d830f094079a30d5814a</guid></item>
<item><title>Another California Velvets singalong: SONNY &amp; THE SUNSETS Lovin On an Older Gal</title><link>http://www.arthurmag.com/2010/02/19/sonny-the-sunsets-lovin-on-an-older-gal/</link><pubDate>Fri, 19 Feb 2010 14:25:00 -0500</pubDate><description>Above: Sonny (right) and a SunsetStream: Download: &amp;#8220;Lovin&amp;#8217; On An Older Gal&amp;#8221;  Sonny &amp;#038; the Sunsets (mp3)Buy: There&amp;#8217;s something about this song&amp;#8230; From an album full of Velvets-on-the-beach singalongs called Tomorrow Is Alright, released late last year by San Francisco-based Sonny &amp;#038; the Sunsets. A run of 500 on vinyl is gone already but [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/10-Lovin-On-An-Older-Gal.mp3" length="7828521" type="audio/mpeg"></enclosure><guid>9b6f8fed5bdddf7ffa5d0c9cfeaee913</guid></item>
<item><title>Iceberg n40 : du 09/01/2010 au 19/02/2010 ( 130 services, articles et outils, si,si :-)</title><description> Iceberg&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Voil ce qui se passe quand on attend trop longtemps, un Iceberg de plus de130 items. Bon courage :-)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;TuneGlue&lt;br /&gt;&lt;br /&gt;http://audiomap.tuneglue.net/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Beau moteur de recommandations musicales graphique&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OpenThesis&lt;br /&gt;&lt;br /&gt;http://www.openthesis.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Rpertoire gratuit pour dposer et rechercher des thses&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Facebook fan pages are effective marketing tool&lt;br /&gt;&lt;br /&gt;http://www.sciencedaily.com/releases/2010/02/100218110938.htm&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Une tude qui confirme que les pages d'entreprise sur Facebook ont un rel impact sur les achats&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Study shows why...</description><link>http://www.outilsfroids.net/news/iceberg-n-40-du-09-01-2010-au-19-02-2010-130-services-articles-et-outils-si-si</link><pubDate>Fri, 19 Feb 2010 10:03:01 -0500</pubDate><guid>76796ae0416b102045f207850e380b92</guid></item>
<item><title>Comparatif de trois moteurs pour rechercher en plein texte dans la presse papier</title><description>OutilsMoteurRechercheNews&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Il semblerait que depuis septembre 2009 les solutions permettant de rechercher en plein-texte et gratuitement dans la presse papier se multiplient. Attention, seule la recherche est gratuite, l'accs au document reste videmment payant mais cela peut modifier nos pratiques de veille habituelles. En effet, plutt que de s'abonner  quelques magazines et journaux dans le but de les &quot;piger&quot; quotidiennement et  la main, il suffit d'entrer les mots-cls qui vous intressent et d'acheter que ceux qui nous semblent utiles. Cela peut aussi permettre d'accder directement aux pages intressantes sur les journaux auxquels on est dj abonns et donc de pas perdre de temps  les plucher.&lt;br /&gt;&lt;br /&gt;Attention toutefois. Ce gain de temps pourrait tre compense ngativement par une perte de richesse globale. En effet, lorsqu'on feuillette un magazine c'est tout un contexte que l'on intgre...</description><link>http://www.outilsfroids.net/news/comparatif-de-trois-moteurs-pour-rechercher-en-plein-texte-dans-la-presse-papier</link><pubDate>Fri, 19 Feb 2010 06:11:27 -0500</pubDate><guid>f46746e1f6f93cd72f83de7e93e737cb</guid></item>
<item><title>[Blog] Un petit dbat sur la compatibilit cross-browser dans l'tat de l'art du dveloppement de sites Web</title><link>http://www.gasteroprod.com/blog/un-petit-debat-sur-la-compatibilite-cross-browser-dans-l-etat-de-l-art-du-developpement-de-sites-web.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Adrien &amp;#171;&amp;nbsp;&lt;a href='http://www.twitter.com/Voulf' class='spip_out' rel='external'&gt;Voulf&lt;/a&gt;&amp;nbsp;&amp;#187; Leygues lance &lt;a href='http://www.bootleygues.net/index.php?post/2010/02/19/Debat-sur-l-etat-de-l-art' class='spip_out' rel='external'&gt;un petit dbat sur l&amp;#8217;tat de l&amp;#8217;art du dveloppement de sites Web&lt;/a&gt; focalis sur la compatibilit &lt;i&gt;cross-browser&lt;/i&gt;. Voici mon point de vue.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Un &amp;#171;&amp;nbsp;tat de l&amp;#8217;art&amp;nbsp;&amp;#187;, a prsente les bonnes pratiques dans le contexte rel, pas un idal.&lt;/p&gt;&lt;p&gt;Fournir un service accessible  tout le monde, c&amp;#8217;est la bonne pratique de base. Donc oui, la compatibilit cross-browser fait partie de l&amp;#8217;tat de l&amp;#8217;art du dveloppement de site Web.&lt;/p&gt;&lt;p&gt;Mais attention, il faut aussi dfinir &amp;#171;&amp;nbsp;cross-browser&amp;nbsp;&amp;#187; en restant pragmatique.&lt;/p&gt;&lt;p&gt;D&amp;#8217;une part, cela ne signifie certainement pas avoir le mme rendu au pixel prs dans tous les navigateurs.&lt;/p&gt;&lt;p&gt;Et d&amp;#8217;autre part, le &amp;#171;&amp;nbsp;tous les navigateurs&amp;nbsp;&amp;#187; est  pondrer en fonction de la cible des utilisateurs. Par exemple dans un Intranet o tous les utilisateurs ont Firefox  je sais, c&amp;#8217;est rare  on pourra ne pas se proccuper de la compatibilit avec IE6.&lt;/p&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/un-petit-debat-sur-la-compatibilite-cross-browser-dans-l-etat-de-l-art-du-developpement-de-sites-web.html#commentaires&quot;&gt;4 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D802%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/un-petit-debat-sur-la-compatibilite-cross-browser-dans-l-etat-de-l-art-du-developpement-de-sites-web.html&quot;&gt;Un petit dbat sur la compatibilit cross-browser dans l&amp;#8217;tat de l&amp;#8217;art du dveloppement de sites Web&lt;/a&gt;  a t publi par Nicolas Hoizey le  19 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ZvIwFhKg1HaePCHFquKgIbw928I/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ZvIwFhKg1HaePCHFquKgIbw928I/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ZvIwFhKg1HaePCHFquKgIbw928I/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ZvIwFhKg1HaePCHFquKgIbw928I/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/bW4X4Zl_abs&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 19 Feb 2010 03:14:53 -0500</pubDate><guid>43c8aec0f0b8c3645c8343aa40af32f4</guid></item>
<item><title>MORE THAN YOU KNOW</title><link>http://www.arthurmag.com/2010/02/19/more-than-you-know/</link><pubDate>Fri, 19 Feb 2010 02:17:41 -0500</pubDate><description>from : http://spectregroup.wordpress.com/2010/02/18/more-than-you-know/Dunbar&amp;#8217;s Numberhttp://technology.timesonline.co.uk/tol/news/tech_and_web/the_web/article6999879.ece&amp;#8220;We may be able to amass 5,000 &amp;#8216;friends&amp;#8217; on Facebook but humans brains are capable of managing a maximum of only 150 actual friendships, a study has found. Robin Dunbar, professor of Evolutionary Anthropology at Oxford University, has conducted research revealing that while social networking sites allow us to maintain more relationships, [...]</description><guid>94fba2375a30dc4b32304992edab07ad</guid></item>
<item><title>Earth versus the 10</title><link>http://www.arthurmag.com/2010/02/18/earth-versus-the-10/</link><pubDate>Thu, 18 Feb 2010 19:04:59 -0500</pubDate><description>The LA Times reports the slide is still moving. Way to go geology, rock and roll.</description><guid>ef2499f3ae703dee75d32ac4d7c9bb5b</guid></item>
<item><title>PHOTOGRAPH A RECRUITER</title><link>http://www.arthurmag.com/2010/02/18/photograph-a-recruiter/</link><pubDate>Thu, 18 Feb 2010 15:27:14 -0500</pubDate><description>http://www.photographarecruiter.com/</description><guid>9077323bddf5bc28e962091aadc53e4d</guid></item>
<item><title>PEYOTE QUEEN (Storm De Hirsch, 1965)</title><link>http://www.arthurmag.com/2010/02/18/peyote-queen-storm-de-hirsch-1965/</link><pubDate>Thu, 18 Feb 2010 15:18:40 -0500</pubDate><description></description><guid>96e3104d98d0dbbe5220bcb9adcd5225</guid></item>
<item><title>Factery Labs associe recherche temps rel et mdias traditionnels</title><description> OutilsRechercheWebDivers&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;J'ai publi ce mois-ci dans La lettre Recherche et Rfrencement (payante) un article sur Factery Labs, un moteur qui associe la dtection des tendances de l'actualit via les rseaux sociaux et la recherche d'lments factuels tirs de sources reconnues. Une tentative intressante donc. &lt;br /&gt;&lt;br /&gt;Au sommaire du numro de fvrier vous trouverez galement les articles suivants : &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Les commentaires des internautes, nouveau carburant des moteurs de recherche ? (9 pages). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Le SEO  l'aune du Web localis (22 pages). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    L'exception de &quot;courte citation&quot; dans la loi franaise (3 pages). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Russir la cration d'une quipe SEO en interne (9 pages). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br...</description><link>http://www.outilsfroids.net/news/factery-labs-associe-recherche-temps-reel-et-medias-traditionnels</link><pubDate>Thu, 18 Feb 2010 04:08:03 -0500</pubDate><guid>39a05004e67786338989fabb1e7a3f6c</guid></item>
<item><title>Tableau Software Public, pour passer au niveau suprieur de la visualisation de donnes</title><description> OutilsCartographieD_Information&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Il est des outils dont on entend beaucoup parler mais dont les cots sont rdhibitoires. C'est le cas de Tableau Software, un logiciel d'analyse de donnes et de gnration de schmas et de cartographies dynamiques qui semble beaucoup plaire aux pros de la business intelligence et de la visualisation outre-atlantique. Malheureusement il atteint tout de mme la bagatelle de 1000 $ en version desktop perso et le double en version pro (possibilit de le connecter  de trs nombreuses bases de donnes et solutions BI).&lt;br /&gt;&lt;br /&gt;Heureusement voil qu'arrive Tableau Software Public. Il s'agit d'une version gratuite de l'outil dont les rsultats ne seront publiables qu'en ligne et de manire publique. Il vient alors concurrencer les excellents Swivel et Manyeyes d'IBM.&lt;br /&gt;&lt;br /&gt;L'un des avantages de Tableau Software Public est que vous disposez d'un logiciel client...</description><link>http://www.outilsfroids.net/news/tableau-software-public-pour-passer-au-niveau-superieur-de-la-visualisation-de-donnees</link><pubDate>Wed, 17 Feb 2010 07:50:42 -0500</pubDate><guid>88afb1ebc2b3b393057cad078080030b</guid></item>
<item><title>Theres a limited supply: Arthur No. 3  (pubd Feb 2003) aka THE JOE STRUMMER WAKE ISSUE</title><link>http://www.arthurmag.com/2010/02/16/theres-a-limited-supply-arthur-no-3/</link><pubDate>Tue, 16 Feb 2010 17:43:27 -0500</pubDate><description>We&amp;#8217;ve got 50 copies left of Arthur No. 3 (cover date March 2003, pub&amp;#8217;d February, 2003). This one&amp;#8217;s from the original incarnation (read: best) of Arthurthe pages are gigantic (11&amp;#215;17) and the paper is reasonably high-quality newsprint. Some color, some b/w. We&amp;#8217;re selling our remaining stock for $10 each over at the Arthur Store. Notes [...]</description><guid>cea230cf5aa7ff00803db28d083fd030</guid></item>
<item><title>DOGS IN COLLEGE #12 by Michael Deforge</title><link>http://www.arthurmag.com/2010/02/16/dogs-in-college-12-by-michael-deforge/</link><pubDate>Tue, 16 Feb 2010 12:38:21 -0500</pubDate><description>It&amp;#8217;s Dogs In College by Michael Deforge. Michael is an awesome illustrator/comics artist/midi composer living in Toronto. He did the cover for the latest issue of Diamond Comics, and have you read his comic LOSE yet? Get it, one of the best books of the year.</description><guid>1a46a5355a5340f5717cbe3230d68138</guid></item>
<item><title>[Liens] La facilit avec SPIP versus la souffrance avec Drupal</title><link>http://icp.ge.ch/sem/cms-spip/spip.php?article942</link><description>&lt;div&gt;&lt;p&gt;Drupal vu par des SPIPeurs :  avec SPIP on met trs rapidement et facilement un site dynamique trs performant en place alors quavec Drupal la tche se rvle longue, complexe, ardue et laborieuse &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://icp.ge.ch/sem/cms-spip/spip.php?article942&quot;&gt;La facilit avec SPIP versus la souffrance avec Drupal&lt;/a&gt;  a t publi par Nicolas Hoizey le  16 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/QdfMzzrI3moy_IjInBFIRmVwgpM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/QdfMzzrI3moy_IjInBFIRmVwgpM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/QdfMzzrI3moy_IjInBFIRmVwgpM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/QdfMzzrI3moy_IjInBFIRmVwgpM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/CFH9Ru7Oqfk&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 16 Feb 2010 10:20:53 -0500</pubDate><guid>81c5b0ab3059ff508bd277dd30e6fa6e</guid></item>
<item><title>Arthur Radio #5: Amor Apocalptico, with live set by Wish</title><link>http://www.arthurmag.com/2010/02/16/arthur-radio-5-amor-apocaliptico/</link><pubDate>Tue, 16 Feb 2010 09:00:07 -0500</pubDate><description>(Above: Collage featuring in-studio photo by Anna Gonick and artwork by Wish)This past Sunday, Emilie Friedlander (Visitation Rites) joined Ivy Meadows in the depths of the Newtown Radio caverns to celebrate the first day of the Year of the Tiger. Zeljko McMullen of the music/visual/art collective Shinkoyo played us a live set via his solo [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/ARTHUR-RADIO-5-Amor-Apocaliptico-2-14-2010.mp3" length="184445724" type="audio/mpeg"></enclosure><guid>6c91a69340a0f3c3680dd51905011dda</guid></item>
<item><title>AND NEVER DIE</title><link>http://www.arthurmag.com/2010/02/16/and-never-die/</link><pubDate>Tue, 16 Feb 2010 01:10:58 -0500</pubDate><description>from : http://spectregroup.wordpress.com/2010/02/12/and-never-die/Living to 1,000http://en.wikipedia.org/wiki/Aubrey_de_Greyhttp://news.bbc.co.uk/2/hi/uk_news/4003063.stm&amp;#8220;This means that all parts of the project should be fully working in mice within just 10 years and we might take only another 10 years to get them all working in humans. When we get these therapies, we will no longer all get frail and decrepit and dependent as we [...]</description><guid>ef3c37c2bc5c2c7933e29ab3982e7168</guid></item>
<item><title>LOOK of LOVE</title><link>http://www.arthurmag.com/2010/02/14/look-of-love/</link><pubDate>Sun, 14 Feb 2010 18:06:12 -0500</pubDate><description>photos from Les Folies du Music-Hall by Jacques DamaseA History of the Paris Music-Hall from 1914 to the Present Day</description><guid>3129ddff92b7ae0f6c43b4e546c7d443</guid></item>
<item><title>IAIN SINCLAIR on J.G. BALLARDs favorite artwork</title><link>http://www.arthurmag.com/2010/02/13/iain-sinclair-on-j-g-ballard/</link><pubDate>Sat, 13 Feb 2010 16:16:49 -0500</pubDate><description>Another piece by Iain Sinclair, this one regarding his friend, the late visionary author J.G. Ballard (wiki). From today&amp;#8217;s The Guardian, on the occasion of the new Ballard exhibition at the London Gagosian&amp;#8230;PAUL DELVAUX: Le canap bleu, 1967 (Oil on canvas/55 1/8 x 70 7/8 inches) Crash: JG Ballard&amp;#8217;s artistic legacyShortly before JG Ballard&amp;#8217;s death [...]</description><guid>0a5e7d728da05e7c6b8edc2610f56114</guid></item>
<item><title>Feb. 17, L.A.: WIZARD WEDNESDAYS debuts at Footsies in Highland Park</title><link>http://www.arthurmag.com/2010/02/13/feb-17-l-a-wizard/</link><pubDate>Sat, 13 Feb 2010 15:54:07 -0500</pubDate><description>WIZARD WEDNESDAYS takes place first and third Wednesdays of every month at Footsies at 261 N. Figueroa in Highland Park. February 17 special guest is DJ Nobody!Poster by Alia Penner</description><guid>2e97504b02f4a41337ea9e39d237ac04</guid></item>
<item><title>YOUR HEART IS A PRISM by Peter Glantz, Becky Stark and Jacob Ciocci</title><link>http://www.arthurmag.com/2010/02/13/your-heart-is-a-prism/</link><pubDate>Sat, 13 Feb 2010 15:42:56 -0500</pubDate><description>Poster:http://www.justseeds.org/09prism.htmlMore info:imaginarycompany.org&amp;#8220;This print is the first in a series that Becky Stark and I are making together. We write slogans and turn them into prints and videos. This is the first print and is designed in collaboration with Jacob Ciocci.Jacob is a founding member of the art collective Paper Rad and plays in the band [...]</description><guid>e3aa1b6eb93bde47afdc7c8463053381</guid></item>
<item><title>Exclusive preview of Blaise Larmees YOUNG LIONS</title><link>http://www.arthurmag.com/2010/02/13/exclusive-preview-of-blaise-larmees-young-lions/</link><pubDate>Sat, 13 Feb 2010 15:10:09 -0500</pubDate><description>Young Lions revolves around a cast of listless, urban youth who look for meaning in art, religion, and each other. Recently awarded the highly coveted Xeric grant, it is the debut graphic novella from blogger/zinester Blaise Larmee.Scheduled for publication on April 1, 2010, Blaise thought of a unique promotion for fans interested in reading his [...]</description><guid>c929cfdc27490f2cd94302e06e01fb35</guid></item>
<item><title>FOUR LIONS trailer (Chris Morris feature film!)</title><link>http://www.arthurmag.com/2010/02/12/four-lions/</link><pubDate>Fri, 12 Feb 2010 16:09:50 -0500</pubDate><description>Wikipedia: Chris MorrisFrom the archives&amp;#8230;</description><guid>427942b9bb1ebab47ffaa10a4ad8ea56</guid></item>
<item><title>Iain Sinclair: Unconsciously, I had been operating, all along, as a disenfranchised psychogeographer.</title><link>http://www.arthurmag.com/2010/02/12/iain-sinclair-unconsciously/</link><pubDate>Fri, 12 Feb 2010 15:50:46 -0500</pubDate><description>Here&amp;#8217;s a nice follow-on from the Raoul Vaneigem interview, posted earlier this week: British author/poet/journalist Iain Sinclair on what he&amp;#8217;s discovered through the years from &amp;#8220;motiveless walking&amp;#8221; in London. From the Telegraph:In London, from the first, I walked. As a film student, newly arrived in the early Sixties, I copied the poet John Clare on [...]</description><guid>605647d9a80aa0e800d09fce6eb15cc0</guid></item>
<item><title>THIS SAT., Feb. 13, Philly: A Record Release Party and Memorial Concert for JACK ROSE</title><link>http://www.arthurmag.com/2010/02/11/memorial-concert-for-jack-rose/</link><pubDate>Thu, 11 Feb 2010 12:16:28 -0500</pubDate><description>Jack Rose passed away suddenly at home in Philadelphia on December 5, 2009. He was widely regarded as the most profound exponent of acoustic guitar playing of his generation. Jack grew to be loved and admired by a great many people through his live performances, electric personality, [serious] cooking skills and a general mastery in [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/01/Jack_Rose-Woodpiles.mp3" length="8730546" type="audio/mpeg"></enclosure><guid>83598b58943292d5308f47b51b71e5ee</guid></item>
<item><title>SHOPPING FOR NEW TOYS WITH ROKY ERICKSON</title><link>http://www.arthurmag.com/2010/02/10/new-glasses-for-roky/</link><pubDate>Wed, 10 Feb 2010 15:51:48 -0500</pubDate><description>Promo short for forthcoming Roky Erickson &amp;#038; Okkervil River album, shot at Toy Joy in Austin, Texas&amp;#8230;Wikipedia:Roky Erickson13th Floor ElevatorsDefinitive 13th Floor Elevators biography, published 2008 by Process:Definitive 13th Floor Elevators ten-CD boxset, released 2009 by International Artists:And, just for kicks, here&amp;#8217;s Jason Pierce of Spiritualized and Spacemen 3, wearing his Roky shirt on the [...]</description><guid>0d8c4a77f3d03f5d86f86710dae6a9f6</guid></item>
<item><title>New Black Hole Simulator</title><link>http://www.arthurmag.com/2010/02/10/new-black-hole-simulator/</link><pubDate>Wed, 10 Feb 2010 13:28:21 -0500</pubDate><description>from: http://www.newscientist.com/Mller told New Scientist. &amp;#8220;It&amp;#8217;s as if the black hole is like a mirror.&amp;#8221;</description><guid>d39cd53ed9083fbc85f6a93a8cc58064</guid></item>
<item><title>TONGUE TOP TEN by Byron Coley and Thurston Moore</title><link>http://www.arthurmag.com/2010/02/10/tongue-top-ten-by-byron-coley-and-thurston-moore/</link><pubDate>Wed, 10 Feb 2010 11:42:17 -0500</pubDate><description>The last year has been rough, but well try to face the new dawn more regularly. See how it goes, and well deal with some older stuff amidst the newer stuff. Cant be helped. Thanks.1. I guess its beyond the point of convincing anyone that some of the best music/sounds is happening on small cassette [...]</description><guid>3eaf63e3c6d6f2b2c1603ac5630d0721</guid></item>
<item><title>Allen Ginsberg &amp; Paul McCartney The Ballad Of The Skeletons (live, 1995)</title><link>http://www.arthurmag.com/2010/02/10/allen-ginsberg-paul-mccartney/</link><pubDate>Wed, 10 Feb 2010 00:10:29 -0500</pubDate><description></description><guid>e1a53731d5cb077d6c031fff41dc7f85</guid></item>
<item><title>Legacy time with BIKINI KILL</title><link>http://www.arthurmag.com/2010/02/09/the-story-of-bikini-kill/</link><pubDate>Tue, 09 Feb 2010 21:48:37 -0500</pubDate><description>Directly from the band publicist of the band who got it directly from the band: SHARE YOUR BIKINI KILL STORIESBikini Kill has set up an official archive online:http://bikinikillarchive.wordpress.com/We are collecting stories of how people got into the band/shows they saw/memories/testimonials etc.It would be awesome if you wanted to contribute. It doesn&amp;#8217;t have to be fancy [...]</description><guid>fde3f545183e6d3d4d1c9c7a9cc5bae6</guid></item>
<item><title>RAOUL VANEIGEM: still the most inspirational man alive [2009 interview]</title><link>http://www.arthurmag.com/2010/02/09/raoul-vaneigem-most-inspirational-man-alive/</link><pubDate>Tue, 09 Feb 2010 20:48:30 -0500</pubDate><description>First, some biographical notes courtesy of Vaneigem&amp;#8217;s American publisher, PM Press:Raoul Vaneigem (b. 1934) is a native of Lessines (Hainaut), Belgium, a small town whose traditional claim to fame was the production of paving stones but which in the twentieth century also produced the Surrealist painter Ren Magritte and the Surrealist poet Louis Scutenaire. Vaneigem [...]</description><guid>b0c5323a9a22879ce32f9331f5c11fa5</guid></item>
<item><title>THE ENCAKER</title><link>http://www.arthurmag.com/2010/02/09/the-encaker/</link><pubDate>Tue, 09 Feb 2010 18:16:08 -0500</pubDate><description></description><guid>4595040469a09a9ae42bd7a4bb6a4cea</guid></item>
<item><title>Nightmare in crystal still-motion: Massive Attack Splitting the Atom (dir. Edouard Salier)</title><link>http://www.arthurmag.com/2010/02/09/nightmare-in-crystal-still-motion-massive-attack-splitting-the-atom-dir-edouard-salier/</link><pubDate>Tue, 09 Feb 2010 18:07:33 -0500</pubDate><description></description><guid>b1800e9594f7d65529312e9fb4ca5171</guid></item>
<item><title>Bonobos sharing food with strangersthis is the first time non-humans have been observed doing this</title><link>http://www.arthurmag.com/2010/02/09/bonobos-sharing-food-with-strangers%e2%80%94this-is-the-first-time-non-humans-have-been-observed-doing-this/</link><pubDate>Tue, 09 Feb 2010 16:24:23 -0500</pubDate><description>Via New Scientist&amp;#8230;</description><guid>14fc452cfb3069a7160c96845bd55f5a</guid></item>
<item><title>Feb 16, L.A.: Bring an 8 oz jar with a lid filed with two fingers of vodka, french brandy or raw vinegar.</title><link>http://www.arthurmag.com/2010/02/09/feb-16-l-a-herbal-house-salon/</link><pubDate>Tue, 09 Feb 2010 16:06:01 -0500</pubDate><description>tues. feb 16th 7-10pmherbal house salonwith &amp;#8216;weedeater&amp;#8217; nance klehmand delectable edibles by eden batkifor this evening, we will have an urbanforage by flashlight, sip herbal infusions and eat delicious homemade snacks, discuss herbal energetics, learn basic tincturing techniques and make a tincture to take home. please bring an 8 oz jar with a lid filed [...]</description><guid>45df22b69da72dbc079574cd048f94ca</guid></item>
<item><title>BRAVO TO JACK &amp; MEG</title><link>http://www.arthurmag.com/2010/02/09/11525/</link><pubDate>Tue, 09 Feb 2010 13:35:46 -0500</pubDate><description>The White Stripes have come out swinging very hard and very righteously against the United States Air Force Reserve&amp;#8217;s unauthorized (and yes, illegal) use of their music in a major Super Bowl commercial this past Sunday.Here&amp;#8217;s their statement, as posted at Jack White&amp;#8217;s Third Man Records&amp;#8216; website yesterday:    &amp;#8220;We believe our song [...]</description><guid>e9bb6f5db7d386cef01be72edc336c14</guid></item>
<item><title>Advertising on Arthur</title><link>http://www.arthurmag.com/2010/02/09/advertising-on-arthur/</link><pubDate>Tue, 09 Feb 2010 13:16:44 -0500</pubDate><description>Hiya,If you are interested in advertising on Arthur, fer crissakes don&amp;#8217;t hesitate to drop us a line or give us a ring.We offer ad packages that range from $100 to $250 to $500 to, oh, $1.75 million: basically there&amp;#8217;s something that should be affordable to anyone with some cash who wants to get the word [...]</description><guid>6b903a1f208c856269a943484ed5bedc</guid></item>
<item><title>ZOINKS III: new music from JOANNA NEWSOM</title><link>http://www.arthurmag.com/2010/02/09/zoinks-iii/</link><pubDate>Tue, 09 Feb 2010 12:59:01 -0500</pubDate><description>&amp;#8220;Kingfisher&amp;#8221;: another new song from Joanna Newsom&amp;#8217;s forthcoming tripler Have One On Me, via the good folk at Drag City of Chicago.Stream: Download: &amp;#8220;Kingfisher&amp;#8221;  Joanna Newsom (mp3, 10.3mb)Previously:Stream: Download: &amp;#8220;Good Intentions Paving Company&amp;#8221;  Joanna Newsom (mp3)Stream: Download: &amp;#8220;&amp;#8216;81&amp;#8243;  Joanna Newsom (mp3)Previously in Arthur Magazine:Forty-Six Strings and Some Truths: JOANNA NEWSOM&amp;#8217;s first ever [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/Kingfisher.mp3" length="11005276" type="audio/mpeg"></enclosure><guid>cb5ff31524518c367328cf0e06352c22</guid></item>
<item><title>DOGS IN COLLEGE #11 by Michael Deforge</title><link>http://www.arthurmag.com/2010/02/09/dogs-in-college-11-by-michael-deforge/</link><pubDate>Tue, 09 Feb 2010 12:37:21 -0500</pubDate><description>It&amp;#8217;s Dogs In College by Michael Deforge. Michael is an awesome illustrator/comics artist/midi composer living in Toronto. He did the cover for the latest issue of Diamond Comics, and have you read his comic LOSE yet? Get it, one of the best books of the year.</description><guid>4f9b07d22d0e6631e36e7e7a6b87e0e0</guid></item>
<item><title>Beach party bonfire singalong: SONNY &amp; THE SUNSETS Too Young to Burn</title><link>http://www.arthurmag.com/2010/02/09/beach-party-bonfire-singalong-sonny-the-sunsets-too-young-to-burn/</link><pubDate>Tue, 09 Feb 2010 01:02:13 -0500</pubDate><description>Above: Sonny and a sunsetStream: Download: &amp;#8220;Too Young To Burn&amp;#8221;  Sonny and the Sunsets (mp3)Buy: Haven&amp;#8217;t heard a California beach party bonfire singalong this ramshacklin&amp;#8217; good since Little Wings drifted out&amp;#8230; On second thought: this song is plenty sturdy, isn&amp;#8217;t it? From an album full of Velvets-on-the-beach singalongs called Tomorrow Is Alright, released late [...]</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/01-Too-Young-To-Burn.mp3" length="4071584" type="audio/mpeg"></enclosure><guid>69da4e488c979717a0e30acf80c28afd</guid></item>
<item><title>ARTHUR RADIO VOYAGE No. 4</title><link>http://www.arthurmag.com/2010/02/09/arthur-radio-voyage-no-4/</link><pubDate>Tue, 09 Feb 2010 00:23:30 -0500</pubDate><description>Arthur Radio Voyage No. 4: SOUNDSCAPES. Ivy Meadows and Gustav Ernst meditate in the zen-like interior of the new Newtown Radio studio. Hairy Painter joins telepathically whilst building a float in New Orleans. We invite you to climb aboard the sonic airship&amp;#8230;Stream: Download: Arthur Radio Voyage No. 4 SOUNDSCAPES 2-07-2010</description><enclosure url="http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/ARTHUR-RADIO-4_-SOUNDSCAPES-2-07-2010.mp3" length="174723785" type="audio/mpeg"></enclosure><guid>fe3b0beb830327a51145f25f3c9e3fb9</guid></item>
<item><title>New Pete Toms comic PAWS</title><link>http://www.arthurmag.com/2010/02/08/new-pete-toms-comic-paws/</link><pubDate>Mon, 08 Feb 2010 06:09:34 -0500</pubDate><description>(Hint: Double-click the comic to go FULL SCREEN)Pete Toms is back with PAWS, another comic that blurs the line between fiction and reality.The comic is essentially a horror comic about a guy that only experiences the outside world through television trying to sell an autobiographical screenplay. It has all the same themes as my other [...]</description><guid>7c07062afc94f4a879d81e74dff7e5dc</guid></item>
<item><title>TRADITIONAL COMICS internets video commercial</title><link>http://www.arthurmag.com/2010/02/08/traditional-comics-internets-video-commercial/</link><pubDate>Mon, 08 Feb 2010 02:21:54 -0500</pubDate><description>Hey all, check out the first ever TRADITIONAL COMICS internets video commercial right here:</description><guid>c451ce33a98c8f4418b12c629699fd02</guid></item>
<item><title>NO NEED TO WONDER. ITS TRUE. NOW WHAT?</title><link>http://www.arthurmag.com/2010/02/07/no-need-to-wonder-its-true-now-what/</link><pubDate>Sun, 07 Feb 2010 16:28:37 -0500</pubDate><description>As we&amp;#8217;ve been saying, as others have been saying (see: Glenn Branca in NYTimes blog last November, )  here&amp;#8217;s the latest perceptive person  Douglas Coupland  to just go ahead and say it: culture is almost over. From today&amp;#8217;s NYTimes Sunday Mag:Q: How would you define the current cultural moment?Douglas Coupland: Im starting [...]</description><guid>7dd77a7a5ac38223ff1a8711cafcae1b</guid></item>
<item><title>Sur mon autre blog cette semaine (1 billet + 1 modification)</title><description> Publi cette semaine sur &quot;Le nouveau management de l'information&quot; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    04/02/10 - Pourquoi l'entreprise 2.0 ? Pourquoi maintenant ? Pourquoi il faut y aller ? Explication en image&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;J'ai ajout galement les avis de quelques experts reconnus de l'entreprise 2.0 comme Anthony Poncier, Bertrand Duperrin ou Marc de Fouchcour. Pour les faire apparatre il suffit de cliquer sur &quot;Ce qu'ils pensent du livre&quot;. </description><link>http://www.outilsfroids.net/news/sur-mon-autre-blog-cette-semaine-1-billet-1-modification</link><pubDate>Sun, 07 Feb 2010 04:23:28 -0500</pubDate><guid>6dcb2a048e09f998d59a0c1beb7b71bf</guid></item>
<item><title>Al Columbia original artwork  PIM &amp; FRANCIE  SALMON FALLS SWEET SHOPPE</title><link>http://www.arthurmag.com/2010/02/06/al-columbia-original-artwork-pim-francie-salmon-falls-sweet-shoppe/</link><pubDate>Sat, 06 Feb 2010 17:03:08 -0500</pubDate><description>Floating World Comics is proud to offer original artwork by Al Columbia. Every month or so we plan on making a new piece available for sale. This original painting from 2003 features Pim and Francie at the Salmon Falls Sweet Shoppe. Click on the image below to see all the beautiful details &amp;#8211; check out [...]</description><guid>a6461d630c8148c2fb4c7ef697a1d422</guid></item>
<item><title>C and D from Arthur No. 13 (cover date Nov 2004)</title><link>http://www.arthurmag.com/2010/02/05/c-and-d-arthur-no-13/</link><pubDate>Fri, 05 Feb 2010 23:05:07 -0500</pubDate><description>This C &amp;#038; D session was originally published in Arthur No. 13 (Nov. 2004)&amp;#8230;C &amp;#038; DTwo confirmed schmucks grapple with the big issuesand an unexpected female visitor.PICK A WINNER dvd(Load)C: Youre not going to believe this.D: Try me.C: [delicately loading DVD] Like an hours worth of charmingly bonkers/whimsical low-tech animation to go with homemade psych-crunge [...]</description><enclosure url="http://www.scjag.com/mp3/jag/bramble.mp3" length="11220176" type="audio/mpeg"></enclosure><guid>999139a21892b1aa7164a4ef568409fc</guid></item>
<item><title>Theres a limited supply: Arthur No. 13 (pubd October 2004) aka THE EXORCISM OF THE PENTAGON AND THE BIRTH OF YIPPIE cover feature issue</title><link>http://www.arthurmag.com/2010/02/05/theres-a-limited-supply-arthur-no-13/</link><pubDate>Fri, 05 Feb 2010 16:54:12 -0500</pubDate><description>We&amp;#8217;ve got 50 25 copies left of Arthur No. 13 (cover date Nov 2004, pub&amp;#8217;d October 2004). This one&amp;#8217;s from the original incarnation of Arthurthe pages are gigantic (11&amp;#215;17) and the paper is reasonably high-quality newsprint. We published 50,000 of these suckers and got &amp;#8216;em out to the people for free during the final run-up [...]</description><guid>7b20a725070cec76cfee4d1eee2ea1b9</guid></item>
<item><title>[Liens] Wallace &amp; Gromit sur YouTube</title><link>http://www.youtube.com/show/wallaceandgromit</link><description>&lt;div&gt;&lt;p&gt;Incroyable, je viens de dcouvrir qu'il y a plein de shows sur YouTube, dont les gniaux Wallace &amp;amp; Gromit !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.youtube.com/show/wallaceandgromit&quot;&gt;Wallace &amp; Gromit sur YouTube&lt;/a&gt;  a t publi par Nicolas Hoizey le  5 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/A4KLlPocjOUms5FDKHudh6Ce0b4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/A4KLlPocjOUms5FDKHudh6Ce0b4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/A4KLlPocjOUms5FDKHudh6Ce0b4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/A4KLlPocjOUms5FDKHudh6Ce0b4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/1weqzVBgWwc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 05 Feb 2010 03:02:58 -0500</pubDate><guid>241fd0397adec5916a8d9e64420b85b8</guid></item>
<item><title>[Blog] Le retour du gastropode perdu</title><link>http://www.gasteroprod.com/blog/le-retour-du-gasteropode-perdu.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Incroyable, je viens de me rendre compte que mon site n&amp;#8217;arborait plus son beau logo, sans doute depuis dj de nombreux mois. Vous auriez pu me prvenir&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Ce logo, &lt;a href='http://www.gasteroprod.com/blog/tiens-un-gasteropode.html' class='spip_in'&gt;cr dbut 2001 par Cyril Rousselet&lt;/a&gt;, permet sans doute  certains de comprendre le jeu de mots (laid) qui donne son nom  mon site, et en plus il est splendide, ce serait vraiment dommage de s&amp;#8217;en passer&amp;nbsp;!&lt;/p&gt;&lt;p&gt;Le voil donc de retour, bien pos sur le bandeau de menu, mettant en plus en balance la typo du titre pour quilibrer le design.&lt;/p&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/le-retour-du-gasteropode-perdu.html#commentaires&quot;&gt;1 commentaire&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D800%26connect%3Dcondition%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/le-retour-du-gasteropode-perdu.html&quot;&gt;Le retour du gastropode perdu&lt;/a&gt;  a t publi par Nicolas Hoizey le  3 f&amp;eacute;vrier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/1qhOEaoO5uWxQhnj74iHg1vw5-Q/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/1qhOEaoO5uWxQhnj74iHg1vw5-Q/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/1qhOEaoO5uWxQhnj74iHg1vw5-Q/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/1qhOEaoO5uWxQhnj74iHg1vw5-Q/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/3Mzpz0mrIz0&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 03 Feb 2010 06:43:08 -0500</pubDate><guid>5602bea2aaa3155b0cd60847e3c9c67b</guid></item>
<item><title>Microsoft Academic Search, une intressante alternative  Google Scholar</title><description>OutilsMoteurRechercheWeb - OutilsRechercheWebDivers&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En rdigeant le mois dernier un article sur Entitycube (excellent moteur de recherche base sur la dtection d'entits nommes propos en bta par Microsoft), pour La Lettre Recherche &amp;amp; Rfrencement d'Abondance, je suis tomb sur Microsoft Academic Search, un moteur dvelopp par la mme quipe chinoise.&lt;br /&gt;&lt;br /&gt;Egalement en bta, ce moteur indexe tout de mme 5 millions d'articles. Il peut videmment tre interrog en plein texte mais permet aussi une recherche par auteur, confrence, revue et date. On peut alors croiser l'ensemble de ces critres. L'innovation principale de ce moteur repose sur la dtection d'entits nommes qui lui permet de dtecter automatiquement ces mmes lments. &lt;br /&gt;&lt;br /&gt;A noter qu'il existe un langage d'interrogation structur que nous n'avons pas test en dtail et qui semble permettre d'effectuer...&lt;br /&gt;&lt;img src=&quot;/images/thumbs/MAR_1.png&quot; alt=&quot;Microsoft Academic Search, une intressante alternative  Google Scholar&quot; /&gt;</description><link>http://www.outilsfroids.net/news/microsoft-academic-search-une-interessante-alternative-a-google-scholar</link><pubDate>Tue, 02 Feb 2010 11:47:51 -0500</pubDate><enclosure url="http://www.outilsfroids.net/images/thumbs/MAR_1.png" type="image/png" length="18483"></enclosure><guid>feccad5246ae5e25dc2f8b853a2a7de8</guid></item>
<item><title>[Liens] Canabalt Soundtrack</title><link>http://dbsoundworks.bandcamp.com/</link><description>&lt;div&gt;&lt;p&gt;Si vous ne rsistez pas  une petite partie de Canabalt de temps en temps, en ligne ou sur iPhone, la musique n'y est peut-tre pas pour rien... La voil !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://dbsoundworks.bandcamp.com/&quot;&gt;Canabalt Soundtrack&lt;/a&gt;  a t publi par Nicolas Hoizey le  27 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/8geCoOXQamJiT70jU0yNsA4al68/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/8geCoOXQamJiT70jU0yNsA4al68/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/8geCoOXQamJiT70jU0yNsA4al68/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/8geCoOXQamJiT70jU0yNsA4al68/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/sm34o6buskw&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 27 Jan 2010 06:58:18 -0500</pubDate><guid>11f334be943f6788e9b6f7ed02c81842</guid></item>
<item><title>[Liens] Derek Powazek - What I Hope Apple Unleashes Tomorrow</title><link>http://powazek.com/posts/2234</link><description>&lt;div&gt;&lt;p&gt;&quot;Tomorrow, if the stars align, Apple could unleash a device thats sexier than reading a magazine.&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://powazek.com/posts/2234&quot;&gt;Derek Powazek - What I Hope Apple Unleashes Tomorrow&lt;/a&gt;  a t publi par Nicolas Hoizey le  27 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HhjeMb-ze4Chi0JrNCjXq10pixQ/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HhjeMb-ze4Chi0JrNCjXq10pixQ/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HhjeMb-ze4Chi0JrNCjXq10pixQ/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HhjeMb-ze4Chi0JrNCjXq10pixQ/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/N92XnwiNxKU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 27 Jan 2010 06:31:39 -0500</pubDate><guid>2c8bb7c27de211538b2cf0f8a6a0b6e9</guid></item>
<item><title>[Liens] Deviens Prodigy</title><link>http://www.digiboy.fr/2010/01/03/deviens-prodigy</link><description>&lt;div&gt;&lt;p&gt;&lt;troll&gt;Finalement, a a l'air simple de faire de la musique lectronique...&lt;/troll&gt;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.digiboy.fr/2010/01/03/deviens-prodigy&quot;&gt;Deviens Prodigy&lt;/a&gt;  a t publi par Nicolas Hoizey le  26 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/xJU9VUx6YGwLKqNIjveEIQOqMsU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/xJU9VUx6YGwLKqNIjveEIQOqMsU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/xJU9VUx6YGwLKqNIjveEIQOqMsU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/xJU9VUx6YGwLKqNIjveEIQOqMsU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/kT1f1oh4Udo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 26 Jan 2010 10:54:15 -0500</pubDate><guid>89f157c83032b1855d8484d946ba3901</guid></item>
<item><title>[Liens] Les allemands abandonnent IE au profit de Firefox</title><link>http://blog.mozilla.com/metrics/2010/01/19/people-in-germany-are-switching-browsers</link><description>&lt;div&gt;&lt;p&gt; Looking at the chart below, we can see that over the past few days there has been a huge increase in the number of Firefox downloads from IE users in Germany.  Et en France ?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://blog.mozilla.com/metrics/2010/01/19/people-in-germany-are-switching-browsers&quot;&gt;Les allemands abandonnent IE au profit de Firefox&lt;/a&gt;  a t publi par Nicolas Hoizey le  20 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/kcPN4IH4Zm38d1bZmy1N6eHp7VY/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/kcPN4IH4Zm38d1bZmy1N6eHp7VY/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/kcPN4IH4Zm38d1bZmy1N6eHp7VY/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/kcPN4IH4Zm38d1bZmy1N6eHp7VY/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/uzxwDd3f9U8&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 20 Jan 2010 01:24:30 -0500</pubDate><guid>93b7acf7ea11979a701330db27ec4e33</guid></item>
<item><title>[Liens] Le flipbook ultime ?</title><link>http://vimeo.com/8332956</link><description>&lt;div&gt;&lt;p&gt;Une technique incroyable inspire des blipbook,  dcouvrir !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://vimeo.com/8332956&quot;&gt;Le flipbook ultime ?&lt;/a&gt;  a t publi par Nicolas Hoizey le  20 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/cfwTAHb6w4bhp3zBl9Oou-_yrJ8/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/cfwTAHb6w4bhp3zBl9Oou-_yrJ8/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/cfwTAHb6w4bhp3zBl9Oou-_yrJ8/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/cfwTAHb6w4bhp3zBl9Oou-_yrJ8/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/WKbtkBKKZvA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 20 Jan 2010 01:17:15 -0500</pubDate><guid>8c73ea482bfd0b2f19b0aec9508ebedd</guid></item>
<item><title>[Liens] Internet, rvolution culturelle</title><link>http://www.monde-diplomatique.fr/mav/109</link><description>&lt;div&gt;&lt;p&gt;Un numro du magazine  Manire de voir  du Monde diplomatique consacr  Internet, a ne se loupe pas !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.monde-diplomatique.fr/mav/109&quot;&gt;Internet, rvolution culturelle&lt;/a&gt;  a t publi par Nicolas Hoizey le  18 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/5VLGbDluSYPdSYPIdjU5aw-YEaQ/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/5VLGbDluSYPdSYPIdjU5aw-YEaQ/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/5VLGbDluSYPdSYPIdjU5aw-YEaQ/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/5VLGbDluSYPdSYPIdjU5aw-YEaQ/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/gQKtcAUVbfg&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 18 Jan 2010 02:52:07 -0500</pubDate><guid>6dabcb78788449bbbcbfb6b510159c85</guid></item>
<item><title>[Liens] First-Person Tetris</title><link>http://www.firstpersontetris.com/</link><description>&lt;div&gt;&lt;p&gt;Un excellent Tetris en ligne,  dcouvrir !!!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.firstpersontetris.com/&quot;&gt;First-Person Tetris&lt;/a&gt;  a t publi par Nicolas Hoizey le  14 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Dbu3I8FAydS8ZbQ10Ngt8vboIg8/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Dbu3I8FAydS8ZbQ10Ngt8vboIg8/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Dbu3I8FAydS8ZbQ10Ngt8vboIg8/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Dbu3I8FAydS8ZbQ10Ngt8vboIg8/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/aazHQo1DX90&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 14 Jan 2010 06:37:12 -0500</pubDate><guid>9d15afcc6c7ea0aa3b05b2db3251689a</guid></item>
<item><title>Recyclage : Individualisation de la recherche sur internet : le scnario du pire</title><description>Pour poursuivre ma srie de recyclage d'articles (qui je le rappelle a aussi comme objectif de &quot;prenniser&quot; ceux que je considre comme les plus intressants dans Scribd) je profite de la publication de l'excellent article d'Internet Actu consacr  Danah Boyd intitul &quot;Ce qu'implique de vivre dans un monde de flux&quot; pour ressortir un billet crit en mars 2006 pour ZDnet.&lt;br /&gt;&lt;br /&gt;J'y posai une question que Danah Boyd soulve dans la partie de l'article intitule &quot;4 fausses ides sur la rvolution numrique&quot;, celle de ce qu'elle nomme l'homophilie. &lt;br /&gt;&lt;br /&gt;Comme souvent je partais d'un outil, ici QTsaver dsormais HS, pour tenter de dvelopper ma rflexion. Le premier tiers de l'article, descriptif, n'a donc plus d'intrt mais il me semble en revanche que la suite en a encore. L'annonce faite en dcembre dernier par Google sur la personnalisation de tous ses rsultats en atteste.&lt;br /&gt;&lt;br...</description><link>http://www.outilsfroids.net/news/recyclage-individualisation-de-la-recherche-sur-internet-le-scenario-du-pire</link><pubDate>Thu, 14 Jan 2010 04:27:42 -0500</pubDate><guid>a0522b5dee59fe341bcba9e6dc998756</guid></item>
<item><title>[Blog] Citation de ARNO* (aka Arnaud Martin)</title><link>http://www.gasteroprod.com/blog/citation-de-arno-aka-arnaud-martin.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;La logique de SPIP n&amp;#8217;est pas&amp;#171;&amp;nbsp;complique&amp;nbsp;&amp;#187;&amp;nbsp;: elle est contraignante, en ce qu&amp;#8217;elle tente d&amp;#8217;orienterl&amp;#8217;utilisateur. Ce qui est trs diffrent.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Dans &lt;a href='http://article.gmane.org/gmane.comp.web.spip.devel/54312/' class='spip_out' rel='external'&gt;un mail  propos des modifications d&amp;#8217;interface de SPIP&lt;/a&gt;. ARNO* est l&amp;#8217;un des crateurs de SPIP, et intervient toujours dans le projet, essentiellement sur des problmatiques d&amp;#8217;ergonomie et des ajouts fonctionnels. Il publie aussi des astuces de mise en oeuvre de SPIP sur son site &lt;a href='http://www.paris-beyrouth.org/-SPIP-' class='spip_out' rel='external'&gt;Paris Beyrouth&lt;/a&gt;.&lt;/p&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Aucun commentaire pour l'instant.         &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;id_article=797&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fblog%2Fcitation-de-arno-aka-arnaud-martin.html%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;A vous de commencer&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/citation-de-arno-aka-arnaud-martin.html&quot;&gt;Citation de ARNO* (aka Arnaud Martin)&lt;/a&gt;  a t publi par Nicolas Hoizey le  14 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/6QDuuZ2-mcndooyb65uiYkLqVJo/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/6QDuuZ2-mcndooyb65uiYkLqVJo/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/6QDuuZ2-mcndooyb65uiYkLqVJo/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/6QDuuZ2-mcndooyb65uiYkLqVJo/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/6lVB6WeH9UY&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 14 Jan 2010 03:49:21 -0500</pubDate><guid>aabd85633f4c341a109d38f27db5e663</guid></item>
<item><title>Comment mettre en place une veille d'actualit audio et vido?</title><description>OutilsVeille - RessourcesVeille&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Depuis quelques annes la veille sur l'actualit de la presse crite est largement facilite par les flux RSS proposs par des portails comme Google Actus ou Yahoo! News. Il reste toutefois un norme champ  investir qui est celui des actualits diffuses sous forme audio et vido. Comment tre inform qu'un reportage sur votre concurrent a t diffus sur une radio? Comment savoir si on a parl de votre produit au journal tlvis?&lt;br /&gt;&lt;br /&gt;Je ne parle pas ici de surveiller des mots-cls dans les titres ou rsums des actualits, ce qui est relativement ais avec un bon moteur de recherche de vidos. Non, je parle ide surveiller ce qui se dit durant les journaux tlviss ou radiodiffuss, du contenu plein-texte donc. Pour cela nous allons avoir besoin de moteurs de recherche qui font ce travail d'indexation de fichiers audios, c'est  dire qui disposent de logiciels leur permettant de retranscrire...&lt;br /&gt;&lt;img src=&quot;/images/thumbs/blinkx.jpg&quot; alt=&quot;Comment mettre en place une veille d'actualit audio et vido?&quot; /&gt;</description><link>http://www.outilsfroids.net/news/comment-mettre-en-place-une-veille-d-actualite-audio-et-video</link><pubDate>Tue, 12 Jan 2010 05:22:38 -0500</pubDate><enclosure url="http://www.outilsfroids.net/images/thumbs/blinkx.jpg" type="image/jpeg" length="5489"></enclosure><guid>c5389f9781b6c94026a92032f1c63b65</guid></item>
<item><title>Iceberg intelligence conomique n 12 : du 21/12/2009 au 11/01/2010 (18 lments)</title><description> Un Iceberg intelligence conomique de circonstance en ce froid janvier : &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    Innovative Collaborative Community Helps Warfighters Connect the Dots&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Communaut de pratique dans la dfense US (MITRE think tank)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;        &lt;br /&gt;        &lt;br /&gt;        To help initiate a discussion, in 2006 MITRE invited a wide range of stakeholders to participate in a collaborative, knowledge-sharing group known as a &quot;community of practice&quot; (CoP). The goal of the initial meeting was to address ongoing issues faced by a broad array of GMTI providers and consumers and to improve the GMTI enterprise as it has become a key intelligence source.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;        &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;        &lt;br /&gt;&lt;br /&gt;        &lt;br /&gt;        &lt;br /&gt;        The involvement of senior military members in the CoP reflects a growing consensus...</description><link>http://www.outilsfroids.net/news/iceberg-intelligence-economique-n-12-du-21-12-2009-au-11-01-2010-18-elements</link><pubDate>Mon, 11 Jan 2010 04:30:46 -0500</pubDate><guid>f52fa2f371626a15c9564fc260107390</guid></item>
<item><title>Iceberg n39: du 05/12/2009 au 08/01/2010 (50 services, articles, outils)</title><description> Un iceberg de circonstance en ce froid mois de janvier :&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    Replace Text&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Freeware permettant de remplacer du texte dans plusieurs fichiers  la fois via @infogere&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    Panorama d'usages d'outils numriques &amp;amp; de services du web social pour la mdiation patrimoniale et culturelle&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Excellente prsentation de Loc Hay, comme d'hab.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    Chat on Google Translator Toolkit&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    Google ajoute le chat  son Translator toolkitre&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;    Sept outils pour grer ses rseaux sociaux&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    via @amalbel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    &lt;br /&gt;&lt;br...</description><link>http://www.outilsfroids.net/news/iceberg-n-39-du-05-12-2009-au-08-01-2010-50-services-articles-outils</link><pubDate>Fri, 08 Jan 2010 08:11:02 -0500</pubDate><guid>94345649f9ce9f3c33204eb11946c414</guid></item>
<item><title>[Liens] L'appel au bon sens</title><link>http://www.do-as-i-say.com/notes/2010/01/l-appel-au-bon-sens</link><description>&lt;div&gt;&lt;p&gt; Tout comme faire simple est parfois plus complexe que faire compliqu, faire comme on dit &quot;preuve de bon sens&quot; nest pas si ais.&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.do-as-i-say.com/notes/2010/01/l-appel-au-bon-sens&quot;&gt;Lappel au bon sens&lt;/a&gt;  a t publi par Nicolas Hoizey le  8 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/CDiUcVuRNNSG2dGDVC1fLiAODjw/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/CDiUcVuRNNSG2dGDVC1fLiAODjw/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/CDiUcVuRNNSG2dGDVC1fLiAODjw/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/CDiUcVuRNNSG2dGDVC1fLiAODjw/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/l49WDWGfYIw&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 08 Jan 2010 03:24:18 -0500</pubDate><guid>d9f94cdea7c4e0b72e9087146bb5aa82</guid></item>
<item><title>[Photos] Bambi</title><link>http://www.gasteroprod.com/photos/bambi.html</link><description>&lt;img class='spip_logos' alt='Bambi' src=&quot;http://www.gasteroprod.com/local/cache-vignettes/L245xH245/arton796-c7c5d.jpg&quot; width='245' height='245' style='height:245px;width:245px;' /&gt;&lt;div&gt;&lt;p&gt;Rien de tel qu&amp;#8217;une biche lumineuse pour faire plaisir aux enfants durant les ftes de fin d&amp;#8217;anne. Et quand la neige est l, c&amp;#8217;est encore plus magique&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;    &lt;p&gt;&amp;Agrave; voir aussi sur :&lt;/p&gt;    &lt;ul&gt;      &lt;li&gt;&lt;a href=&quot;http://www.flickr.com/photos/nicolas-hoizey/4254682632/&quot;&gt;Flickr&lt;/a&gt;&lt;/li&gt;                      &lt;/ul&gt;        &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                        Aucun commentaire pour l'instant.           &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;id_article=796&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fphotos%2Fbambi.html%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;A vous de commencer&lt;/a&gt; !                  &lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;      &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/photos/bambi.html&quot;&gt;Bambi&lt;/a&gt;  a t publi par Nicolas Hoizey le      7 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;      &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;    &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ehZeec3ZMIUD8VoWQcvLHshvEs8/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ehZeec3ZMIUD8VoWQcvLHshvEs8/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ehZeec3ZMIUD8VoWQcvLHshvEs8/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ehZeec3ZMIUD8VoWQcvLHshvEs8/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/D_lC9kxw39U&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 07 Jan 2010 13:12:20 -0500</pubDate><guid>1cf700f20837c19e31dd3932c641bae7</guid></item>
<item><title>[Liens] Stolen Airport Scan Pics | BienBienBien</title><link>http://bienbienbien.net/2010/01/05/stolen-airport-scan-pics</link><description>&lt;div&gt;&lt;p&gt;&quot;Encore une fois, le monde va avoir besoin de Frdric Lefebvre.&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://bienbienbien.net/2010/01/05/stolen-airport-scan-pics&quot;&gt;Stolen Airport Scan Pics | BienBienBien&lt;/a&gt;  a t publi par Nicolas Hoizey le  5 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/zfCgsyVGvlJ1tbfnYuRtGGC0EaQ/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/zfCgsyVGvlJ1tbfnYuRtGGC0EaQ/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/zfCgsyVGvlJ1tbfnYuRtGGC0EaQ/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/zfCgsyVGvlJ1tbfnYuRtGGC0EaQ/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/mu01SqKKL30&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 05 Jan 2010 08:22:02 -0500</pubDate><guid>1abc120850eb8d69f433b2414ad9e333</guid></item>
<item><title>[Liens] Human Skateboard</title><link>http://eatpes.com/human_skateboard.html</link><description>&lt;div&gt;&lt;p&gt;En voil un qui doit tre fan du Gisele Kerozene de Jan Kounen !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://eatpes.com/human_skateboard.html&quot;&gt;Human Skateboard&lt;/a&gt;  a t publi par Nicolas Hoizey le  5 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/8E_U8M50i1JF87eRs7hYtedadjw/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/8E_U8M50i1JF87eRs7hYtedadjw/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/8E_U8M50i1JF87eRs7hYtedadjw/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/8E_U8M50i1JF87eRs7hYtedadjw/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/Ke6DOi6LQS0&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 05 Jan 2010 06:30:31 -0500</pubDate><guid>e668a05e4e9c04583472157fabfd1ca8</guid></item>
<item><title>[Liens] Circulaire du double nom de famille : le Conseil d'tat a dcid de tirer tirer un trait</title><link>http://www.maitre-eolas.fr/post/2010/01/03/circulaire-du-double-nom-de-famille-:-le-Conseil-d-%C3%89tat-a-d%C3%A9cid%C3%A9-de-tirer-tirer-un-trait</link><description>&lt;div&gt;&lt;p&gt;Voil donc pourquoi mes enfants ont deux tirets dans leur nom de famille...&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.maitre-eolas.fr/post/2010/01/03/circulaire-du-double-nom-de-famille-:-le-Conseil-d-%C3%89tat-a-d%C3%A9cid%C3%A9-de-tirer-tirer-un-trait&quot;&gt;Circulaire du double nom de famille : le Conseil d'tat a dcid de tirer tirer un trait&lt;/a&gt;  a t publi par Nicolas Hoizey le  5 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/5ou4sNZlKoR4257mxkkDAsKZJo8/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/5ou4sNZlKoR4257mxkkDAsKZJo8/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/5ou4sNZlKoR4257mxkkDAsKZJo8/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/5ou4sNZlKoR4257mxkkDAsKZJo8/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/RbQR2JCBWGU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 05 Jan 2010 06:04:43 -0500</pubDate><guid>01fb74c97775206df4f555aa45bad8a8</guid></item>
<item><title>[Liens] Roadmap de SPIP</title><link>http://icp.ge.ch/sem/cms-spip/spip.php?article893</link><description>&lt;div&gt;&lt;p&gt;Grosse synthse de l'activit de et autour de SPIP par le Service coles-Mdias du Canton de Genve.&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://icp.ge.ch/sem/cms-spip/spip.php?article893&quot;&gt;Roadmap de SPIP&lt;/a&gt;  a t publi par Nicolas Hoizey le  4 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/7Qi9MeqLLHcY2MIHt5hmop3I-2k/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/7Qi9MeqLLHcY2MIHt5hmop3I-2k/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/7Qi9MeqLLHcY2MIHt5hmop3I-2k/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/7Qi9MeqLLHcY2MIHt5hmop3I-2k/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/fyBVOoKSudc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 04 Jan 2010 05:14:31 -0500</pubDate><guid>8ef46de667030da820a29a79685265b2</guid></item>
<item><title>[Liens] Grails en quelques mots (Le Touilleur Express)</title><link>http://www.touilleur-express.fr/2009/12/19/grails-en-quelques-mots</link><description>&lt;div&gt;&lt;p&gt; nous, dveloppeurs Javas, devons nous remettre en question durgence. En voyant des projets sur PHP ou Ruby on Rails, jai un peu la gueule de bois avec mon Java. Je pense que pour le dveloppement dapplications Webs, il faut revoir notre manire de penser, notre manire de travailler &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.touilleur-express.fr/2009/12/19/grails-en-quelques-mots&quot;&gt;Grails en quelques mots (Le Touilleur Express)&lt;/a&gt;  a t publi par Nicolas Hoizey le  4 janvier 2010 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/mqMvouzCSRe8sAnVjo8oKJPUmow/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/mqMvouzCSRe8sAnVjo8oKJPUmow/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/mqMvouzCSRe8sAnVjo8oKJPUmow/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/mqMvouzCSRe8sAnVjo8oKJPUmow/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/_pMQ4LY-Wgo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 04 Jan 2010 03:16:07 -0500</pubDate><guid>f6d16d1df5a1035df9dac6e44f2e190d</guid></item>
<item><title>[Liens] Programmer ses enregistrements Free avec FreeRecord pour Firefox</title><link>http://glazman.org/freerecord</link><description>&lt;div&gt;&lt;p&gt; FreeRecord est une extension (add-on) pour Firefox &gt;=3.5. Elle fonctionne sur toute plate-forme, Window, Mac OS X et Linux. Elle vous permet, sur la donne de votre indentifiant et mot de passe de connexion  votre interface de gestion Free, de programmer  distance des enregistrements sur votre FreeboxHD. &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://glazman.org/freerecord&quot;&gt;Programmer ses enregistrements Free avec FreeRecord pour Firefox&lt;/a&gt;  a t publi par Nicolas Hoizey le  30 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/buMoPmwQ1eJfxfPNvQQfNyE8kYQ/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/buMoPmwQ1eJfxfPNvQQfNyE8kYQ/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/buMoPmwQ1eJfxfPNvQQfNyE8kYQ/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/buMoPmwQ1eJfxfPNvQQfNyE8kYQ/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/20pLVoAj0DU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 30 Dec 2009 03:52:34 -0500</pubDate><guid>55e7433d82777be171cf29dd8834a994</guid></item>
<item><title>[Liens] Du texte mouvant qui habille une image fixe</title><link>http://www.jquery.info/spip.php?article97</link><description>&lt;div&gt;&lt;p&gt;Excellente utilisation conjointe de SPIP et jQuery pour  faire circuler le texte autour dune image (en jargon typographique : &quot;habiller limage avec le texte&quot;), cette image tant fixe dans la page, et le texte conservant ses possibilits de dplacement vertical &lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.jquery.info/spip.php?article97&quot;&gt;Du texte mouvant qui habille une image fixe&lt;/a&gt;  a t publi par Nicolas Hoizey le  29 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/liRlrPjPuLuYYLAjyNK1zcGagLY/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/liRlrPjPuLuYYLAjyNK1zcGagLY/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/liRlrPjPuLuYYLAjyNK1zcGagLY/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/liRlrPjPuLuYYLAjyNK1zcGagLY/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/BuX0XalJsqA&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 29 Dec 2009 03:47:25 -0500</pubDate><guid>1a111d12b110c82b472622d82c92469f</guid></item>
<item><title>[Liens] Travailler avec la Communaut symfony</title><link>http://www.symfony-project.org/advent_calendar/24/fr</link><description>&lt;div&gt;&lt;p&gt;S'applique dans les grands principes  toutes les communauts bien constitues...&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.symfony-project.org/advent_calendar/24/fr&quot;&gt;Travailler avec la Communaut symfony&lt;/a&gt;  a t publi par Nicolas Hoizey le  29 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/FS5YNVgiKk3nDpb9GbfHxJPmjjU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/FS5YNVgiKk3nDpb9GbfHxJPmjjU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/FS5YNVgiKk3nDpb9GbfHxJPmjjU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/FS5YNVgiKk3nDpb9GbfHxJPmjjU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/J-HOpfd7cWU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 29 Dec 2009 02:41:25 -0500</pubDate><guid>889bab22bec403db1b4ec101e8720cf1</guid></item>
<item><title>[Blog] Qui a gagn un million ?</title><link>http://www.gasteroprod.com/blog/qui-a-gagne-un-million.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Bon, c&amp;#8217;est peu forcment par rapport  tant d&amp;#8217;autres sites, mais petit  petit cet humble site personnel lanc &lt;a href='http://www.gasteroprod.com/blog/phpmychat-copieusement-cite-en-exemple-dans-le-magazine-allemand-pc-online.html' class='spip_in'&gt;dbut 2001&lt;/a&gt; a de plus en plus de visiteurs, et cela fait forcment plaisir d&amp;#8217;avoir atteint un premier million de visites.&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Les statistiques &lt;a href='http://www.spip.net/' class='spip_out' rel='external'&gt;SPIP&lt;/a&gt; accumules depuis le dbut, avec leur lot d&amp;#8217;erreurs ou modifications d&amp;#8217;algorithme&lt;sup&gt;&lt;a href='#nb4-1' class='spip_note' rel='footnote' title='Mais les statistiques Google Analytics ajoutes plus tard montrent les mmes&amp;nbsp;(...)' id='nh4-1'&gt;1&lt;/a&gt;&lt;/sup&gt;, montrent donc que j&amp;#8217;ai dpass le million de visites depuis le dbut&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_579 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L447xH55/gastero-prod-stats-global-53e78.png' width='447' height='55' alt=&quot;&quot; style='height:55px;width:447px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;La tendance globale des visites quotidiennes montre bien l&amp;#8217;volution, et mes priodes d&amp;#8217;inactivit, qui s&amp;#8217;accompagnent forcment de creux de visites&amp;nbsp;:&lt;/p&gt;&lt;p&gt;&lt;span class='spip_document_578 spip_documents spip_documents_center'&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH244/gastero-prod-stats-quotidien-fb29b.png' width='450' height='244' alt=&quot;&quot; style='height:244px;width:450px;' /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Ce site a gomtrie variable a connu de nombreuses volutions, et si j&amp;#8217;ai voulu le faire passer de simple blog  vitrine plus large de mes intrts, notamment en ajoutant des &lt;a href='http://www.gasteroprod.com/photos/' class='spip_in'&gt;photos&lt;/a&gt; et une collecte de &lt;a href='http://www.gasteroprod.com/liens/' class='spip_in'&gt;liens glans sur le Web&lt;/a&gt;, puis carrment une vision plus temps rel de mon activit en ligne, ce qu&amp;#8217;on appelle un &lt;a href='http://www.gasteroprod.com/lifestream/' class='spip_in'&gt;lifestream&lt;/a&gt;, je ne suis toujours pas trs satisfait, les photos n&amp;#8217;ayant finalement pas encore suffisamment de place, ni une prsentation trs optimale.&lt;/p&gt;&lt;p&gt;J&amp;#8217;ai connu mon jour de &amp;#171;&amp;nbsp;gloire&amp;nbsp;&amp;#187; en avril 2008, avec mon nom cit et un lien depuis &lt;a href='http://www.techcrunch.com/2008/04/11/google-launching-todo-list-product/' class='spip_out' rel='external'&gt;un article de TechCrunch&lt;/a&gt; vers &lt;a href='http://www.gasteroprod.com/blog/bientot-des-listes-de-taches-to-do-list-dans-google-docs.html' class='spip_in'&gt;mon article sur la potentielle apparition d&amp;#8217;une application de gestion de listes de tches chez Google&lt;/a&gt;, mais l&amp;#8217;impact en termes de visites a finalement t relativement faible, les lecteurs de TechCrunch ayant dj toutes les infos l-bas, en anglais.&lt;/p&gt;&lt;p&gt;Mon article le plus visit n&amp;#8217;est donc pas celui-l, mais celui posant la question de &lt;a href='http://www.gasteroprod.com/blog/comment-faire-un-tag-cloud-nuage-de-tags-ou-d-etiquettes-accessible.html' class='spip_in'&gt;la meilleure mthode utilisant les standards du Web pour reprsenter de manire accessible un nuage de tags&lt;/a&gt;. Mais l&amp;#8217;analyse rapide des sources de visites montre qu&amp;#8217;un grand nombre d&amp;#8217;Internautes arrivs l cherchaient surtout &amp;#171;&amp;nbsp;comment faire des tags&amp;nbsp;&amp;#187;, sans doute plus sur des murs avec des bombes de peintures, que sur des sites web avec du HTML... Ironie du rfrencement naturel montrant bien le manque de smantique dans nos contenus.&lt;/p&gt;&lt;p&gt;Allez, en route pour le million suivant&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;margin: 1em 0 0 3em;&quot;&gt;&lt;fieldset&gt;&lt;legend&gt;Notes de bas de page&lt;/legend&gt;&lt;p&gt;[&lt;a href='#nh4-1' id='nb4-1' class='spip_note' title='Notes 4-1' rev='footnote'&gt;1&lt;/a&gt;] Mais les statistiques Google Analytics ajoutes plus tard montrent les mmes tendances&lt;/p&gt;&lt;/fieldset&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Aucun commentaire pour l'instant.         &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;id_article=795&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fblog%2Fqui-a-gagne-un-million.html%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;A vous de commencer&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/qui-a-gagne-un-million.html&quot;&gt;Qui a gagn un million&amp;nbsp;?&lt;/a&gt;  a t publi par Nicolas Hoizey le  28 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/aUOP-TRcEf2wc4m6iYJhWopAgrI/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/aUOP-TRcEf2wc4m6iYJhWopAgrI/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/aUOP-TRcEf2wc4m6iYJhWopAgrI/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/aUOP-TRcEf2wc4m6iYJhWopAgrI/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/EVfYXbU5hBo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 28 Dec 2009 13:52:00 -0500</pubDate><guid>4a1f3f8d1a7806a428ae964888849a67</guid></item>
<item><title>[Photos] Split level photography</title><link>http://www.gasteroprod.com/photos/split-level-photography.html</link><description>&lt;img class='spip_logos' alt='Split level photography' src=&quot;http://www.gasteroprod.com/local/cache-vignettes/L165xH245/arton794-a791c.jpg&quot; width='165' height='245' style='height:245px;width:165px;' /&gt;&lt;div&gt;&lt;p&gt;J&amp;#8217;avais annonc &lt;a href='http://www.gasteroprod.com/blog/groupe-flickr-a-remplir-halfway-between-air-and-water.html' class='spip_in'&gt;il y a dj 4 ans&lt;/a&gt; la cration d&amp;#8217;&lt;a href='http://www.flickr.com/groups/halfway_air_water/' class='spip_out' rel='external'&gt;un groupe sur Flickr&lt;/a&gt; ddi  ce type trs spcifique de photos que j&amp;#8217;apprcie particulirement, mais je n&amp;#8217;avais jamais mis dans ma rubrique ddie ce digne reprsentant. Voil qui est fait.&lt;/p&gt;&lt;p&gt;J&amp;#8217;ai pris cette photo avec un appareil photo argentique &amp;#171;&amp;nbsp;jetable&amp;nbsp;&amp;#187;, en pleine Mer Rouge.&lt;/p&gt;&lt;/div&gt;    &lt;p&gt;&amp;Agrave; voir aussi sur :&lt;/p&gt;    &lt;ul&gt;      &lt;li&gt;&lt;a href=&quot;http://www.flickr.com/photos/nicolas-hoizey/3057318/&quot;&gt;Flickr&lt;/a&gt;&lt;/li&gt;      &lt;li&gt;&lt;a href=&quot;http://jpgmag.com/photos/154583&quot;&gt;JPG Magazine&lt;/a&gt;&lt;/li&gt;                &lt;/ul&gt;        &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                        Aucun commentaire pour l'instant.           &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;id_article=794&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fphotos%2Fsplit-level-photography.html%23commentaires&amp;amp;r=9eada038cc7e4c218c4c32bb97c603f1&quot;&gt;A vous de commencer&lt;/a&gt; !                  &lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;      &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/photos/split-level-photography.html&quot;&gt;Split level photography&lt;/a&gt;  a t publi par Nicolas Hoizey le      27 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;      &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;    &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/EYwmG8bT_L0vRG-Tuh6k8pb2uRE/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/EYwmG8bT_L0vRG-Tuh6k8pb2uRE/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/EYwmG8bT_L0vRG-Tuh6k8pb2uRE/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/EYwmG8bT_L0vRG-Tuh6k8pb2uRE/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/bC8ROrqUAJw&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Sun, 27 Dec 2009 04:44:33 -0500</pubDate><guid>31fe9773e9609bdd73f63134de8da317</guid></item>
<item><title>[Liens] Ferrovipathe</title><link>http://fr.wikipedia.org/wiki/Ferrovipathe</link><description>&lt;div&gt;&lt;p&gt;Le terme de ferrovipathe (en anglais britannique, Trainspotter; en anglais amricain, Railfan), dsigne un passionn de trains et du monde ferroviaire.&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://fr.wikipedia.org/wiki/Ferrovipathe&quot;&gt;Ferrovipathe&lt;/a&gt;  a t publi par Nicolas Hoizey le  22 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HjOZ3mZF4G0CWrFRGp178y1E6_g/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HjOZ3mZF4G0CWrFRGp178y1E6_g/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HjOZ3mZF4G0CWrFRGp178y1E6_g/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HjOZ3mZF4G0CWrFRGp178y1E6_g/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/Az8yigECOWo&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 22 Dec 2009 04:01:53 -0500</pubDate><guid>6bf0578133796d0371ad6b863cb09155</guid></item>
<item><title>[Blog] Un menu de navigation toujours visible</title><link>http://www.gasteroprod.com/blog/un-menu-de-navigation-toujours-visible.html</link><description>&lt;div style=&quot;font-weight: bolder;&quot;&gt;&lt;p&gt;Depuis quelques jours, le menu de navigation principal de Gastero Prod reste visible en permanence&lt;sup&gt;&lt;a href='#nb5-1' class='spip_note' rel='footnote' title='Sur les navigateurs graphiques o les CSS et le JavaScript sont&amp;nbsp;(...)' id='nh5-1'&gt;1&lt;/a&gt;&lt;/sup&gt; mme si vous descendez dans la page. Cela peut vous sembler un caprice de g33k qui tente des trucs un peu sexy, mais  l&amp;#8217;usage, je suis extrmement content de ce rapide ajout ergonomique&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;Un menu de navigation toujours visible, mme en dfilant sur plusieurs hauteurs d&amp;#8217;cran, cela signifie que l&amp;#8217;on a moins besoin des liens de type &amp;#171;&amp;nbsp;retour en haut de page&amp;nbsp;&amp;#187; que je ne sais jamais o placer, et que certains du coup se mettent  placer presque  chaque paragraphe pour tre sr&lt;sup&gt;&lt;a href='#nb5-2' class='spip_note' rel='footnote' title='Jexagre  peine' id='nh5-2'&gt;2&lt;/a&gt;&lt;/sup&gt;. Cela signifie aussi que l&amp;#8217;internaute pourra accder plus vite  d&amp;#8217;autres rubriques du site, en un seul clic.&lt;/p&gt;&lt;p&gt;J&amp;#8217;ai vu ce type de fonctionnement pour la premire sur le panier dans l&amp;#8217;Apple Store&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_576 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH297/apple-resume-haut-77f56.png' width='450' height='297' alt='PNG - 226 ko' style='height:297px;width:450px;' /&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;Rsum de la commande en haut sur l&amp;#8217;Apple Store&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Le rsum de la commande s&amp;#8217;affiche normalement, align sur le haut du contenu.&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_575 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH297/apple-resume-bas-b5058.png' width='450' height='297' alt='PNG - 230.1 ko' style='height:297px;width:450px;' /&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;Rsum de la commande toujours visible sur l&amp;#8217;Apple Store&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Quand on descend dans la page, le rsum de la commande suit le mouvement pour rester toujours visible.&lt;/dd&gt;&lt;/dl&gt;&lt;p&gt;Sur l&amp;#8217;Apple Store, c&amp;#8217;est d&amp;#8217;ailleurs encore plus subtil, le bloc prsentant les spcifications du produit command se rduit automatiquement si la place disponible en hauteur n&amp;#8217;est pas assez grande, beau soucis du dtail&amp;nbsp;!&lt;/p&gt;&lt;dl class='spip_document_574 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH297/apple-resume-reduit-b3d72.png' width='450' height='297' alt='PNG - 230 ko' style='height:297px;width:450px;' /&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;Spcifications rduites sur l&amp;#8217;Apple Store&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Les spcifications du matriel command sont rduites en hauteur si on n&amp;#8217;a pas assez de place.&lt;/dd&gt;&lt;/dl&gt;&lt;p&gt;Je l&amp;#8217;ai vu plus rcemment sur le bloc &amp;#171;&amp;nbsp;View options&amp;nbsp;&amp;#187;  droite des rsultats de recherche sur MyFonts&amp;nbsp;:&lt;/p&gt;&lt;dl class='spip_document_573 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH297/myfonts-flow-896a2.png' width='450' height='297' alt='PNG - 154 ko' style='height:297px;width:450px;' /&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;Haut de la page de recherche de MyFonts&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Le bloc de paramtrage de la recherche est  droite, sous celui prsentant les tags. Dommage qu&amp;#8217;il ne soit pas tout de suite visible.&lt;/dd&gt;&lt;/dl&gt;&lt;dl class='spip_document_572 spip_documents spip_documents_center'&gt;&lt;dt&gt;&lt;img src='http://www.gasteroprod.com/local/cache-vignettes/L450xH297/myfonts-fixed-07b03.png' width='450' height='297' alt='PNG - 203.4 ko' style='height:297px;width:450px;' /&gt;&lt;/dt&gt;&lt;dt class='spip_doc_titre' style='width:350px;'&gt;&lt;strong&gt;Plus bas dans la page de recherche de MyFonts&lt;/strong&gt;&lt;/dt&gt;&lt;dd class='spip_doc_descriptif' style='width:350px;'&gt;Le bloc &amp;#171;&amp;nbsp;View options&amp;nbsp;&amp;#187; s&amp;#8217;ancre en haut de la fentre si on descend dans la page.&lt;/dd&gt;&lt;/dl&gt;&lt;p&gt;Je n&amp;#8217;avais pas encore pens  appliquer ce principe bien sympathique  mon site, mais l&amp;#8217;article &lt;a href='http://jqueryfordesigners.com/fixed-floating-elements/' class='spip_out' rel='external'&gt;Fixed Floating Elements&lt;/a&gt; de &lt;a href='http://jqueryfordesigners.com/' class='spip_out' rel='external'&gt;jQuery for Designers&lt;/a&gt; prsentant l&amp;#8217;approche technique m&amp;#8217;a mis le pied  l&amp;#8217;trier, je n&amp;#8217;ai pas su rsister&amp;nbsp;!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;margin: 1em 0 0 3em;&quot;&gt;&lt;fieldset&gt;&lt;legend&gt;Notes de bas de page&lt;/legend&gt;&lt;p&gt;[&lt;a href='#nh5-1' id='nb5-1' class='spip_note' title='Notes 5-1' rev='footnote'&gt;1&lt;/a&gt;] Sur les navigateurs graphiques o les CSS et le JavaScript sont activs...&lt;/p&gt;&lt;p&gt;[&lt;a href='#nh5-2' id='nb5-2' class='spip_note' title='Notes 5-2' rev='footnote'&gt;2&lt;/a&gt;] J&amp;#8217;exagre  peine&lt;/p&gt;&lt;/fieldset&gt;&lt;/div&gt;    &lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;                    Dj &lt;a href=&quot;http://www.gasteroprod.com/blog/un-menu-de-navigation-toujours-visible.html#commentaires&quot;&gt;2 commentaires&lt;/a&gt;.        &lt;a href=&quot;http://www.gasteroprod.com/spip.php?page=forum&amp;=1&amp;amp;retour=http%3A%2F%2Fwww.gasteroprod.com%2Fspip.php%3Fpage%3Darticle%26id_article%3D792%26connect%3Dcondition%23commentaires&amp;amp;r=67954c9fdb72530687d8e66c19cae9bb&quot;&gt;Ajoutez le vtre&lt;/a&gt; !                  &lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;  &lt;p&gt; &lt;a href=&quot;http://www.gasteroprod.com/blog/un-menu-de-navigation-toujours-visible.html&quot;&gt;Un menu de navigation toujours visible&lt;/a&gt;  a t publi par Nicolas Hoizey le  22 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.&lt;/p&gt;  &lt;img alt=&quot;Creative Commons License&quot; style=&quot;border-width:0; float: left;&quot; src=&quot;http://i.creativecommons.org/l/by-nc-sa/2.0/fr/88x31.png&quot; /&gt;      &lt;p style=&quot;margin-left: 100px;&quot;&gt;Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a rel=&quot;license&quot; href=&quot;http://creativecommons.org/licenses/by-nc-sa/2.0/fr/&quot;&gt;licence Creative Commons Paternit - Pas d'Utilisation Commerciale - Partage des Conditions Initiales  l'Identique, version 2.0 adapte  la France&lt;/a&gt;.&lt;/p&gt;  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/7AOX93Tq_-av12REFg2W8DECa3M/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/7AOX93Tq_-av12REFg2W8DECa3M/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/7AOX93Tq_-av12REFg2W8DECa3M/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/7AOX93Tq_-av12REFg2W8DECa3M/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/H9UKmUGMf_k&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 22 Dec 2009 03:15:55 -0500</pubDate><guid>209c49a2e29f1449f19dd264e9e8a0d0</guid></item>
<item><title>[Liens] 5-Second Films | Late For Work</title><link>http://5secondfilms.com/watch/late_for_work</link><description>&lt;div&gt;&lt;p&gt;Excellent ultra court mtrage !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://5secondfilms.com/watch/late_for_work&quot;&gt;5-Second Films | Late For Work&lt;/a&gt;  a t publi par Nicolas Hoizey le  21 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/i5f7c-DXyxaiuf2YhO2g8uuUeSU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/i5f7c-DXyxaiuf2YhO2g8uuUeSU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/i5f7c-DXyxaiuf2YhO2g8uuUeSU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/i5f7c-DXyxaiuf2YhO2g8uuUeSU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/6pOok75iDXU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 21 Dec 2009 10:19:05 -0500</pubDate><guid>5f918ebf9ba3a606f302840ff371a051</guid></item>
<item><title>[Liens] Ergonomie et Accessibilit sont dans un bateau : comment ramer dans la mme direction ?</title><link>http://www.slideshare.net/flupa/ergonomie-et-accessibilit-sont-dans-un-bateau-comment-ramer-dans-la-mme-direction</link><description>&lt;div&gt;&lt;p&gt;Laurent Denis (Temesis) et Gautier Barrre (FLUPA) confrontent l'ergonomie et l'accessibilit, au cours d'un petit djeuner organis par la FLUPA&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.slideshare.net/flupa/ergonomie-et-accessibilit-sont-dans-un-bateau-comment-ramer-dans-la-mme-direction&quot;&gt;Ergonomie et Accessibilit sont dans un bateau : comment ramer dans la mme direction ?&lt;/a&gt;  a t publi par Nicolas Hoizey le  21 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/wRMgnmIBWlfkJZfqlJNZ08-Yb28/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/wRMgnmIBWlfkJZfqlJNZ08-Yb28/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/wRMgnmIBWlfkJZfqlJNZ08-Yb28/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/wRMgnmIBWlfkJZfqlJNZ08-Yb28/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/_YUxuFCRM8k&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 21 Dec 2009 04:58:20 -0500</pubDate><guid>5096f74d056b0f24d9febfb9efea949d</guid></item>
<item><title>[Liens] RS-5 R-Strap by BlackRapid.com</title><link>http://www.blackrapid.com/product/camera-strap/rs-5</link><description>&lt;div&gt;&lt;p&gt;&quot;The RS-5 is a brilliant companion for those who require extra storage. It combines zippered pockets with a phone compartment roomy enough to accommodate even larger smart phones. A magnetic clasp opens silently for noise-sensitive situations.&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.blackrapid.com/product/camera-strap/rs-5&quot;&gt;RS-5 R-Strap by BlackRapid.com&lt;/a&gt;  a t publi par Nicolas Hoizey le  18 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/flnJj_DUmpCnQaKY5Ju1KEmJOPw/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/flnJj_DUmpCnQaKY5Ju1KEmJOPw/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/flnJj_DUmpCnQaKY5Ju1KEmJOPw/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/flnJj_DUmpCnQaKY5Ju1KEmJOPw/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/B291OyZvbww&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Fri, 18 Dec 2009 06:11:49 -0500</pubDate><guid>899f57e0fccaaf749bd028edd0a495e4</guid></item>
<item><title>[Liens] Bobby McFerrin en grande forme</title><link>http://vimeo.com/5917285</link><description>&lt;div&gt;&lt;p&gt;A partir de 1m51s, du grand Bobby McFerrin !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://vimeo.com/5917285&quot;&gt;Bobby McFerrin en grande forme&lt;/a&gt;  a t publi par Nicolas Hoizey le  17 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ySnlyoKH9esloIipAOZ801TU9wU/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ySnlyoKH9esloIipAOZ801TU9wU/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/ySnlyoKH9esloIipAOZ801TU9wU/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/ySnlyoKH9esloIipAOZ801TU9wU/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/7ganf3HIcmI&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 17 Dec 2009 04:35:58 -0500</pubDate><guid>7cff2e3345cd3a2d4b2ff830427ad00b</guid></item>
<item><title>[Liens] Uploading CSV Files for Tweets</title><link>http://dy-verse.blogspot.com/2009/12/uploading-csv-files-for-tweets.html</link><description>&lt;div&gt;&lt;p&gt;Programmer ses tweets dans Excel, c'est possible !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://dy-verse.blogspot.com/2009/12/uploading-csv-files-for-tweets.html&quot;&gt;Uploading CSV Files for Tweets&lt;/a&gt;  a t publi par Nicolas Hoizey le  17 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/0X6KA2-97yk4U4p4H1WTqduLyEo/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/0X6KA2-97yk4U4p4H1WTqduLyEo/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/0X6KA2-97yk4U4p4H1WTqduLyEo/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/0X6KA2-97yk4U4p4H1WTqduLyEo/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/xZgnsPhld-w&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 17 Dec 2009 04:33:14 -0500</pubDate><guid>5bfb6a2e3b53dbc027503cfb08f6f850</guid></item>
<item><title>[Liens] About the close tab behaviour in Google Chrome | The Invisible</title><link>http://www.theinvisibl.com/news/2009/12/08/a-piece-with-a-lot-of-screenshots-about-the-close-tab-behaviour-in-google-chrome</link><description>&lt;div&gt;&lt;p&gt;Qui aurait pens qu'il puisse y avoir tant de (bonnes) questions  se poser sur l'ergonomie des onglets dans une application ?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.theinvisibl.com/news/2009/12/08/a-piece-with-a-lot-of-screenshots-about-the-close-tab-behaviour-in-google-chrome&quot;&gt;About the close tab behaviour in Google Chrome | The Invisible&lt;/a&gt;  a t publi par Nicolas Hoizey le  17 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HtveBSHeijQXO3Xyc__vb07RikE/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HtveBSHeijQXO3Xyc__vb07RikE/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/HtveBSHeijQXO3Xyc__vb07RikE/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/HtveBSHeijQXO3Xyc__vb07RikE/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/1eHsS0DR9nM&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Thu, 17 Dec 2009 03:22:42 -0500</pubDate><guid>caba19c81be026bf8776cdbbefe03afc</guid></item>
<item><title>[Liens] Ce que nous rserve CSS3 en 2010 - Alsacrations</title><link>http://www.alsacreations.com/actu/lire/919-ce-que-nous-reserve-css3-en-2010.html</link><description>&lt;div&gt;&lt;p&gt;&quot;L'anne 2010 verra certainement nos habitudes changes par les nouvelles possibilits offertes en CSS 3&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.alsacreations.com/actu/lire/919-ce-que-nous-reserve-css3-en-2010.html&quot;&gt;Ce que nous rserve CSS3 en 2010 - Alsacrations&lt;/a&gt;  a t publi par Nicolas Hoizey le  16 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/o_H-xKvSnx-WvHpbzx5HFyYVaJg/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/o_H-xKvSnx-WvHpbzx5HFyYVaJg/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/o_H-xKvSnx-WvHpbzx5HFyYVaJg/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/o_H-xKvSnx-WvHpbzx5HFyYVaJg/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/0Fi0k8kTQDc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 16 Dec 2009 11:11:29 -0500</pubDate><guid>db4c939af88d4cf0780179f7fb4fa985</guid></item>
<item><title>[Liens] BLDGBLOG: Cracking the Planet</title><link>http://bldgblog.blogspot.com/2009/12/cracking-planet.html</link><description>&lt;div&gt;&lt;p&gt;De nouvelles faons de reprsenter notre bonne vieille Terre sur un plan, fascinant !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://bldgblog.blogspot.com/2009/12/cracking-planet.html&quot;&gt;BLDGBLOG: Cracking the Planet&lt;/a&gt;  a t publi par Nicolas Hoizey le  16 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/1YioZY-8K6ewEPU8EZUqGk_EH6k/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/1YioZY-8K6ewEPU8EZUqGk_EH6k/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/1YioZY-8K6ewEPU8EZUqGk_EH6k/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/1YioZY-8K6ewEPU8EZUqGk_EH6k/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/ZVgzFIOCDQU&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 16 Dec 2009 11:09:48 -0500</pubDate><guid>fb29b5e3f2d56f5a929b9aa5962fc3ea</guid></item>
<item><title>[Liens] Ma lettre  papa ParisWeb - Blog Temesis</title><link>http://blog.temesis.com/post/2009/12/15/Ma-lettre-a-papa-ParisWeb?pub=1#pr</link><description>&lt;div&gt;&lt;p&gt;D'excellentes ides de sujets pour les confrences de ParisWeb 2010, kinenveu ?&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://blog.temesis.com/post/2009/12/15/Ma-lettre-a-papa-ParisWeb?pub=1#pr&quot;&gt;Ma lettre  papa ParisWeb - Blog Temesis&lt;/a&gt;  a t publi par Nicolas Hoizey le  15 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Tkkx6oytLJHECijE1cs6-c8bKYI/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Tkkx6oytLJHECijE1cs6-c8bKYI/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/Tkkx6oytLJHECijE1cs6-c8bKYI/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/Tkkx6oytLJHECijE1cs6-c8bKYI/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/3EGhaX82Lfk&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 15 Dec 2009 05:42:18 -0500</pubDate><guid>61f81a493334ee860a093197aa77e39f</guid></item>
<item><title>[Liens] Twitter: premier media  dompter la rumeur?</title><link>http://jeromechoain.wordpress.com/2009/12/14/twitter-premier-media-a-dompter-la-rumeur</link><description>&lt;div&gt;&lt;p&gt;Internet devient intelligent. Contrairement  ce que pensent parfois ceux du dehors, on ne tweet pas tout et nimporte quoi.&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://jeromechoain.wordpress.com/2009/12/14/twitter-premier-media-a-dompter-la-rumeur&quot;&gt;Twitter: premier media  dompter la rumeur?&lt;/a&gt;  a t publi par Nicolas Hoizey le  15 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/b0LifR7sypNCTXg6c5LVkxSfdWY/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/b0LifR7sypNCTXg6c5LVkxSfdWY/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/b0LifR7sypNCTXg6c5LVkxSfdWY/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/b0LifR7sypNCTXg6c5LVkxSfdWY/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/X1mnRk15VOg&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 15 Dec 2009 02:27:28 -0500</pubDate><guid>41f9df10d54c03df3e558a94cdfbf4db</guid></item>
<item><title>[Liens] TeuxDeux</title><link>http://teuxdeux.com/</link><description>&lt;div&gt;&lt;p&gt;La meilleure application en ligne de gestion de tches, tout simplement, et c'est le cas de le dire !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://teuxdeux.com/&quot;&gt;TeuxDeux&lt;/a&gt;  a t publi par Nicolas Hoizey le  14 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/yFOQ5RxWytdsZma_YEkPECD7Cv4/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/yFOQ5RxWytdsZma_YEkPECD7Cv4/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/yFOQ5RxWytdsZma_YEkPECD7Cv4/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/yFOQ5RxWytdsZma_YEkPECD7Cv4/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/zuBsn_iBTUc&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 14 Dec 2009 14:31:29 -0500</pubDate><guid>d93e92b85854a07b838751b606030fda</guid></item>
<item><title>[Liens] Amazon.com - Get the Wish List Browser Button</title><link>http://www.amazon.com/gp/wishlist/get-button</link><description>&lt;div&gt;&lt;p&gt;Amazon propose maintenant de remplir sa wishlist depuis n'importe quel site, danger en vue pour le portefeuille !!!&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.amazon.com/gp/wishlist/get-button&quot;&gt;Amazon.com - Get the Wish List Browser Button&lt;/a&gt;  a t publi par Nicolas Hoizey le  7 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/NhzqQ9SQYRbFMPEPgz1Omap6OFs/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/NhzqQ9SQYRbFMPEPgz1Omap6OFs/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/NhzqQ9SQYRbFMPEPgz1Omap6OFs/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/NhzqQ9SQYRbFMPEPgz1Omap6OFs/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/1MKU0No0GIg&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 07 Dec 2009 04:28:32 -0500</pubDate><guid>aec39680beede823e984d112fdc87553</guid></item>
<item><title>[Liens] Fixed Floating Elements | jQuery for Designers</title><link>http://jqueryfordesigners.com/fixed-floating-elements</link><description>&lt;div&gt;&lt;p&gt;Comment faire des lments qui bougent avec le reste du contenu, mais ne sortent pas si on scrolle trop. Mis en uvre sur le menu de gasteroprod.com pour une meilleure ergonomie !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://jqueryfordesigners.com/fixed-floating-elements&quot;&gt;Fixed Floating Elements | jQuery for Designers&lt;/a&gt;  a t publi par Nicolas Hoizey le  2 d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/6ja6zzZu9MLKsiB7GDUZJuowrnM/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/6ja6zzZu9MLKsiB7GDUZJuowrnM/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/6ja6zzZu9MLKsiB7GDUZJuowrnM/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/6ja6zzZu9MLKsiB7GDUZJuowrnM/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/t_C5o1A2ngw&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Wed, 02 Dec 2009 04:02:51 -0500</pubDate><guid>38e9b9acf7e0cd0f78e727331f7f766f</guid></item>
<item><title>[Liens] Continuity</title><link>http://web.student.chalmers.se/groups/idp09-7/flashgame</link><description>&lt;div&gt;&lt;p&gt;Un excellent jeu de plateau (mouvant) trs addictif !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://web.student.chalmers.se/groups/idp09-7/flashgame&quot;&gt;Continuity&lt;/a&gt;  a t publi par Nicolas Hoizey le  1er d&amp;eacute;cembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/48QJHF21uGjMgAsTbsdKKA-wBG8/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/48QJHF21uGjMgAsTbsdKKA-wBG8/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/48QJHF21uGjMgAsTbsdKKA-wBG8/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/48QJHF21uGjMgAsTbsdKKA-wBG8/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/7pJdfNxYW-E&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Tue, 01 Dec 2009 09:53:51 -0500</pubDate><guid>7ee03b2c5de3c30c3f49113a415dbb4e</guid></item>
<item><title>[Liens] Qui Frdric Lefebvre suit-il sur Twitter maintenant qu'il est de retour ? - Numerama</title><link>http://www.numerama.com/magazine/14609-qui-frederic-lefebvre-suit-il-sur-twitter-maintenant-qu-il-est-de-retour.html</link><description>&lt;div&gt;&lt;p&gt;&quot;si l'on regarde la liste des &quot;following&quot; de Frdric Lefebvre, on comprend vite que l'ancien dput UMP trs hostile  Internet ne fait rien pour mieux comprendre le mdia sur lequel il entend dsormais s'exprimer.&quot;&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.numerama.com/magazine/14609-qui-frederic-lefebvre-suit-il-sur-twitter-maintenant-qu-il-est-de-retour.html&quot;&gt;Qui Frdric Lefebvre suit-il sur Twitter maintenant qu'il est de retour ? - Numerama&lt;/a&gt;  a t publi par Nicolas Hoizey le  30 novembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/r6EMkLIdDAwkNoqZDEO1Rb-P15g/0/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/r6EMkLIdDAwkNoqZDEO1Rb-P15g/0/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/r6EMkLIdDAwkNoqZDEO1Rb-P15g/1/da&quot;&gt;&lt;img src=&quot;http://feedads.g.doubleclick.net/~a/r6EMkLIdDAwkNoqZDEO1Rb-P15g/1/di&quot; border=&quot;0&quot; ismap=&quot;true&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/GasteroProd/~4/U3X9D27Onms&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;</description><pubDate>Mon, 30 Nov 2009 04:48:33 -0500</pubDate><guid>5b8cbac5383fd5d3702f7cc8c4e40a5e</guid></item>
<item><title>[Liens] Zombie Outbreak Simulator</title><link>http://www.class3outbreak.com/zombie-outbreak-simulator</link><description>&lt;div&gt;&lt;p&gt;Impressionnante simulation d'attaque zombie s'appuyant sur Google Maps !&lt;/p&gt;&lt;/div&gt;&lt;div style=&quot;background: #ddd; font-size: 0.9em; margin: 1em; padding: 0.5em;&quot;&gt;   &lt;a href=&quot;http://www.class3outbreak.com/zombie-outbreak-simulator&quot;&gt;Zombie Outbreak Simulator&lt;/a&gt;  a t publi par Nicolas Hoizey le  27 novembre 2009 sur &lt;a href=&quot;http://www.gasteroprod.com/&quot;&gt;Gastero Prod&lt;/a&gt;.      Sauf mention explicite, ce contenu est la proprit de Nicolas Hoizey, et est sous      &lt;a href=&quot;http://creativecommons.org/licenses/by-nc-sa/3.0/deed.fr&quot;&gt;licence Creative Commons by-nc-sa 3.0&lt;/a&gt;.  &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://feedads.g.doubleclick.net/~a/yQqVu-T0IX1DZM7Ni2QQ7pr_I7Y/0/da&quot;